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Archival description
Brith Gof Archive, Series
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Part 3/Besatt,

Papers relating to the Besatt production including reviews, work notes, research material, production information and production texts.

Untitled

Part 10,

Correspondence, papers and photographs relating to Part 10 of the Disasters of War project.

Untitled

General,

Papers relating to the Disasters of War project in general, including a publicity pack and a project brochure, a Magdalena newsletter containing an article relating to the project and Lis Hughes Jones' papers which include production texts and research sources.

Glasgow, Scotland,

Papers relating to the Gododdin production performed at Glasgow, Scotland, including scenographic designs and sketches, venue plans and copies of the production workbook.

Untitled

Leeuwarden, the Netherlands,

Papers relating to the Gododdin production performed at Leeuwarden, the Netherlands, including scenographic designs and sketches, copies of the production workbook and performance photographs.

Untitled

Polverigi, Italy,

Papers relating to the Gododdin production performed in Polveriggi, Italy, including scenographic designs and sketches, copies of the production workbook, production scenario, negatives of photographs of the location in Poliverigi and audience instructions.

Untitled

Hamburg, Germany,

Papers relating to the Gododdin production performed in Hamburg, Germany, including scenographic designs and sketches, venue plans, copies of the production workbook, photographs of the venue and a festival programme

Untitled

Cardiff,

Papers and images relating to the Gododdin production performed in Cardiff, including scenographic sketches and designs, venue plans, project workplan and slides of set construction and the performance; together with papers relating to Clifford McLucas’ visual diary artwork

Untitled

General,

Papers and photographs relating to the various Gododdin performances and to the production in general, including also previews and reviews, production information, publicity material and papers relating to the exhibition held at the Chapter Arts Centre relating to the Gododdin production; together with papers of the stage manager, Giles Parbery and Lis Hughes Jones' workfile.

Los Angeles,

Correspondence, papers and photographs relating to the Los Angeles production, including devising notes and ideas, scenographic sketches, research material relating to the L.A. Riots, production quotes and texts, performance notes and directions, performance [scenarios], copies of the production prospectus and production marketing packs, publicity material, reviews and previews; together with correspondence and papers from production manager, Giles Parbury, mainly relating to the Los Angeles performances at the Mayfest Festival, Glasgow, Buenos Aires, Argentina and [Europe?], including Fribourg and Grenoble .

Untitled

Cardiff, Glasgow, Aberystwyth,

Correspondence, papers and images relating to the Pax production and the performances in Cardiff, Glasgow and Aberystwyth, including information booklets, publicity material and programmes, previews and reviews, press releases, work, devising notes, production and performance notes, schematic scenarios, a wokring score, proposals, prospectus, research material, and scenographic sketches and designs; together with the papers of the production manager Giles Parbery relating to the Aberystwyth and Glasgow Pax productions.

Untitled

General,

Correspondence and papers relating to the ‘Pax’ project in general, including the various performances and ‘Pax’ cantata, comprising mainly proposals, discussion and development notes, research material, scenographic designs, sketches and artwork, a production score, and photographs; together with papers relating to a possible gallery installation relating to the Pax production and Lis Hughes Jones' vocal score and papers relating to the Liberetto.

Old British Coal Works, Tredegar,

Correspondence, papers and photographs relating to the Haearn production at the Old British Coal Works, Tredegar, including press papers, details of scenographic elements and scenographic sketches, plans and designs, publicity material, administrative papers, site/venue plans, workplans and task lists, scenarios, details of performance structures, storyboards and scores, copies of production texts and scripts, research material, budgets, production publications, devising notes and papers and the musical score for the production; together with copies of the Seven Architectures booklet by Clifford McLucas and a file of the stage manager, Giles Parbery's papers.

Re-stagings,

Correspondence, papers and photographs relating to re-stagings of Haearn in Wrexham, Birmingham, Amsterdam and Douai, including administrative and financial papers comprising funding applications, project information, proposals, timetables and discussion notes; together with venue plans, scenographic workings, sketches and designs, devising notes and production storyboards.

DOA and Camlann,

Correspondence and papers relating to the DOA and Camlann productions, including press releases, marketing information, publicity material, reviews and responses to reviews, and typed extracts from a book/books, some of which relate to D.O.A. and Camlann; together with photographs of the cast members and performances and a file of the production manager, Giles Parbery's papers.

Untitled

Cusanu Esgyrn,

Papers relating to the Cusanu Esgyrn production including a copy of production texts/scripts, publicity material, photographs and a file of Giles Parbury's papers containing correspondence and papers relating to administrative and financial matters, the arrangement of the production and including production texts.

Untitled

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