Dangos 144 canlyniad

The file comprises letters, 1968-1973, from Frances Partridge (5), Stuart Piggott (2), Phyllis Playter (2) and Anthony Powell (3).

The file comprises letters, 1971-1976, mainly from repositories and societies such as the Fine Art Society, Fitzwilliam Museum, Cambridge, Royal Society of Literature, Contemporary Art Society, A. P. Watt & Son, Oxford University Press, William Heinemann Publishers, Jonathan Cape Limited, the Ashmolean Museum, National Portrait Gallery, Tenby Museum, relating to matters such as Augustus John exhibitions and enquiries about the John family and paintings.

The file comprises letters, [1977]-[1999], mainly from repositories and societies such as the National Museum of Wales, Cardiff, Tenby Museum and Art Gallery, BBC, New Academy for Art Studies, Ulster Museum, Tate Gallery, National Portrait Gallery, University of Liverpool, Christie's, City of Manchester Cultural Services, City of Sheffield Department of Arts, City of Birmingham City Museums and Art Gallery, British Library, Bodleian Library, Victoria and Albert Museum, National Library of Ireland, Chatto & Windus, National Museums & Galleries of Wales and the Barbican Art Gallery, relating to enquiries such as the works of Augustus John, exhibitions and lectures by Michael Holroyd. Also included are letters from ZIP TV, Cardiff, 1994, relating to arrangements for Michael Holroyd's interview for the programme 'Augustus John: King of Bohemia'.

The file comprises a letter, 1995, from the archivist at the Gallery enclosing a photocopy of a letter, 1922, from Augustus John relating to the copyright of a painting sold to the Gallery and correspondence, 1923-1971, relating to the artist's cartoon 'Canadians opposite Lens', 1917-1918, and other works by him. Also included is a list of its Augustus John holdings.

The series comprises photocopies of letters, [1922]-1961, written by Augustus John to his wife, children and grandchildren and other family members, together with some letters to Augustus John, relating to family and professional business.

The series comprises photocopies of letters, mainly written by Augustus John to his friends and sitters relating to his artwork and family matters and also to works on him such as Lillian Browse, Augustus John Drawings (London, 1941) and David Cecil (ed.), Fifty-two Drawings (London, 1957).

The file comprises photocopies of letters written to Augustus John. The correspondents include John Samp[son], 1910, Frida Strindberg, [?1911], [?1914]; Wyndham Lewis, 1928; James Joyce, [1933]; Dora Yates, 1947; Holt Beever & Kinsey, Solicitors, London, 1950, declaring that The Rt Hon. Katharine Viscountess Tredegar had left him a Bronze Angel by Franc Krisnic in her will; and Ulick O'Connnor, 1958, together with a translation of a letter written in French by Albert Schweitzer, [1955], to the artist, and a covenant, 1927, signed by Horace de Vere Cole and Augustus John to drink no rum, whisky, gin or vodka.

The file comprises photocopies of letters from Augustus John to Kit Adeane, 1943-1957, and letters from Dorelia John to her, [1951] and [1957] and Vivien John, 1957; Michael Ayrton, 1961; Tallulah [Bankhead], 1930; Sir Herbert Barker, 1930-1944, and 1950 to his widow, with a biographical note; John Beatty, Director of Fine Arts at the Carnegie Institute, Pittsburgh, 1910-1920; Lord Beaverbrook, 1918, and a letter, 1917, from Lord Beaverbrook to Sir Frederick Smith, relating to 'the greatest artist of our time'; Basil Burdett, [1935]; and typescript copies of letters to Count William de Belleroche, 1943-1961, and two letters from Dorelia John, 1960 and 1962.

The file includes photocopies of letters from Augustus John to [Cyril] Clemens, 1947-1955; 'Horatio' [Horace de Vere Cole], 1927; and [Aleister] Crowley, [1912].

The file includes photocopies of letters, 1937-1938, from Augustus John to [Sir John] Lavery; letters, 1920, relating to Augustus John's portrait of Lord Leverhulme, 1920, with a letter, 1970, from the Honorary Director of Beaverbrook Library; J. B. Manson, [1912]-[1940]; [General Bernard] Montgomery, 1938; Grant Murray, 1948; Arnold Palmer, 1930-[1959]; Hugo [Pitman], 1952-1953, and transcripts of letters, 1954 and [?1956], to Reine Pitman; Will[iam] [Rothenstein], [1911]-[1935], with transcripts of letters, [?1900]-[1913], and of two letters from Dorelia [John] to Alice [Rothenstein], [1914x1927]; [John Sampson, 1914-1915]; Frances Stevenson, 1919-1920, and extracts from letters, [1919], in NLW MS 21570E, concerning Augustus John's commission to paint the Paris Peace Conference in 1919; [Frida Strindberg], [?1911]; Winifred Coombe Tennant, 1950, with a photocopy of a letter from her; [Henry] Tonks, 1918; Sir Emery Walker, [1916]; and Maynard Walker, 1945. Also included are a few letters to some unidentified recipients.

The file comprises photocopies of correspondence, [1940]-[1956], relating mainly to the preparation of her foreword as editor of the publication Augustus John drawings (London, 1941), and to books sold, payments and royalties.

The file comprises photocopies of letters from Augustus John to Thomas W. Earp, [1938]-[1956], together with a photocopy of a letter, 28 July 1926, from the latter, relating to Augustus John's portrait of him in Ischia, [1925].

The file comprises photocopies of correspondence, 1955-1957, between Augustus John and George Rainbird relating to Fifty-two drawings published by Rainbird in 1957; a letter, 1957, from George Rainbird to Sir Brinsley Ford and photocopies from the book including David Cecil's introduction and information on the book for The Observer; together with a letter from Sir Brinsley Ford, 1969, enclosing photocopies from his journals, 1955-1956.

The file comprises photocopies of letters to his friend Charles Slade, 1909-[1917], and of letters, 1954, from Gerald Kelly, President of the Royal Academy of Arts to Charles Slade; and letters to Vera Stubbs, [?1929]-[1955], from Augustus John and one from 'Vyvyen' [Vivien White].

The file comprises photocopies of letters, [1946]-[1959], including Augustus John's tribute to Lady Matthew Smith [née Gwen Salmond], January 1958, together with photocopies of letters, [1941]-[1958], from Vivien White to Sir Matthew Smith and a letter from 'Dodo', [1941x1961].

The file comprises photocopies and mainly transcripts of extracts from letters referring to Augustus John, including [W. B.] Yeats to Lady Gregory and others, 1907-1935; H[elen] M[aitland] to [Henry Lamb], 1920; Christopher (Kit) Wood to his mother, 1921-1926; Horace de Vere Cole to [J. B.] Manson, 1926; W[illiam] R[othenstein] to Flora Russell, 1935-1944, and to Wyndham Lewis, 1927-[1942]; Dylan Thomas to Frances Hughes, 1939; [Jack] Knewstub to his family, [1940]-[1949]; correspondence between William de Belleroche and Frank Brangwyn, 1943-1950; John Cowper Powys to Louis Wilkinson, 1955-1956; Vivien White to Vera Stubbs, 1959, together with a photocopy of a letter from Bertrand Russell to Lady Melchett, 1964, relating to Augustus John's memorial and extracts from the D'Abernon Papers at the British Library relating to Augustus John's portrait of the Lord.

The file comprises notes taken from the papers of [Gerald] Kelly held at the Royal Academy of Arts mainly relating to Augustus John's retrospective exhibition at the Royal Academy in 1954; a press release (original) from the Walker Art Gallery, Liverpool, 1954, relating to an exhibition 'Augustus John in Liverpool' held there; a press release from the Fitzwilliam Museum, Cambridge, advertising the Augustus John Centenary exhibition in 1978; information sheet for an exhibition held at the Manchester City Art Gallery in [1985x1986]; a press release advertising a one week only exhibition of Augustus John's cartoon 'The Mumpers' at the Mercury Gallery, London, in [1994]; a press release from the Barbican Art Gallery advertising the 'Modern Art in Britain 1910-1914' exhibition held in 1997 featuring landscapes by Augustus John; photocopy of an exhibition of Augustus John drawings lent by Anson C. Goodyear at the Buffalo Fine Arts Academy, New York, 1926; notes about the National Gallery and Augustus John's exhibition held in 1940; and a transcript of a press cutting, 1907, from The Saturday Review (which was in the possession of Winifred Shute [sister of Augustus John]) relating to an exhibition at the Carfax Gallery, London. -- The file includes photocopies of the correspondence, 1954, of John Freemantle (Lord Cottesloe) relating to an exhibition held at the Diploma Gallery, Royal Academy, and the confusion about the painting of Miss Spencer Edwards. Also included are notes taken from the appointment diaries of Augustus John, [1921] and 1923 (NLW MSS 23853-23854A).

The file comprises articles and other items, mostly photocopies, including Th. Bolton, 'Augustus John - The Painter', Pearson's Magazine, 1919; 'Some of Augustus John's drawings now on exhibition in the National Gallery, London', Picture Post, March 1941; Alan Andrews, 'Augustus John', Picture Post, March 1954; 'Augustus John a great artist but a difficult sitter' by Allan Chappelow, The Photographic Journal, July 1962; 'The Boy David: Augustus John and Ernst Stern' by Michael Easton, Apollo, 1965; minutes of the Royal Society of Portrait Painters, 1938-1954 (Augustus John was its president, 1948-1952); articles, 1912, from various newspapers relating to the cartoon 'Mumpers' by Augustus John exhibited at the New English Art Club in London; 'The drawings of Augustus John' by Hugh Blaker, Colour magazine, 1916; and 'Augustus John in Dorset', Dorset Life, 1990; together with the programme of the Augustus John Memorial Concert held by the Royal Academy of Arts in 1966 and a booklet about Gumfreston Church [where the artist's father Edwin William John was buried].

The file comprises 'Augustus John. Artists, anarchist and gypsy' by Horace Shipp, Everybody's Weekly, March 1954; photocopies of galley proofs corrected by Augustus John of his review of Dora E. Yates's My gypsy days: recollections of a Romani Rawnie, [1953]; Journal of the Gypsy Lore Society, containing tributes to Augustus John by Sacheverell Sitwell and Walter Starkie, 1962, and Dorelia John by Joseta Jones, 1970; photocopies of Juliette de Bairacli Levy's 'Augustus John in the New Forest', Journal of the Gypsy Lore Society and a draft of the article; 'Hungarian gypsies in Comberton Camp' by the same author; book reviews of Sven Berlin, Dromengro: Man of the road (London, 1971), with references to Augustus John, and an article by Ronald Blythe, The Listener, June 1972, relating to sites for gypsies.

The file comprises photocopies from the diary of John Quinn, 1911, a New York lawyer and patron of the arts, with references to Augustus John, and notes taken from his diaries, 1917-1923, and from his various correspondents, including [Jacob] Epstein, Iris Tree and W. B. Yeats, 1908-1923, together with a photocopy of a letter, 1911, from the artist to John Quinn.