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Correspondence and papers relating to the Disasters of War: ‘Cadair Ddu’ banners, including preliminary design sketches and notes, location sketches, correspondence and papers regarding materials, material samples and photographs of the finished designs; together with slide images of the Bible banners and correspondence regarding the production of banners for Plaid Cymru.

Papers relating to the 8961 - Caneuon Galar a Gobaith production including production texts and notes on texts, actions and music; together with a letter asking permission to use material in the production and research material, including magazines of the Chile Solidarity Campaign and Chile Update, newspaper cuttings mainly regarding Chile, travel documents, a report by the National Commission on Disappeared People (Argentina), and an Amnesty International journal.

Photographs of the 8961 - Caneuon Galar a Gobaith touring production, together with some slide images of the production and another unidentified production.

Papers relating to 8961: Caneuon Galar a Gobaith, including draft copies of the production booklet/programme, pages from a publication about Brith Gof productions which includes information regarding this production and some images of the performance.

Correspondence and papers relating to a proposed book by Clifford McLucas entitled ‘The Host and the Ghost’, which concerned the approaches to site in the theatre works of Brith Gof, and including also draft and final copies of the publication proposal and mock-up and design copies of some pages of the book.

A plan, possibly of the structure of the production.

A Progress/Position Statement of Brith Gof’s work in Lampeter, [during which time the work for the Prosiect Ecs project was carried out].

A review of the work undertaken by Brith Gof in 1986.

Correspondence and papers relating to the arrangement and funding of the staging of Pax at Aberystwyth Railway station, including an application for financial assistance.

Unidentified notes which may relate to the Ymfudwyr and Gernika productions, including notes on texts, ideas and actions.

Notes on actions, possibly for a performance class/workshop.

Correspondence and papers relating to the administration and arrangement of the production, including papers regarding the recruitment of actors for the production, funding information and arrangements, letters notifying of the decision to cancel the production, contact lists, budgets, papers regarding technical equipment, marketing papers and production information.

Correspondence and papers relating to the administration and arrangement of the Hafod project, including budgets, enquiries regarding materials, transcribed copies of letters from Mariamne Johnes, performance outline and details, notes on artistic researches, and some prop designs.

Correspondence and papers relating to the arrangement and administration of re-stagings of the Haearn production in Wrexham, Amsterdam, Douai, Copenhagen and Birmingham, including funding applications, income and expenditure figures, budgets, project information, proposal, timetables, a paper regarding the principles of performing Haearn abroad and a copy of a production prospectus.

Correspondence and papers relating to the administration and arrangement of the Haearn production, including publicity material information, minutes of various meetings, site/venue plans, scenographic plans and designs, performance structures, work and task lists, a schematic scenario, timetables and action plans, together with a preliminary budget.

Papers relating to the administration and arrangement of the Prydain production, including a budget checklist, task lists, timetable, notes, and various contact details.

Correspondence and papers relating to the administration and arrangement of the production, including letters relating to the arrangement of staging the production in a disused church, a quote for the hire of seating, contact details, accommodation arrangements, and an agenda and minutes of the production meetings.

Papers relating to the [arrangement of performing the Once Upon a Time in the West production in the Sibiu Festival, Romania], including a Carnet de Passages for the transportation of professional equipment, directions to Sibiu, and a contract between Brith Gof and Owain Huw Wright to assist with the production in the Sibiu Festival; together with equipment invoices and a letter regarding a performance of the production in Theatr Gwynedd.

Clifford McLucas' administrative and production papers, mainly relating to the Pax Aberystwyth production, including a strategy, appraisal, proposed scenario, draft production scores and plans of the railway station; together with sketch designs for a production brochure, general devising notes and sketches and a scenographic design for Glasgow.