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The file comprises papers relating to A new romantic anthology, ed. S. Schimanski & H. Treece (London, 1949), in which the chapter 'Welsh poetry' was selected and introduced by Glyn Jones. Included are manuscript drafts of his introduction, 'Romanticism and Welsh Poetry', and transcripts by Glyn Jones of selected pieces by various authors. The file also contains a draft letter by Glyn Jones to Dylan Thomas, letters, 1945-1946, from publishers and literary agents, and a letter to Lynette Roberts.

Typescript copies of 'A merry manshape (or Dylan Thomas at a distance)', [1950x1970]; and 'A niche for Dylan Thomas', [1973], which appears to be an earlier draft of the article published in Poetry Wales, vol. 9, no. 2 (Autumn 1973).

Papers, 1966-2015, relating to the filming and production of Under Milk Wood (1972), directed by Andrew Sinclair, together with papers relating to the financing and distribution of the film and to other Dylan Thomas projects.

Letters to Sam Adams from Professor Barbara Handy (5) concerning a Dylan Thomas number of Poetry Wales, including an article by her entitled 'The personal and the impersonal in some of Dylan Thomas's lyrics', together with letters from Rhoda Goodwin (3) concerning the 'Collected stories' of Geraint Goodwin, and a card from Myfanwy [Lumsden] about genealogical research by members of Geraint Goodwin's family.

Bound typescript (photocopy), [1965x1968], of a paper by B. W. Murphy, entitled 'Creation and destruction. Notes on Dylan Thomas'; together with an offprint of an article based on this work published in the British Journal of Medical Psychology, 41, (1968), pp. 149-167; three related letters, 1964-1965, from the author to Vernon Watkins; and an undated typescript copy of an unsigned letter by Dylan Thomas to Marguerite Caetani.

Thirty-five letters, 1944-1957, to the artists' model Mary Keene, comprising twenty-three from her friend Caitlin Thomas, 1945-1954 (ff. 1-30), six from the latter's sister Brigit Marnier, 1944-1949 (ff. 33-43), and six from Florence Thomas, mother of Dylan Thomas, 1954-1957 (ff. 44-53), all containing personal and family news.
Also included is a letter, 11 October 1950, to Caitlin Thomas from her domestic help, Dolly Long of Laugharne (ff. 31-32). There are numerous references to Dylan Thomas (ff. 1 verso-10 passim, 19, 20 27 verso) and his funeral (ff. 43-44) and to Caitlin (in addition to her own letters) (ff. 36 verso, 44-54 passim). There are also references to Laurie Lee (f. 16 verso), Anthony Devas (f. 23 verso), Louis MacNeice (f. 45 verso) and Daniel Jones (f. 47 verso).

Full score transparencies, 1961, of 'Cantata' (opus 32) by Denis ApIvor, being a setting for four solo voices, chorus, speaker, and orchestra of the ten 'Altarwise by owl-light' sonnets by Dylan Thomas; and vocal score, 1961, of the same work in a photographic reproduction from transparency. Autograph additions to the vocal score include corrections made in 1985 and a note on performance on back flyleaf.

Papers of Colin Edwards (d. 1994), a radio journalist of Welsh descent, relating to his incomplete book on Dylan Thomas ('Dylan Remembered'), comprising typescript chapters of the work and index cards; transcripts of audio tapes including interviews with Philip Burton, Gwynfor Evans, Glyn Jones, Vernon Watkins, and Florence Thomas, mother of Dylan Thomas; and address books containing names and notes on Dylan Thomas's relatives, acquaintances and persons interviewed by him

Further papers of Colin Edwards, to be added to the papers received in July 1996 and April 1999, comprising press cuttings, mainly 1970s, relating to Dylan Thomas (1914-1953); copies of Dylan Thomas Remembered published by the Dylan Thomas Society Welsh Branch in 1978; the Adam International Review, no. 238, 1953, dedicated to Dylan Thomas, Ethel Ross's Dylan Thomas and the Amateur Theatre, published by Swansea Little Theatre, and The New Welsh Review, Spring 1992 ('Dylan Thomas Special'); together with a typescript transcript of an interview with Philip Burton, and a script entitled 'Dylan in His Youth'

Additional papers of Colin Edwards, mainly relating to Dylan Thomas, including letters from Glyn Jones, Ralph Maud, Constantine FitzGibbon and Bert Trick, a script of an interview with Sada Thompson and Nancy Wickwire on Dylan Thomas, notebooks, and press cuttings.

A script, 1948, featuring the Isle of Thanet in the 'Country Magazine' series, a BBC Home Service transmission, with Dylan Thomas introducing the programme.

A copy of a paper by B. William Murphy, Maryland, USA, entitled 'Creation and Destruction. Notes on Dylan Thomas' used by Colin Edwards (d. 1994), California, when preparing his incomplete and unpublished work on Dylan Thomas.

Miscellaneous drawings by Ceri Richards comprising a Christmas card, c. 1930; a series of nine preliminary sketches, [November 1953], in pencil and ink, for the decorations executed by him on four copies of the first edition of Dylan Thomas's Collected Poems (1952) (see note to 544 and 581, below); a signed collage entitled 'Hammerklavier' presented to the artist's daughter, Rachel, Christmas 1953, together with four printed cards announcing his exhibition of lithographs on the 'Hammerklavier' theme, 1959, each with different original decorations by the artist in crayon and ink (see 544, below). Also included are an untitled, numbered lithograph signed by Frances Richards, [1970s], and miscellaneous notes, [?late 1940s], by Ceri Richards, comprising notes for a lecture on art, and transcripts, in English translation, of writings on art by Henri Matisse.

The file comprises a scrapbook, press cuttings, articles and programmes, 1954-1998, relating to the life and work of Dylan Thomas.

Miscellaneous printed material, 1971-1983, relating to Dylan Thomas, in particular to the laying of the memorial stone in Westminster Abbey, 1982, including photographs of the unveiling ceremony, and to the opening of the Dylan Thomas Theatre in Swansea, 1983.

Correspondence and papers, 1980-1982, relating to the laying of a memorial stone to Dylan Thomas in Poets' Corner at Westminster Abbey, together with papers relating to the presentation of the first Dylan Thomas Award, 1983 (ff. 130-3) and two letters, 1964, to Mervyn Levy concerning the poet (ff. 134-6). The correspondents include Daniel Jones (3) 1982, John Ormond (4) 1981, Aeronwy Thomas-Ellis (15 draft and copy letters) 1981-1982, and Llewelyn Thomas (2) 1982.

Papers relating to Dylan Thomas and to the Dylan Thomas Trust, [1944x1947]-1975, comprising miscellaneous personal items of Dylan Thomas, 1948-1953, letters addressed to him, 1952-1953, contracts, 1951-1953, and his manuscript map of Llareggub, [1944x1951]; passports of Dylan, Caitlin and Colm Thomas, 1947-[1961]; a fragment of a memoir by Caitlin Thomas, [?1957]; and letters relating to the Trust, mainly addressed to Stuart Thomas, 1953-1975.

Papers, [1986]-[2001], including offprints of the articles 'The universal penman' [Clough Williams-Ellis], 'John Ryder' and 'Letters from the Romans' by Jonah Jones published in Matrix [annual review for printers and bibliophiles], and a copy of Mark Jones, Contemporary British medals (1986), with a photograph of the bronze medal of Dylan Thomas (1975) designed by Jonah Jones.

Full score transparencies, 1973, of 'Fern Hill' (opus 56) by Denis ApIvor, being a setting for solo tenor voice and chamber orchestra of the poem by Dylan Thomas; and a study score, 1973, on transparency of the same work for solo tenor voice and two pianos.

Correspondence and papers, 1987-1989, relating to John Petts's work for the Golden Grove Book Company Ltd, including nine letters from Lynn Hughes, together with notes and draft illustrations by Petts. Amongst the latter are papers relating to the republication of Ivor Thomas, Top Sawyer (1988), and sketches for a proposed but unpublished volume of 'Laugharne Poems' by Dylan Thomas, with a draft layout of the book by its designer, Nicholas Thirkell.

A collection of over 200 books and pamphlets from the library of the donor's husband, the late Rev J. Seymour Rees, Seven Sisters, most of these being typescript volumes (NLW MSS 18628-707). The collection consists of some original work by J. Seymour Rees and his father, John Rees, such as poetry, short stories, essays, biographies, and guide books, much of which was submitted for competition at various national and local eisteddfodau, and volumes of collected material on various topics, including essays, articles and other material on such eminent Welshmen as W. Llewelyn Williams, Daniel Silvan Evans, Sir John Morris Jones, and Rev William Edwards, Groeswen, and on Welsh hymnology, and collections of poetry by D. Emrys James ('Dewi Emrys'), I. D. Hooson, R. Williams Parry, and T. J. Thomas ('Sarnicol'), of prose by 'Sarnicol', W. Llewelyn Williams, O. M. Edwards, and W. J. Gruffydd, and of hymns by H. Elvet Lewis ('Elfed'), J. D. Vernon Lewis, J. R. Davies, Pentyrch, and others, and selections of prose and verse compiled for competition at various national eisteddfodau. In addition to the collection of Elfed's Welsh and English hymns, there are twelve volumes containing some of his prose and verse and material on his life and work. There are also indexes to Y Beirniad, Y Geninen, and Y Geiriadur Bywgraphyddol; typescript copies and cuttings, from periodicals and newspapers, of articles and essays by various persons, and by 'Sarnicol' and J. Seymour Rees in particular; typescript transcripts of several printed books, in particular of collections of hymns published in the eighteenth and nineteenth centuries; and scrapbooks of newspaper cuttings relating to D. Lloyd George, Dylan Thomas, 'Dewi Emrys', W. Llewelyn Williams, Sir John Morris Jones, 'Elfed', Rev John Evans, Brecon, Rev Jubilee Young, and others. The collection also contains letters to J. Seymour Rees and Mrs. Seymour Rees and a small group of other correspondence. The largest donation of printed books received during the current year was that which the Library was invited to select from the very extensive library of Rev J. Seymour Rees (Dept of Printed Books). It numbered several hundreds of volumes primarily of literary, historical, and theological interest, all in very good condition, and many having been bound by Mr. Rees himself. Additional material from the library of the donor's husband, the late Rev J. Seymour Rees, Seven Sisters. It includes typescript collections of 'Cyfansoddiadau sydd yn fy modloni i' and 'A short anthology of the world's greatest Christian prayers' (NLW MS 19384B); three scrapbooks of typescripts and newspaper cuttings (NLW MSS 19385A, 19386B, 19387C); a typescript copy of 'Casgliad o gyfarwyddiadau i wneuthur hen fwydydd nodweddiadol Gymraeg' by Miss Mati Thomas ('Mati'r Ddôl'), Nanternis, New Quay (awarded the prize at the Treorchy National Eisteddfod, 1928) (NLW MS 19383B); Evan Thomas: Galareb S. Griffiths o Horeb (Castellnewydd-Emlyn, 1960), and J. Lloyd Williams: Byd Natur (Caerdydd, 1924) (Dept of Printed Books). A holograph letter of David Jones (1856-1937), Aberdare, afterwards Independent minister at New Quay, co. Cardigan, and at Scranton, Pa., U.S.A. (NLW MS 18866E, No 246C); and a printed postcard to the donor from the Duke and Duchess of Windsor, [March 1965], acknowledging a message of sympathy and good wishes (NLW MS 16726A).

A typescript draft of Caitlin Thomas's autobiography, Leftover Life to Kill (London, 1957), apparently typed from tape or dictation (see, for instance, ff. 64-65), bearing her more or less final autograph revision, and containing some passages which do not appear in the published work, e.g. the summary of Dylan's usual domestic small talk (f. 39), and his inability to cope with the pestilent 'Bible manglers' of New York (f. 83).