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A volume of manuscript and typescript notes and illustrations, 22 July - 1 October 2017, contributed by children and other visitors in reaction to the 'Borth's lost legends' exhibition at Borth Station Museum, with a manuscript macalla poem by Erin Kavanagh (after Percy Bysshe Shelley) and a note by the museum staff.

A printed copy, June 2015, of ‘Of myth and man: essaying the space-between in geomythological theory’, an unpublished study by Erin Kavanagh (UWTSD Masters dissertation) with special reference to the relationship between aspects of the Second Branch of the Mabinogi [Branwen uerch Lyr] and Cardigan Bay in the context of geomythology, science and archaeology.

A printed laminated copy, [2017], of the poem ‘King of the Sea Trees’ [by Erin Kavanagh].

Manuscript, typescript and traditional printed material created as part of the interdisciplinary Layers in the Landscape project, which applied the concept of deep mapping to the submerged landscape of Cardigan Bay, and in particular the submerged forest at Borth. The papers relate especially to the theoretical side of the project (notably the geomythology of Cardigan Bay and the relationship between poetry and archaeology in the 'King of the Sea Trees' poem), as well as the 'Borth's lost legends' exhibition at Borth Station Museum.

A copy of Daniël van Helden and Robert Witcher (eds), Researching the archaeological past through imagined narratives: a necessary fiction (Routledge : Abingdon, 2020), including a chapter by Erin Kavanagh, ‘Writing wonders: poetry as archaeological method?’ [pp. 184-209], in which she discusses theoretical aspects of the relationship between poetry and archaeology with special reference to her poem ‘King of the Sea Trees’.

Manuscript, typescript and traditional printed material relating to the Layers in the Landscape project.