Dangos 47 canlyniad

Some seventy letters, 1907-1939, to Gwen John from various correspondents (surnames R-W), including Arthur Symons (7) 1919-1920, and Ursula Tyrwhitt (31) [1907]-1939, together with a few business letters and papers, and six letters addressed to various correspondents, 1902-1926, mostly from Ida John.

Over a hundred letters, 1934-1956, addressed to Edwin John, nephew of Gwen John, from various correspondents (surnames B-J), including his father, Augustus John (48) 1938-1956, and other members of the John family; many of the letters are concerned with the 1946 Gwen John memorial exhibition.

Notebook, [?1920s]-[1930s], containing notes on pictures in the Prado, National Gallery, and elsewhere, together with miscellaneous notes by Edwin John and in various hands.

Pocket diary, 1931-1935, of Gwen John containing notes, including personal reflections, notes on technique and method, and rough sketches.

Exercise book, [c. 1903]-[c. 1904], of Gwen John containing notes on art history and related subjects together with transcripts of verse and prose in English, Welsh and Romani.

Exercise book, [?1910]-1912, of Gwen John containing advice on prayer and meditation copied from a printed source.

Exercise book, [c. 1913]-1926, of Gwen John containing extracts copied from printed sources, mainly on literary and philosophical subjects, together with draft letters, in French, to Auguste Rodin.

Notebook, c. 1927-1930, containing draft letters, in French, from Gwen John to Véra Oumanҫoff, together with extracts from Hogarth's Analysis of Beauty, translated into French.

Nine notepads, [?1920s]-[1930s], of Gwen John, some containing charcoal sketches of people in church, with occasional notes.

Some one hundred and fifteen letters, 1903-1939, to Gwen John from various correspondents (surnames L-P), including Mary Constance Lloyd (6) 1906-[1930], Dorelia McNeill (38) c. 1903-1939, and Véra Oumançoff (9) ?1927-[1928].

Some seventy letters, 1906-1915, to Gwen John from Auguste Rodin.

Photographs and prayer cards, 1909-1926, including prints made from negatives found amongst Gwen John's papers.

Exercise book, 1910-1911, of Gwen John containing extracts copied from various authors, mostly philosophical and religious.

Exercise book, [?1920]-1930, of Gwen John containing a few impressions and sparse notes for pictures.

Notebook, 1928-1929, containing personal reflections in the form of draft letters from Gwen John, in French to Véra Oumanҫoff, and in English to Tom Burns.

Notebook, c. 1930-1932, containing personal reflections, mainly in the form of draft letters from Gwen John to Véra Oumançoff and to Chanoine A. Pierme.

Extracts, 1911-1919, by Gwen John, copied from various authors, mostly religious or philosophical.

Some eighty-two draft letters, July 1927-April 1932, from Gwen John to Véra Oumançoff, containing mainly personal news and reflections but also including references to John's drawing in church (ff. 1-4, 42 verso); showing her pictures to Véra, and the latter’s reactions to them (ff. 12 verso, 29 verso, 30, 38-40 verso, 66); the 'dessins du lundi' (ff. 56, 78, 97); general references to her work (ff. 21, 23); notes on colours and tones (f. 41); rough sketches (f. 90 verso); the demolition of the mairie [at Meudon] and new buildings going up (ff. 60-62); the dampness of the house where she lives (f. 87); fragmentary drafts of letters to Tom Burns (ff. 34, 53 verso).

Some one hundred and thirty draft letters, [c. 1908]-1938, from Gwen John to various correspondents (surnames P-W), including Rainer Maria Rilke (4) [c. 1910]-1913, Auguste Rodin (57) [c. 1908]-[c. 1916], and Ursula Tyrwhitt (4) 1911-1938.

Some sixty letters, 1910-1938, to Gwen John from her father, Edwin William John.