Dangos 5987 canlyniad

Material, including press articles and reviews, original texts and scripts, relating to film and television productions in which Siân Phillips appeared or was otherwise involved with from the 1980s through to the 2020s. The items comprise: My Sister And Myself [1980s]; Clash of the Titans (1981); Smiley's People (1981); Barriers (1981-2); Martha or May [1983]; A Flame to the Phoenix (1983); Dune (1984); Ewoks: The Battle for Endor (1985); Something Unspoken [1985]; The Two Mrs Grenvilles (1987); When Reason Sleeps (1987); Vanity Fair (1987); The Visit (1987-8); The Snow Spider (1988); Shadow of the Noose (1989); Valmont (1989); Dark River (1990); Freddie and Max (1990); Hands Across The Sea/Perfect Scoundrels (1991); Ways And Means (1991); The Black Candle (1991); The Astonished Heart (1991); Darlith Goffa Huw Wheldon / Huw Wheldon Memorial Lecture (1992); The Borrowers (1992); Heidi (1993); A Wing and a Prayer (1993); The Age of Innocence (1993); Yr Heliwr (1995); The Vacillations of Poppy Carew (1995); House of America (1996); The Scold's Bridle (1998); Alice Through The Looking Glass (1998); La Femme Nikita [1998-9]; Aristocrats (1999); The Magician's House (1999-2000); Harry Enfield Show [2000]; Ballykissangel (2001); National Eisteddfod of Wales (2001); Beckett on Film (2001); The Chalk Garden [2002]; The Last Detective (2003); The Murder Room [2004]; The Gigolos (2006); Midsomer Murders (2006); Holby City (2007); Poirot (2008); Missing (2010); Lewis (2011); Bella Fleace Gave A Party (2012); The Morning Light [2012x2022]; Aberfan: The Green Hollow (2016); Hochelaga (2017); Strike (2017); Miss Dalí (2018); Hannah Cohen (2018); To Provide All People (2018); Voyageuse (2018); Doctors (2018); Time And Again (2019); Summerland (2020); Keeping Faith / Un Bore Mercher (2020); Silent Witness (2021); Through the Looking Glass (2021); Good Omens (2022); The Chelsea Detective (2022).

Material relating to Women's Jazz Archive funding applications made to the Arts Council of Wales, the South-East Wales Arts Association, the Welsh Folk Museum (now St Fagans National Museum) and others during the 1980s.

Material, including press articles and reviews, original texts, scripts and theatrical programmes, relating to stage productions in which Siân Phillips appeared during the 1980s. The items comprise: Crime and Punishment (1980); Pal Joey (1980); Dear Liar (1982); Major Barbara (1982); A Night of 100 Stars (1984); Love Affair (1984); Peg (1984); Gigi (1985); Thursday's Ladies (1987); Brel (1987); Paris Match (1989); The Glass Menagerie (1989).

Material, including press articles and reviews, original texts, scripts and theatrical programmes, relating to stage productions in which Siân Phillips appeared during the 1970s. The items comprise: Lady Windermere's Fan (1972); Epitaph for George Dillon (1972); Alpha Beta (1973); A Nightingale in Bloomsbury Square (1974); The Gay Lord Quex (1975); Spine Chiller (1977-8); Gloriana (1978); The Inconstant Couple (1978); A Woman of No Importance (1978); You Never Can Tell (1979).

Material, including press articles and reviews, original texts, scripts and theatrical programmes, relating to stage productions in which Siân Phillips appeared during the 1960s. The items comprise: The Taming of the Shrew (1960); The Duchess of Malfi (1960); Ondine (1961); The Lizard on the Rock (1962); Les Maxibules (1964); Ride A Cock Horse (1965); Come And Go (1965); Man and Superman (1966); The Man of Destiny (1966); The Eccentricities of a Nightingale (1967); The Burglar (1967); The Cardinal of Spain (1969).

Material, including press articles and reviews, original texts and scripts, relating to film and television productions in which Siân Phillips appeared or was otherwise involved with from the 1940s through to the 1970s. The items comprise: Brethyn Cartre (1948); Special Enquiry (1952); Who's Next? (1958); A Game For Eskimos (1958); Land of Song (1958); Granite (1958); Who's Next? [1958]; Mae'r Oll Yn Gysegredig [1958x1960]; The Garden of Loneliness [1959]; A Quiet Man (1959); The Breaking Point (1959); The Tortoise and the Hare (1959); Treason (1959); Siwan (1960); Don Juán in Hell (1962); The Fanatics (1962); Becket (1964); The Other Man (1964); Levine (1964/5); Eh Joe (1966); Thief (1968); The Beast in the Jungle (1969); Goodbye, Mr Chips (1969); The Vessel of Wrath (1970); Murphy's War (1970-1); Platonov (1971); Croeso'r Castell (1971); Sharing the Honours (1972); Under Milk Wood (1972); The Man Outside (1972); Pillars of Society (1972); How Many Miles To Babylon? (1974); Shoulder To Shoulder (1974); The Puritan Experience: Forsaking England (1975); How Green Was My Valley (1975-6); Antony and Cleopatra (1976); In Memory of Aberfan (1976); I, Claudius (1976); Frieda [1976]; Heartbreak House (1977); The Achurch Letters (1977); Warrior Queen (1978); Mr Kettle and Mrs Moon (1978); Crime and Punishment (1979); Tinker, Tailor, Soldier, Spy (1979).

Material, including press articles and reviews, original texts, scripts and theatrical programmes, relating to early stage appearances by Siân Phillips dating from her time at school, university and at London's Royal Academy of Dramatic Art (RADA). The items comprise: Dyfnant Sunday School performance (1936); Mair a'r Wyau [1938x1944]; Urdd Girls' Concert (1947); Upper Cwmtwrch Christmas Concert (1948); Randibŵ (1949); Les Derniers Outrages [1950s]; The Pirate [1950s]; The Three Daughters of M. Dupont [1950s]; Tobias and the Angel (1951-2); Othello (1952); Doctor Er Ei Waethaf (1952); Ewyrth Ifan (1954); Gymerwch Chi Sigarét? (1955-6); Les Justes (1956); The Silver Curlew (1956); Magda (1957); The Caucasian Chalk Circle (1957); Hedda Gabler (1957); A Thanksgiving for William Shakespeare, Southwark Cathedral (1958); The Three Sisters (1958); St Joan (1958); The Holiday (1958); The King's Daughter (1959).