Half-length studio portrait of an Afro-American soldier in the Quartermaster Corps wearing the shoulder patch of the Army Service Forces identified as George Lawrence by the inscription on the negative.
Full-length portrait of a soldier in the Pembroke Yeomanry. He holds a cane diagonally in both hands. His cap is placed on a pedestal next to him, the cap badge facing the camera.
Half-length studio portrait of an African-American soldier in the US Army Quartermaster Corps identified from the inscription on the negative as Frank Morris. He is wearing a sharpshooter qualification badge with rifle clasp and an Atlantic Campaign ribbon medal.
Studio portrait of four soldiers in the Welsh Regiment. The lack of embellishments on their uniforms suggests a date in the early years of the war or before.
Studio portrait of four soldiers, all wearing the 1914 economy tunic lacking the central pleat in the breast pockets. Three of the sitters wear caps displaying their regimental badges which are from the Royal Army Medical Corps, an artillery regiment (either RFA or RGA) and the Welsh Regiment. The private in the RAMC displays a good conduct stripe on his lower left sleeve indicating at least two years service.
Five soldiers clustered around a large unexploded bomb with rope tied around the tailfin and woodland in the background. The degree of contrast in the negative suggests this maybe a copy photograph.
Five mounted soldiers, cap badges indistinct but possibly that of the Montgomeryshire Yeomanry. All are astride horses standing in shallow water on the edge of a river, a wooded hillside behind them. One soldier wears two Territorial Force Proficiency Stars on his lower right sleeve.