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David Harries Music Manuscripts
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May 2017 Donation

Music manuscripts of the composer David Harries, 1952-1995, comprising mainly drafts and scores of chamber and instrumental music, orchestral music, choral and organ, and voice and piano arrangements.

Horn 4

Ink score with pencil annotations, for the part of Horn 4 in Opus 48: 'Princes of Gwynedd' [1979].

Horn 3

Ink score with pencil annotations, for the part of Horn 3 in Opus 48: 'Princes of Gwynedd' [1979].

Horn 2

Ink score with pencil annotations, for the part of Horn 2 in Opus 48: 'Princes of Gwynedd' [1979].

Horn 1

1 ink score and 1 facsimile copy, with differing pencil annotations, for the part of Horn 1 in Opus 48: 'Princes of Gwynedd' [1979].

Harp

Ink score with pencil annotations, for the part of Harp in Opus 48: 'Princes of Gwynedd' [1979].

Flute 2

1 ink score with pencil annotations, for the part of Flute 2 in Opus 48: 'Princes of Gwynedd' [1979].

Flute 1

1 ink score with pencil annotations, for the part of Flute 1 in Opus 48: 'Princes of Gwynedd' [1979].

Double Bass

1 ink score and 1 facsimile copy, with differing pencil annotations, for the Double Bass part in Opus 48: 'Princes of Gwynedd' (1979).

David Harries Music Manuscripts

  • GB 0210 DAVHARR
  • Fonds
  • 1952-1995

The music manuscripts of the composer David Harries, 1952-1995, comprising mainly drafts and scores of chamber and instrumental music, orchestral music, choral and organ, and voice and piano arrangements.
A second donation made in August 2021 contains further music manuscripts of David Harries, 1953-1993, and includes works by Harries' contemporary William Mathias (1934-1992) in addition to Harries' own compositions of chamber and instrumental music, orchestral music, choral and organ, and voice and piano arrangements.

Harries, David, 1933-2003

Culhwch and Olwen: An Entertainment

Facsimile copy of ink score with pencil annotations, titled 'Culhwch and Olwen: An Entertainment', and including notes listing all instrument parts and performers; instructions for narrator, choral speech, chorus, percussion, and piano duet; and pronunciation of Welsh names. Composed by William Mathias and originally commissioned for the 1967 Royal National Eisteddfod of Wales, Bala.

Cello

1 ink score and 3 facsimile copies, with differing pencil annotations, for the Cello part in Opus 48: 'Princes of Gwynedd' (1979).

Celeste

Ink score with pencil annotations, for the part of Celeste in Opus 48: 'Princes of Gwynedd' [1979].

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