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Letters to John Barnie, 1970-1980, mainly discussing social and domestic matters, including letters from Etheridge Knight (1); Calvin Forbes (14); Ted Hughes (1); Booker J. Laury (1); Norman Dubie (3); and Judith Rodriguez and Thomas Shapcott (1).

Correspondence, 1971-1989, regarding the commission and publication of literary works by John Barnie; including letters from Julian Shuckburgh (4); Eileen Wood (5); Rosalind Wade (1); Ian Robinson (1); Hamish Whyte (5); Penny Windsor (1); Alan Pater (2); Gladys Mary Coles (8); Kevin Thomas (1); Elin ap Hywel & Bob Cole (1); Peter Foss (1); David Dabydeen (1); Fiona Bowie (2); Neil Astley (1); and Gregory Stephenson (1). The file also contains a list of submissions with notes (1976-1987), written in the hand of John Barnie.

Contracts, agreements, and royalty statements relating to John Barnie's published works, 1971-1999, including 'The City' (1993); 'The Wine Bird' (1998); 'Y Felan a Finnau' (1992); 'No Hiding Place' (1996); 'The Confirmation' (1992); 'Heroes' (1996); 'The King of Ashes' (1989); 'Lightning Country' (1987); and 'War in Medieval English Society' (1974).

Contains book reports and reviews relating to John Barnie’s published works, 1975-[?2012], including 'War in Medieval English Society' (1974); 'Lightning Country' (1987); 'The City' (1993); 'Heroes' (1996); 'The Roaring Boys' ([?2012]); and 'At The Salt Hotel' (2003). The file also includes various press cuttings and promotional material, 1974-2008, relating to John Barnie’s published works and Planet magazine.

Diary notes, written in the hand of John Barnie, covering the period from May 1978 to February 1985, discussing various personal matters such as dreams; poetry and prose submissions and rejections; and his time in Memphis,Tennessee.

Letters and postcards, 1981-1989, to John Barnie from the Australian poet Leslie A. 'Les' Murray (1938- ).

Personal correspondence, 1981-1984, consisting of letters and cards, mainly discussing literary and domestic matters, including correspondence from Calvin Forbes (7); Pamela Stewart (as Jody Cothey) (30); Norman Dubie (3); Martin Leer (2); Judith Rodriguez (1); Archie Ammons (1); and Mark O’Connor (1).

Personal correspondence, [c.1985], discussing family and domestic matters and John Barnie's appointment to Planet magazine, including letters from Ned Thomas (1); Pamela Stewart (as Jody Cothey) (25); and Ede Barnie (1). The file also contains a typescript of poetry.

Typescript draft of 'The Confirmation'.

Personal correspondence, 1986, discussing literary, social, and domestic matters, including letters from R.S. Thomas (1); Pamela Stewart (as Jody Cothey) (19); and Gael Turnbull (1).

Typescript draft of John Barnie's 'Lightning Country'.

Personal correspondence, 1987, consisting of letters and postcards, mainly discussing social, domestic, and literary matters, including correspondence from R.S. Thomas (1); Pamela Stewart (as Jody Cothey) (24); and Martin Leer (1). The file also contains seven small ink wash drawings of rural scenes by an unidentified artist.

Personal correspondence, 1988, consisting of letters and postcards, discussing literary, social, and domestic matters, including correspondence from R. S. Thomas (2); Jan Morris (1); Pamela Stewart (as Jody Cothey) (35); Helle Michelsen (2); Wyn Binding (2); Norman Schwenk (1); Jean Earle (1); Talfan Barnie (1); Roynon Collings (1); and Hamish Whyte (1).

Part of a typescript draft of John Barnie's 'The Confirmation'.

Personal correspondence, 1989, consisting of letters and postcards, discussing literary, social, and domestic matters, including correspondence from Tom Shippey (2); Pamela Stewart (as Jody Cothey) (38); Roynon Collings (1); and Dyfed Elis-Gruffydd (1).

Letters and postcards, 1990-2001, to John Barnie from the Australian poet Leslie A. 'Les' Murray (1938- ).

Personal correspondence, [c.1990], consisting of letters and cards, discussing literary, social, and domestic matters, including correspondence from Pamela Stewart (as Jody Cothey) (33), a letter of which contains three photographs; Helle Michelsen (1); Mike Jenkins (2); Tom Shippey (1); and Anders Bune (1).

Correspondence, 1990-1995, regarding the commission, publication, and use of literary works by John Barnie and the commission of some articles for Planet magazine, including letters from John Barnie (6); Mike Jenkins (2); Meic Stephens (3); Tony Bianchi (2); Tom Owen (1); Kate Pahl (1); Dyfed Elis Gruffydd (6); Susan Burns & Marc Collett (1); Ned Thomas (3); Paul Oliver (1); Cilla Huggins (2); William Ferris (1); Wyn Binding (1); Mick Felton (2); Johnny Coppin (1); Liz Powell (1); Susan Jenkins (3); Barry Dempster (3); Ole Henrik Giortz (1); Maura Dooley (1); David Lloyd (7); Pamela Brayley (1); Sally Baker (1); Colin Everett (1); Jeffrey Young (1); Richard Poole (2); Robert Minhinnick (4); Kevin Thomas (1); Mairwen Prys Jones (1); and David Esslemont (1). The file also contains a copy of readers' reports for John Barnie's works 'No Hiding Place' (1995) and 'The City' (1991); and a typescript copy of acknowledgments intended for inclusion in 'Y Felan A Finnau' (1992).

Personal correspondence, [c.1991], mainly discussing domestic and social matters, including letters from Pamela Stewart (as Jody Cothey) (33); Wyn Binding (3); Paul Oliver (1); and Stewart Brown (1). The file also contains a copy of the 'Adelaide Review' (1991), originally included with the correspondence.

Cover proofs for John Barnie's works 'Y Felan a Finnau', (1992), and 'Sea Lilies: Selected Poems 1984-2003', (2006).