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A copy of the acting script for The Protagonists by Brenda Chamberlain in which Alan McPherson played the part of Phredd in the 1968 production, together with postcards and notes written to Alan McPherson by Brenda Chamberlain in the lead up to the performance of the play.

Six letters and cards, [c. 1950]-1971, from Brenda Chamberlain to the Rev. Michael Reakes-Williams, containing personal news (ff. 2-6, 10 verso-13); together with two to him from Alan Clodd of the Enitharmon Press, 1972 (ff. 15-16), and one each from Peter Jones and Meic Stephens of the Welsh Arts Council, 1972 (ff. 17-18), all concerning Chamberlain.
Included in the Chamberlain letters are ink sketches relating to a visit to Schleswig-Holstein, West Germany, in 1958 (f. 4 recto-verso), a typescript poem commissioned by the Welsh Arts Council, 1971 (ff. 12-13), and greetings cards designed by her (ff. 2-3, 5-6). Also included are a pen and ink sketch of a woman on horseback, [?1949], and a pen and watercolour drawing of a fish, 1949, both by Chamberlain (f. 1 recto-verso); a programme for a dance recital at the Lamda Theatre Club, [?1964] (ff. 7-10); and a copy letter, 16 January 1959, from Reakes-Williams to a Mrs Armstrong on behalf of Chamberlain (f. 14).

Manuscripts, 1934-1971, of the artist and writer Brenda Chamberlain, including drafts of various poems and poetry collections, 1941-[1960s]; drafts of the novel The Water-Castle (London, 1964), [1953x1962], and the memoirs Tide-race (London, 1962), [1962], and A Rope of Vines (London, 1965), 1964-[1965]; other prose fiction, [1940s]-[1960s]; plays, 1956-[c. 1968]; film scripts, [1969x1971]; other miscellaneous prose, [1945]-[?1970]; original journals, [1951]-1966; sketches and studies in various media, [1930s]-1965; correspondence, 1952-1971; and printed matter, 1950-1968.

Papers, [c. 1928]-1970, of Brenda Chamberlain comprising correspondence, notebooks and diaries, sketch books, broadsheets, some printed material, woodcuts, sketches, slides and photographs. The collection includes a few letters sent by her mother to her father, Tom Chamberlain; and drafts of works and a notebook belonging to Peter Petts. These papers (4 large boxes, donated by Mrs Joan Rees, Bangor, June 2001) remain uncatalogued.

Two Brenda Chamberlain holograph MSS: 'How the Caseg Broadsheets began' and 'How I came to illustrate the Ann Jones broadsheet'.

A collection of papers, [1950s]-2013, relating to Brenda Chamberlain, comprising three letters, 1955-[?1964], from Chamberlain on Bardsey Island and Ydra, Greece, to her friend Henry [Mitchell], concerning personal news and her work (ff. 1-6), together with one letter, 27 September 1971, from Joan Rees, Bangor, to Mitchell, belatedly informing him of Chamberlain's death (ff. 7-8); and manuscript fair copies, probably in Chamberlain's hand, [?1950s], of four poems, 'Endymion's Sleep', 'Midwinter', 'Islandman' and 'What the old man said' (ff. 9-13).
The letters discuss Chamberlain's painting 'The Acrobats at Practice', then recently purchased by Mitchell (ff. 1-2 verso), and a funeral on Ydra (ff. 3-4). A version of 'Islandman' was published in The Green Heart (London, 1958), p. 27; drafts of 'Midwinter' are NLW MS 21508B, ff. 1-6. Also included are newsletters, 2011-2013, of Cyfeillion Murluniau Brenda Chamberlain ar Enlli / The Friends of the Brenda Chamberlain Bardsey Murals (ff. 15-22) and a cutting from The Times, 21 September 1955, p. 3 (f. 14).

Papers of and relating to the artist and poet Brenda Chamberlain including her radio script 'The Protagonists', 1967, exhibition catalogues, 1962-1973. Also included is a biographical note on the artist, 1973, for Forecast, newspaper of Bangor University students, on an exhibition of her works in the university.