Dangos 357 canlyniad

Agenda item 15th December 2014 regarding the Great Central Hall, Newport. Copy (in three parts) of a feasibility study for a project to redevelop the Great Central Hall, Newport, February 2016. Letters from Companies House. Minutes of a meeting of the board of directors of Sinfonia Cymru, 21 July 2016. Beer mat.

Papers and documents compiled by Peter Reynolds in his position on the board of trustees at Tŷ Cerdd: Tŷ Cerdd Showcase and conference, 2014; Strategic plan, 2014-2018; Report of the trustees and financial statement, years ending 2012 and 2015; Business plan 2016-2019, (including staff profiles); Employee handbook. Also, ‘Rhaglen taith Côr Cenedlaethol Ieuenctid Cymru’ (Dathlu 150 o flynyddoedd ers sefydlu y Wladfa ym Mhatagonia) and a proof of a programme for 'Under Milk Wood, an Opera', 2014.

His appointment as writer of new assessment materials and consultancy work. Drafts of resources and teacher notes along with set pieces.

Letters relating to the withdrawal of funding by the Arts Council of Wales and the future of the WMIC. Includes draft business plan, November 1996 and a Preliminary Study of the future of the Welsh Music Information Centre (2nd draft), October 1997. Six letters from Dilys Elwyn-Edwards to Peter asking for the return of her manuscripts kept at the music centre, 1998.

Manuscript sheet musical arrangements.

Draft musical arrangement 'In C' (Terry Riley, 1964). Musical arrangement by Peter Reynolds, 25 September 1995. Separate sheets for treble and bass clef.

Draft musical arrangement 'Ah, Robin' (William Cornysh, d.1523). Musical arrangement for soprano I and II and alto by Peter Reynolds, 4 October 1992.

Manuscript and draft vocal score 'Bronwen' (Libretto by T.E. Ellis and music by Joseff Holbrooke). Musical arrangement for voice and piano by Peter Reynolds, December 1985.

Manuscript musical arrangement 'In Tenebris' (Gareth Davies). Part for viola by Peter Reynolds, 5 February 1991.

Manuscript musical arrangement 'My Love Dwelt In a Northern Land' (Edward Elgar). Musical arrangement for soprano I and II and alto by Peter Reynolds, May 1990.

Transcription of 'Sumer Is Icumen In' (Reading Abbey c.1240), by Peter Reynolds, July 1990.

Original manuscript score 'Borrowed Time' for Septet (1985). Revised full score (Sept.-Feb. 1988) for conducting, parts for percussion (two tom-tom, 1 cowbell, bass drum), parts for violin and cello (un-revised), flute, oboe, clarinet in B flat and cello (Two copies). Sketches and draft score, October 1983-February 1988. Note on original envelope: Party Times Designs, choice 'C' with alterations.

Original manuscript and a printed draft score 'Le Gros Horloge' for violin, clarinet and piano, 15 September 2016. Parts for violin and clarinet in B Flat. Sketches in two music books, 15 August 2016 and 10 September 2016. Note: The piece, Le Gros Horloge [incorrect spelling Horlage on printed drafts], for clarinet, violin and piano, is based on the chimes of the Great Clock in Rouen, France – an astronomic clock dating back to 1527 and earlier.

Draft manuscript score 'Moonsongs' for flute, violin, cello and piano (1987-1991). Manuscript score for piccolo, violin, cello and piano (1987). Manuscript parts with annotations for violin, cello, flute/piccolo (1988). Parts for violin, flute, cello (1992). Copy of the score 'Moonsongs', 1991, marked 'piano' with performance notes. Bound copy of the full score Night Fragments (Moonsongs) 1987-1991 and first version. Sketches and draft scores, 1987-1988. A first performance of the 5 minute piece took place at the Brighton Festival, 28th May 1988. As a finished work the first performance was by P. M. Music Ensemble, at Cardiff’s Chapter Arts Centre on 7 February 1992.

Draft scores and sketches 'Shifts', copies of parts for oboe, clarinet in B flat, flute and saxophone in B flat, 1984. Revision copy, for wind and percussion, September 1989.

Original manuscript score and parts 'String Quartet' (1996). Envelope of sketches (some letters). Parts for violin I and II, viola and cello. Minor revisions 15 March 1997 (incorporated into P/C parts) and corrections and minor revisions into manuscript score and parts, 21 August 2005. Work commissioned by the ‘Go West Festival’ with funds provided by the Arts Council of Wales, performed by the Bingham String Quartet at Theatre Mwldan, Cardigan on 30 September 1996.

Draft manuscript score 'Tango' arrangement for PM Ensemble, flute clarinet, violin, cello and piano, 29 December 2003.

Draft manuscript score 'Cairn' arrangement for soprano saxophone and cello, 19 September 2011. For Tabea and Johanna. Sketches 1 August 2011 (relating to both versions). (See also Instrumental Music (Solo & Duo) for solo harp, C4/7).

Original draft manuscript score 'Cairn' for solo harp 31 October 2011. (See also Instrumental Music (Solo & Duo) for sax and cello, C4/6).

Manuscript score and part 'Dumpe', original score 1990 with correction 10 February 1991, for two players, viola and piano (doubling claves). For John Rayson. Sketches and draft score, March-June 1990.