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Archival description
Teliesyn Archive,
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Yr Enwog Wmffre Hargwyn,

A production file for the Yr Enwog Wmffre Hargwyn series, relating to the programmes Dirgelwch Eisteddfod Llanyfyddar, Dirgelwch Gwesty Glan-y-Môr, Te Parti Trydanol, Diflaniad y Llythren 'C', Dirgelwch Brenin Olaf y Cyntaf and Cysanu Cythreulig, comprising copyright licence agreements, applications for music licences and music licences, with associated correspondence, music log sheets, a stock shot and clip price list, artist time sheets, scripts, tape delivery forms, transmission information and programme as completed forms, which include lists of contributors, forms and letters of engagement and other contracts, copyright material lists for footage, royalty declaration forms and music lists.

'Yr Efengyl yn ôl S4C',

A production file for various Teliesyn productions between 1982-1989, comprising correspondence, invoices and programme as completed forms, which include contributor lists, stills and footage lists, music lists, contracts and forms of engagement; together with a proposal.

Yn ôl i Barcelona,

A production file for the Yn ôl i Barcelona production, including a list of music, a shot list continuation sheet, and programme as completed forms, which include lists of contributors, details of archive footage used, music cue sheets and transmission details.

Y Bwystfil Oddi Mewn,

A production file for the Y Bwystfil Oddi Mewn production, comprising a tape delivery form and programme as completed form, which includes lists of contributors, copyright material and rights lists, cast/crew lists, a music list and associated paperwork, which includes contracts of engagement, contribution agreements, extra release forms, correspondence and invoices regarding usage rights and a licence agreement.

Writing on the Line,

A production file for the Writing on the Line series, relating to the programmes Mary Shelley: Maker of Monsters, Pushkin and the Bronze Horseman, Alien Face in the Mirror and Milena Jesenska, the Art of Standing Still, comprising transmission information, post production scripts and programme as completed forms, which include contributor lists, music cue sheets, copyright material lists for stills and footage, technical information, opening titles and end credits, with associated paperwork that includes contracts, letters and forms of engagement, invoices, licence agreements and publication rights, musicians' payment vouchers and applications for music licences.

[Writing on the Line] (Which Side Are You On?),

Papers relating to the [Writing on the Line] series, [previously entitled Which Side Are You On?], regarding the programmes on Milena Jesenka, Saunders Lewis, Mary Shelley and Alexander Pushkin, comprising a draft script, proposal, outline work schedule, outline production schedule, proposed development schedule, correspondence, financial information, research material and notes.

[Writing on the Line]: Milena [Jesenka, The Art of Standing Still] (C4),

Papers relating to the Milena [Jesenka, The Art of Standing Still] production of the Writing on the Line series, including correspondence, background information, draft scripts, shooting schedules, actress information including performance reviews, headshots and recruitment papers, an archive material list and use of copyright material paperwork, location information, importation documentation and financial paperwork.

[Writing on the Line]: Milena [Jesenka, The Art of Standing Still] (2),

Papers relating to the Milena [Jesenka, The Art of Standing Still] production of the Writing on the Line series, comprising research material including photographs, location information, a one line schedule, a shooting schedule, archive material details, draft scripts, financial papers, correspondence, recruitment and casting papers and notes.

[Writing on the Line]: Milena [Jesenka, The Art of Standing Still] (1),

Papers relating to the Milena [Jesenka, The Art of Standing Still] production of the Writing on the Line series, including dubbing sheets, draft scripts, research papers and background information, task lists, correspondence, rough shooting schedules, a list of archival film footage, tape transcripts, a proposal for the establishment of a Franz Kafka Centre, recruitment papers and actress details, a contract and notes.

[Writing on the Line: Mary Shelley - Maker of Monsters],

Papers relating to the [Mary Shelley - Maker of Monsters] production of the Writing on the Line series, comprising note cards, correspondence, shooting schedules, research material, draft scripts and outlines, travel itineraries, information on locations, sequence drafts, lists of illustrations/stills, shot lists, credit sequences and notes.

Women at the Brink of War,

Papers relating to the proposed production Women at the Brink of War, comprising proposals, draft scripts, correspondence and notes.

Whoddunnit,

A production file for the Whoddunnit series, relating to the programmes Murder at Mortagne, The Strange Case of Dr. William Parry and Death on a Summer's Day, comprising programme as recorded forms and programme as completed forms, which include credits details, contributor lists, letters and forms of engagement, contracts, release forms, copyright clearance forms, invoices and music cue sheets.

White Dog of Treventy,

Papers relating to the proposed productions, White Dog of Treventy and Spirit of the Dance, comprising draft scripts, a synopsis with location pictures and correspondence.

Wales Playhouse III,

A production file for the Wales Playhouse III series, relating to the programmes Party Politics, Moniker, Whistling Boy, Princess of Wales, S loves B, Archangel and The Trouble With Pork, comprising programme as completed forms, which include lists of contributors, content details, music cue sheets and associated paperwork, which includes letters and forms of agreement and non-equity performance agreements; together with cast details, correspondence, forms of engagement, crowd/extra release forms, extra forms, scripts, contracts and programme schedules.

Wales Playhouse II,

A production file for the Wales Playhouse II series, relating to the programmes Broken Glass, Fallen Sons, Sleeping with Mickey, Insect Life, Crystal Blues and Touch, comprising BBC programme as completed guidelines, billing forms, transmission forms, post production scripts, an outline budget, general correspondence and programme as completed forms, which include lists of contributors and content details, lists of stills and footage, music cue sheets and associated paperwork which includes letters and forms of engagement, invoices and correspondence regarding copyright clearance.

Viva Jemima,

A production file for the Viva Jemima production, comprising a programme as recorded form, which includes contributor lists, credits and commercial information, credits lists, forms of engagement, correspondence, release forms, music cue sheets and billing information.

Thursday's Child,

A production file for the Thursday's Child production, comprising a programme as completed form, which includes transmission information, music cue sheets, contributor lists, a copyright material list for stills and footage and technical information; together with a producer's contract.

The Sherman Plays,

A production file for the Sherman Plays series, relating to the programmes Colour of Light, A Slags Gig and Learning the Language, comprising invoices, licence agreements, credits lists, scripts (screen and theatre versions), film and video continuity notes, a shot list and programme as completed forms, which include lists of contributors, music cue sheets, and associated paperwork, which includes contracts, letters and forms of engagement, programme as recorded forms and letters of agreement.

The Rights of Man and the Wrongs of Woman,

A production file for The Rights of Man and the Wrongs of Woman production, comprising a programme as completed form, which includes transmission information, music cue sheets, contributor lists, copyright material lists for stills and footage, technical information and a credits list.

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