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‘A List of the Publications on Apiculture Contained in the Dr Charles C. Miller Memorial Apicultural Library. Taken from Records Made by a Number of WPA workers’

Two copies of ‘A List of the Publications on Apiculture Contained in the Dr Charles C. Miller Memorial Apicultural Library. Taken from Records Made by a Number of WPA workers’ (University of Wisconsin, College of Agriculture Library, Madison, Wisconsin, 1936).

‘After-wards’ poems

A printed copy, 2017, of ‘After-wards (Appendix to “King of the Sea Trees”)’, a series of macalla poems composed by Erin Kavanagh (after William Shakespeare, W.B. Yeats, John Milton, Hedd Wyn, Cynddelw, R.S. Thomas, Llywarch Hen, Dylan Thomas, Alfred Tennyson, Dafydd ap Gwilym, Walter de la Mare, Percy Bysshe Shelley, Seamus Heaney, Rudyard Kipling and Gillian Clarke) in response to feedback from visitors to the ‘Borth’s Lost Legends’ exhibition; the poems were used in the ‘Layers in Lampeter’ exhibition.

‘Alderman Roberts’; ‘The Broken-hearted Fascist’; ‘The Man Who Defended Women'

Llyfr nodiadau (2001) yn cynnwys nodiadau a drafftiau llawysgrif amrywiol yn llaw Emyr Humphreys, yn cynnwys drafftiau o straeon byrion gyda’r teitlau ‘Alderman Roberts’, ‘The Broken-hearted Fascist’, a ‘The Man Who Defended Women’; ynghyd â nodiadau pellach yn dwyn y teitlau ‘Poetic Justice’, ‘The Perfectionist’, ‘The Viewer’, ‘Cantankeries’, ‘Teacher’s Pest’, a ‘The Welshman’s Future’. / An exercise book (2001) containing various manuscript notes and drafts in the hand of Emyr Humphreys, including drafts of short stories titled ‘Alderman Roberts’, ‘The Broken-hearted Fascist’, and ‘The Man Who Defended Women’; together with further notes titled ‘Poetic Justice’, ‘The Perfectionist’, ‘The Viewer’, ‘Cantankeries’, ‘Teacher’s Pest’, and ‘The Welshman’s Future’.

‘Bank and earnings’

Letters, agreements, accounts, statements, receipts, invoices, claims and notes concerning Gwyneth Lewis’s earnings, expenditure and tax returns as a writer (outside of her salaried work for the BBC) in collaboration with literary, educational, cultural, academic, publishing and broadcasting organisations and agents, with particular regard to her published volumes of poetry and prose, contributions to journals and academic works, research, readings, talks, conference and festival contributions, shows, media work, translation work and lyrics to be set to music, as well as her financial savings and investments.

‘Creativity’

Correspondence between Gwyneth Lewis and family, friends and colleagues concerning domestic, social and literary matters, including a poem written by her for Leighton Denver Davies during an illness, together with invitations to the openings of the National Assembly for Wales and the Wales Millennium Centre, a draft copy of a book by Alistair Peebles based on a project in which Gwyneth Lewis participated, programmes for literary and musical events and the opening of the National Assembly for Wales, publicity material from publishers and the Wales Millennium Centre, photographs, a copy of a published cartoon strip, and material sent to Leighton Denver Davies wishing him good health.

‘Discarded poems’

Typescript drafts of poems, with manuscript emendations, marked by Gwyneth Lewis as 'discarded' and not included in the volumes of her published collections, including one or more variants of 'In the Dead of Winter', 'The Bachelors of Balephuil', 'Elegy', 'Maenclochog', 'In the Snow Queen's Palace', 'Spring at the Leper House Allotments', 'First Haunting', 'Dalton's Geranium', 'The Cut of Women's Clothes', 'Leaving America', 'Consider the Crinoid', 'First Aid', 'A Welcome to East Oxford', 'Manhattan Night', 'Death and the Maiden', 'Take Care', 'In the Greenhouse', 'Cwm-hir Abbey', 'Homesick in Summer', 'The Glad-Grower's Daughter', 'The Muse of Morganwg', 'On the Air', 'Open Door', 'A Love Alphabet' and 'In Central Park'.

‘King of the Sea Trees’ postcard

A postcard image, 2017, of the ‘King of the Sea Trees’, drawn and designed by Erin Kavanagh with an extract from her poem of the same name; the postcard was produced by the ‘Layers in the Landscape’ project and used in the project exhibitions.

‘King of the Sea Trees’ shanty

A recording, August 2017, of the 'King of the Sea Trees' shanty, composed and performed by David Moore (under the pseudonym Dafydd Eto) and drawing on traditional songs of the sea in response to Erin Kavanagh's poem of the same name, with the prologue of the poem spoken by Erin Kavanagh and also backing vocals by her; recorded by Jacob Whittaker and used in the project exhibitions.

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