Dangos 132 canlyniad

1 ink score with pencil annotations, for the part of Flute 2 in Opus 48: 'Princes of Gwynedd' [1979].

Ink score with pencil annotations, for the part of Clarinet 1 in Opus 48: 'Princes of Gwynedd' [1979].

Ink score with pencil annotations, for the part of Bassoon 1 in Opus 48: 'Princes of Gwynedd' [1979].

Ink score with pencil annotations, for the part of Bassoon 2 in Opus 48: 'Princes of Gwynedd' [1979].

1 ink score and 1 facsimile copy, with differing pencil annotations, for the part of Horn 1 in Opus 48: 'Princes of Gwynedd' [1979].

Ink score with pencil annotations, for the part of Horn 3 in Opus 48: 'Princes of Gwynedd' [1979].

1 ink score, and 1 facsimile copy witha note in pencil, for the part of Percussion in Opus 48: 'Princes of Gwynedd' [1979].

Ink score with pencil annotations, for the part of Harp in Opus 48: 'Princes of Gwynedd' [1979].

Draft score in ink and pencil, titled 'Opus 7: Epithalalium for Two Violins' and consisting of three parts: part 1, 'Fanfare and Wedding March' dated 1956; part 2, 'Hymn' dated 7 January 1961; and part 3, 'Dance' dated 11 January 1961. The manuscript also includes a typewritten biographical note (undated).

Original ink score with pencil annotations, titled 'Canticle for Tenor and Strings' and arranged into parts for violins 1 and 2, viola, cello, and double bass. The score includes three parts based on Harries' work 'Words by 20th-century Anglo-Welsh Poets': Part 3, 'Lie Still, Sleep Becalmed' by Dylan Thomas, dated 24 July 1957; Part 6, 'In the Grass Gold Rings' by Roland Mathias, dated 10 May 1957; and Part 7, 'There is No Time' by Raymond Garlick, dated 24 January 1961. Parts 1, 2, 4 and 5 are wanting.

Original ink scores with pencilled notes inside the cover and pencil annotations, containing two versions of Opus 17: ‘Variations for Clarinet and Piano’ (dated February-11 April 1963), and 'Variations for Viola (or Clarinet) and Piano’ (undated); and a draft score in pencil, titled ‘Opus 17: Variations for Clarinet & Piano’ (dated 11 April 1963). The manuscript also contains a typed programme for the 99th Weekly College Concert of the University College Wales Department of Music, session 1963-64, held on 11th November 1963. The programme includes David Harries’ 'Opus 17: Variations for Viola and Piano' (1963); and 'Opus 5: Sonatina for Piano' (1955).
Originally commissioned for the Guild for the Promotion of Welsh Music, 1963.

Original ink score, dated 5 April 1964 and titled 'Opus 24: Christ Child: Carol for Unaccompanied Chorus'. Dedicated to Catrin and Ceri.

Original ink score, including separate score for violin part, titled 'Opus 21: Divertimento for Violin and Piano'. The score consists of four parts: part 1, 'Intrada' (dated 28 March 1965); part 2, 'Toccata' (dated 14 April 1965); part 3, 'Cantilena' (dated 15 April 1965); and part 4, 'Burlesca' (dated 11 April 1965). Dedicated to Leonard James.

Original ink score, titled 'Opus 66: String Quartet No.3' and consisting of four separate parts for violin 1, violin 2, viola, and cello. Commissioned for the 1993 Lower Machen Festival in association with the Welsh Arts Council.

Draft score in ink with pencil annotations, dated 26 February-8 May 1955, titled Opus 5: 'Sonatina for Piano', and with a note in the hand of David Harries stating that this piece was performed by the composer at University College Wales Music Club, March and May 1955; and at Gregynog for the Congress of the Guild for Promotion of Welsh Music, June 1955.

Facsimile copy of ink score, dated September-October 1965, titled Opus 22: 'Clarinet Concertino'. The score was originally commissioned by the BBC, 1965, and includes parts for clarinets 1 and 2, flutes 1 and 2, oboe, bassoon, horns 1 and 2, trumpets 1 and 2, trombones 1 and 2, timpani, percussion, violins 1 and 2, viola, cello, and bass.

Bound facsimile copy of a rough score, dated July 1956-March 1959, titled Opus 9: 'Sinfonia da Camera (Horae Canonicae) For Chamber Ensemble' and including a typewritten note (unsigned). The rough score incorporates parts for flute, clarinet, bass clarinet, oboe, cor anglais, bassoon, trumpet, horn, trombone, violin, viola, and violoncello. Dedicated to Professor and Mrs Ian Parrott.

Facsimile copy of ink score, dated 24th July 1957, titled Opus 10b: 'Three Ricercari for String Quartet', including 'Ricercare 1' (dated 12th January 1957); 'Ricercare 2' (dated 10th May 1957); and 'Ricercare 3' (dated 24th July 1957). The score incorporates parts for violins 1 and 2, viola, and violoncello.

Bound facsimile copy of score, 1957, titled Opus 10b: 'Three Ricercari for String Quartet', including 'Ricercare 1' (dated 12th January 1957); 'Ricercare 2' (dated 10th May 1957); and 'Ricercare 3' (dated 24th July 1957). The score incorporates parts for violins 1 and 2, viola, and violoncello.

Bound facsimile copy of ink score, dated 11 January 1961, and titled Opus 12: 'Epithalamium For Two Violins'. Dedicated to Edward Bor and Edith O'Hanrahan.