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Concert programmes and press cuttings that contain works and biographical details of young composers and musicians.

Items relating to William Mathias including: Obituaries and tribute to William Mathias at Llandaff Cathedral.

Draft proofs of the 2010 Welsh Proms (25th). Draft brochure, 2011.

Articles and cuttings.

Letters relating to the withdrawal of funding by the Arts Council of Wales and the future of the WMIC. Includes draft business plan, November 1996 and a Preliminary Study of the future of the Welsh Music Information Centre (2nd draft), October 1997. Six letters from Dilys Elwyn-Edwards to Peter asking for the return of her manuscripts kept at the music centre, 1998.

His appointment as writer of new assessment materials and consultancy work. Drafts of resources and teacher notes along with set pieces.

Typescript of articles (copy drafts) written for the 'Venue', an arts, leisure and listings magazine.

Typescript of articles (copy drafts) written for the 'Venue', a new arts, leisure and listings magazine. The first part of the file relates to the history and founding of the Venue South Wales from April 1991.

Original manuscript score and part 'Variations' for two players. For Sharon McKinley and David Appleton. Eight variations and a Theme by Guillaume de Machaut for cello and piano. Sketches and rough score 1-3 May 1993.

Manuscript score 'Urban Songs'; The small places of quiet', three poems by Adey Grummet. For five players soprano, baroque flute, violin, bass, viola and harpsichord. Two copies. [Also V.S. for soprano and piano?] Words 'I walk to the end of my street', 'Cars' and the 'Small place of quiet', by Adey Grummet. Small number of correspondence, 2000-2002.

Draft manuscript score and sketches 'Unison' for two clarinets in B Flat. First performed at Dartington Hall, August 1986. Written for Morton Feldman's composition class.

Unidentified sketches, incomplete works and parts.

Papers and documents compiled by Peter Reynolds in his position on the board of trustees at Tŷ Cerdd: Tŷ Cerdd Showcase and conference, 2014; Strategic plan, 2014-2018; Report of the trustees and financial statement, years ending 2012 and 2015; Business plan 2016-2019, (including staff profiles); Employee handbook. Also, ‘Rhaglen taith Côr Cenedlaethol Ieuenctid Cymru’ (Dathlu 150 o flynyddoedd ers sefydlu y Wladfa ym Mhatagonia) and a proof of a programme for 'Under Milk Wood, an Opera', 2014.

Draft manuscript score, drafts and sketches 'Turtle soup', song for high voices with piano and ad lib recorders and percussion. For Jacqueline Brockway and The Cherry Willingham Choir. Parts for chorus (1995), recorders and percussion. Words by Lewis Carol. Copy of published score (1995).

Letters to Peter Reynolds concerning the restructuring at the RCMD.

Sketches and draft score 'Tides', April-May 1985. (composition withdrawn)

Manuscript, draft, amended and printed score for piano and Mezzo-soprano 'Three Winter Haiku'. Words by Francesca Kay.

Draft original manuscript vocal score and sketch 'Three Wang Wei Poems' for solo voice. For Mervyn Burtch. This piece is also known as 'Three Wang Wei Songs'.

Cuttings, brochures and programmes from contemporary theatrical productions mainly in Cardiff. Includes the 'Brith Gof' productions of 'Patagonia', 'Arturius Rex' and 'Gododdin' by Brith Gof; Man Act; 'Dark Lady' by Mark Jenkins; 'The Darwin Project'; 'Orpheus'; 'The Woman of Thirteen Shirts' by the Paupers Carnival Theatre; 'Panic', Lumiere & Son; 'The Baby and the Bathwater', 7:84 Theatre Company Scotland.

Manuscript vocal-piano score and sketch 'The sun broke through' for high voice and pianoforte, words by Francesca Kay.