Dangos 144 canlyniad

The file comprises photocopies of correspondence, 1924-1962, mainly between Augustus John and his publisher Jonathan Cape relating to the artist's autobiography originally called 'In search of oneself: fragments of autobiography', together with William Plomer's reader's report, 1948.

The file comprises two printer's copies, [1974], without the preface, notes and acknowledgements, but including the preface in typescript form in one of the volumes.

The file comprises 'The ideal woman' by Michael Holroyd in the Buxton Festival programme, 1998, relating to Augustus John's painting 'The Smiling Woman' which features on the front cover, a photocopy of the typescript of the article and correspondence, 1998, regarding the event. The file also comprises Michael Holroyd's entry for the New Dictionary of National Biography, 1999, in the form of a proof with his corrections and Notes for contributors from Oxford University Press.

The series comprises scripts mainly about Augustus John and his family as follows: Peter Terson, 'Ida', [1974], 'Augustus' by Robert Bolt, [?1979], 'Portraits' by William Douglas Home, [1987], 'Still lives' by Candida Cave, 1996, and 'Gus', adapted from the biography by Yves Baigneres (for Renaissance Films), 1996, with correspondence, 1996-1998.

The file comprises two corrected drafts of the play, [1974].

The file comprises photocopies of letters from Gwen John to her patron John Quinn, 1910-1924.

The file includes a photocopy of Gwen John's entry in the fee register at the Slade School of Fine Art, London, 1895; a 'statement as to the domicile' of Gwen John, 1940, by R. T. P. Williams & Sons [Solicitors, Haverfordwest] (original); an article 'Gwen John: artist in exile', [1982], [later published in Michael Holroyd, Works on paper: the craft of biography and autobiography (London, 2002)]; article 'The shy sister' concerning Gwen John, The Sunday Times Magazine, 1976; transcripts of two letters from Gwen John to Ursula Tyrwhitt, 1903 [in NLW MS 21468D]; brief summaries of letters from Edwin John to Gwen John, 1911-1938, and from Ida John to Gwen John, 1902-1904; transcripts of letters from her to William and Alice [Rothenstein], [?1907]-[1926]; text amendments by [Sara John] et al. of Susan Chitty's Gwen John (London, 1981) and typescript and corrected proof, [1981], by Michael Holroyd of his review. -- Also included are photocopies of Augustus John's article on 'Gwendolen John', The Burlington magazine, October 1942; The Art Quarterly, Autumn 1991, advertising Michael Holroyd's lecture 'Gwen and Augustus John' at the Royal Geographical Society; and a leaflet advertising The golden nineties. Gwen John and her forgotten contemporaries, when Michael Holroyd gave a talk on 'Gwen and Augustus John' at Lincoln in 1996; and a leaflet promoting 'An afternoon with Gwen and Augustus John', Manchester 1986.

The file comprises Mary Taubman's 'homage' to Hugh Kingsmill entitled '"A passing breeze": 1920-1922' (VI), together with an explanatory note, 1970. Michael Holroyd's critical biography Hugh Kingsmill was first published in 1964 and again in 1971 and selections from his writings in 1970.

The file comprises letters, 1968-1993, from Christabel Aberconway (2), Marcia Allentuck (4), Boris Anrep (1), Bruce Arnold (2), Ronald Ayling (1) and Michael Ayrton (2).

The file comprises letters, 1968-2000, from Kathleen Hale (9), Edna Clarke Hall (3), James Hanley (3), Ethel C. Hatch (2), Beshlie [Heron] (6), Bevis Hillier (1), Richard Hughes (4), Daniel Huws (2) and H. Montgomery Hyde (1).

The file comprises letters, [1968]-[1998], from Charles Tennyson (3), Peter Terson (5), Caitlin Thomas (2), Lisa T[ickner] (3), Ruthven Todd (2), William J. Weatherby (3), Sir Charles Wheeler (3), Emlyn Williams (2) and Dora Yates (11). Letters from unidentified correspondents are also included.

The file comprises letters, 1968-[1998], from foreign repositories including the Albright-Knox Gallery, Buffalo, New York; Archives of American Art, Detroit; Art Gallery of Ontario; Brooklyn College; University of California, Los Angeles; Davis & Langdale Company, New York; Department of National Defence, Ottawa; Dunedin Public Art Gallery, New Zealand; Havard University Archives; Houghton Library, Havard University; Huntington, California; University of Michigan; Mount Holyoke College, Massachusetts; Musée Picasso, Paris; Musée Rodin, Paris; New York Public Library; Johannesburg Art Gallery; South African National Gallery; University of Auckland; University of Texas and Yale University Library, and also letters, 1996, from his book publishers Farrar, Straus & Giroux in New York.

The file comprises photocopies of letters written by Augustus John, [1931]-1961, to his son David.

The file comprises photocopies of letters written by Augustus John, 1956-1961, to his son Robin, together with a photocopy of a letter, 1961, from David John to Robin.

The file comprises photocopies of letters, 1927-1929, from Father Martin D'Arcy to [Henry John] and his reminiscences of Henry John, [1968x1976], in the hand of Michael Holroyd and of Tom Burns, 1973; letters, 1926-[1929], from Augustus John to his son Henry; a letter from Henry to 'Grannie' [Mrs Ada Nettleship] and Poppet; a letter, 1926, from Henry to his father from Rome, together with a photocopy of an article entitled 'Augustus John's son a Jesuit novice', [1929].

The file comprises photocopies of letters, [1938]-[1960], to his daughter Vivien John (afterwards White).

The file comprises transcripts of extracts from letters written by Augustus John to his granddaughter Sara John, [1959]-1961, discussing his painting of her. The original letters were purchased by NLW in January 2004 (NLW MS 23922D, ff. 12-25).

The file comprises photocopies of letters from Augustus John to Daniel George, 1950-1961; Elmer [Gertz], 1932; Oliver Gogarty, 1918-1947; Conger Goodyear, [1923]; William Robert Gregory, [?1907]; Pamela Grove, 1941-[1953]; and Ned [Grove], [1941x1953].

The file includes photocopies of letters from Augustus John to Philip Heseltine, 1920-1929; a transcript, 1972, of a letter, 1923, from the artist to Thomas Hardy, from the Thomas Hardy Memorial Collection, thanking the latter for sitting for him and stating that his portrait had been purchased by the Fitzwilliam Museum; Mary [Keene], [1945]-[1948]; and Dame Laura Knight, 1938, together with a press cutting from The Evening Standard, 1968, containing a profile of her.