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Llanover Manuscripts Taliesin Bards and bardism.
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Barddoniaeth, etc.,

A note-book (pp. 1-80) and miscellaneous papers (pp. 81-268) containing notes, lists, extracts, transcripts, etc., in the hand of Edward Williams ('Iolo Morganwg') bound together in one volume. Page 1 is inscribed 'Cynnulliadau Tuag att Hanes Eisteddfodau Caerfyrddin, Caerwys, ag eraill Casgledig (gan mwyaf) yng Ngwynedd gan Iolo Morganwg', and this first section contains: a version of the 'statute' of Gruffudd ap Cynan as allegedly confirmed at an 'eisteddfod' held at Caerwys, co. Flint, in 1523, with a list of the names of the bards and musicians licensed at the said 'eisteddfod', transcribed 'O Lyfr Ygrif (sic) P. Panton, Yswain, o'r Plas Gwynn ym Môn' or, as stated elsewhere, 'Ex No. 65, Plas Gwynn, Môn' [i.e. Panton MS 65, now NLW MS 2031, of which see pp. 200-12] (see also NLW MS 13096B above) (pp. 17-27); a list of the twenty-four Welsh strict poetic metres with illustrative examples [?transcribed from the aforementioned Panton MS 65, pp. 186-93] (see also NLW MS 13096B) (pp. 27-35); notes relating to, and lists of, Welsh musical measures [?transcribed from Panton MS 65, pp. 194-200] (see also NLW MS 13096B) (pp. 36-39); an incomplete transcript [?from Panton MS 65, pp. 182-4] of notes relating to the twenty-four traditional Welsh accomplishments (p. 40); anecdotes relating to the poet Dafydd ap Edmunt and the 'eisteddfod' held at Carmarthen [c. 1450] under the patronage of Gruffudd ap Nicolas, transcribed 'Ex Vol. 17, P.P.' [i.e. Panton MS 17, now NLW MS 1986A, of which manuscript see ff. 111-17] (see also NLW MS 13096B) (pp. 41-47); further miscellaneous extracts from Panton MS 17 including an anecdote relating to the poet Huw Arwystli, notes relating to the 'cantrefi' of Glamorgan, etc. (pp. 47-49); transcripts of 'englynion' by, or attributed to, D[afydd] ab Gwilym, John Mowddwy, ?Thos. Lln., and Siôn Tudur (pp. 49-50); transcripts of twenty-three 'englynion' commemorating the year of accession of every English monarch, 1066-1558, attributed to Berud ap yr Ynad Coch, Bleddyn Ddu, Cynddelw Brydydd Mawr, Lln. Fardd, Dafydd y Coet, Harri Haram Param, Cyssymdaith Llevot Wynt epolawl, Mabwaith Hengrys o Iâl, Llywelyn ap Ho wrneth, Gwilym Ddu o Arfon, Dafydd Bach ap Madoc Gwladaidd, Llygad Gwr, Daniel Llosgwrn Marw (sic), Dafydd Eppynt, Ieuan Brydydd Hir, Bleuddyn ap Ieuan Hen, Hywel Ystorun, Ierwerth Fynglwyd, Rhys Nanmor, Hywel ab Bleuddyn Mathew, Owain y Bardd 'o Wynedd', and Huw Arwystli (pp. 51-56); a list of the commissioners in whose presence the 'eisteddfod' was held at Caerwys in 1567, and of the poets and musicians who were granted licences at the said 'eisteddfod' (pp. 56-59); a list of bards present at, and notes relating to, an 'eisteddfod' held at Bala [co. Merioneth] in 1740 (p. 60); an extract relating to the code of rules for Welsh bards and musicians allegedly compiled in the time of Gruffudd ap Cynan (p. 61); and transcripts of two sequences of 'englynion' (six and five respectively) allegedly written by Siôn Prichard Prys at an 'eisteddfod' held at Bala in 1680 with the object of enlisting the aid of the bishop of Bangor and Sir Roger Mostyn in an attempt to obtain a [royal] patent for holding an 'eisteddfod' (pp. 62-64). The greater part of the contents of the remainder of the volume consists of transcripts of Welsh poems in strict and free metres, including poems by, or attributed to, [Edward Williams] 'Iolo Morganwg' himself, Ieuan Tir Iarll 'sef John Bradford o'r Bettws ym Morganwg', Daf. Nicolas, William Hopkin, Daf. o'r Nant, Llywelyn ab Ifan, Siôn Hywel, Thomas Evan, 'Telynor o'r Drenewydd Nottais ym Morganwg', Morgan Pywel, Gwilym Tew (or Owain ap Rhydderch, or Ieuan ab Rhydderch), Twm ab Ifan ab Rhys, Gronwy William, Hywel Llwyd 'o Lancarfan', Wil. Tabwr, Dafydd Nicolas 'o Aberpergwm', Lewys William 'o Ferthyr Tydfyl', Thomas Williams, William Llywelyn, and Wm. Sanders 'o Landocheu'. The free-metre verse includes the words of songs written to specified airs. Other items in the volume include observations ?by Edward Williams after reading certain criticisms of John Hughes: An Essay on the Ancient and Present State of the Welsh Language [London, 1823] (pp. 113-114); notes on Welsh bardism (pp. 161-165); notes headed 'Etymologies that point out the origin and progress of civilization' (p. 167); extracts from Hugh Thomas: An Introduction to the British History [?London, ?1730] (pp. 169-171); a few Welsh triads and proverbs (pp. 227-228); a list of Welsh proverbs heard in Glamorganshire by [Edward Williams] 'Iolo Morganwg' arranged in alphabetical order according to the initial letter (incomplete, A-G only) (pp. 231-240); advisory or proverbial sayings attributed to Taliesin, Cattwn ddoeth, and Meugant (pp. 243-2444); a list of the ten commandments of St. Paul described as '. . . dengair deddf Pawl Sant y rhai a gafas efe o ben Iesu Grist . . .' (see John Williams: Barddas . . ., Vol. I, pp. 288-9) (p. 247); a list of Latin words commencing with the letter v with English meanings and Welsh ?derivatives (pp. 253-254); and (interspersed amongst other items), miscellaneous Welsh proverbs (pp. 241-end). In three instances the blank verso and margins of copies of a printed handbill (English) containing proposals, 1793, for publishing The Celtic Remains (vol. I by Lewis Morris, vol. II by Walter Davies) and of a printed handbill (Welsh) announcing an 'eisteddfod' to be held at Caerwys in 1798 under the patronage of the Gwyneddigion Society have been used for writing notes. A few loose leaves (pp. 261-268) have been placed in an archival envelope.

Bardism,

A volume of notes in the hand of Edward Williams ('Iolo Morganwg') bearing the inscription 'History of the British Bards. Common Place Book. No. IV. By Edward Williams . . .' on the 'title-page'. Pp. 2- 11, 32-61, 70-103, 112-25 contain the text of an essay on various schools of Welsh poetry which, under the title 'History of the British Bards' and with the subtitles 'Primitive School', 'School of Taliesin', and 'School of Gruffudd ap Cynan alias of Glynn Achlach', was subsequently published in The Cambrian Journal, 1858, pp. 161-9, ibid., 1859, pp. 10-29, 132-41, 241-55, and ibid., 1860, pp. 7-21. Pp. 12-24 contain extracts from, and abstracts of sections of, two letters from Sharon Turner to the Reverend John Brand as secretary of the Society of Antiquaries which, under the headings 'An Inquiry respecting the early use of rhime . . .' and 'A further inquiry respecting the early use of rhime ...', were published in Archaeologia or Miscellaneous Tracts relating to Antiquity, vol. XIV, 1803, pp. 168-204. These extracts, etc., were published in The Cambrian Journal, 1858, pp. 353-63 being inserted there as a section of the aforementioned essay entitled 'History of the British Bards'. Pp. 26-7, 62-5, 126-31, 192- 203, 232-3 (each page headed 'Alphabet Bards. Allusions to') contain couplets or longer extracts from the works of Welsh poets, these apparently being presumed to contain references to the bardic practice of writing on wooden surfaces using the special alphabet allegedly used by the Welsh bards (see the preceding manuscript No. 13107B) or words and phrases whose metaphorical use reflected such a practice. The contents of other pages include p. 28 (headed 'Hu Gadarn'), two couplets of Welsh verse relating to Hu [Gadarn]; pp. 66-9 (each page headed 'Bards Discipline Miscellaneous'), extracts from the works of Welsh poets, etc., relating mainly to the bards of Tir Iarll; pp. 104-05, notes under the page headings 'Preface to the History of the Bards, Collections for' ( these notes also appear in The Cambrian Journal, 1860, pp. 10-11, as part of the abovementioned essay on the Welsh bards although they obviously do not form part of the narrative of the text of that essay); pp. 132-6 (each page headed 'Schools of Welsh Poetry [Primitive School]'), further observations relating to the primitive school of Welsh poets, its survival in Glamorgan until the seventeenth century, and the foundation of a new school of poets beginning with Rhys Goch ap Riccert, circa 1130, 'in the Silurian district of Wales'; pp. 137-43, blank except for page headings as in pp. 132-6; pp. 150-51, each page headed 'Ossian', otherwise blank; pp. 180-83 (each page headed 'Alliteration'), a note on the definition of the word alliteration, an analysis of an example of alliteration in English verse, examples of its use in 'Caedmon's Paraphrase on Genesis', and a brief note on its use by Saxon poets and its introduction into Welsh poetry; pp. 204-15, each page headed 'Institutes and customs alluded to', otherwise blank; pp. 216-23 (each page headed 'Mythologies'), a triad relating to the proper name Menw on p. 216, otherwise blank; and pp. 240- 41, each page headed 'Inquiries Miscellaneous', otherwise blank. On a 'fly- leaf' at the beginning of the volume are sketches of five musical instruments surrounded by a number of circles containing the names of grades of Welsh bards and musicians extracted 'from a MS. in the Havod Library, 1790'.