Rhagolwg argraffu Cau

Dangos 4583 canlyniad

Disgrifiad archifol

Dewisiadau chwilio manwl

Canfod canlyniadau gyda:

Cyfyngu canlyniadau i:

Lleoliad

Disgrifiad lefel uchaf

Hidlo canlyniadau yn ôl:

Lefel y disgrifiad

Gwrthrych digidol ar gael

Cymorth chwilio

Statws hawlfraint

Dynodiad deunydd cyffredinol

Disgrifiadau lefel uchaf Pob disgrifiad

Hidlo yn ôl ystod dyddiadau:

Cychwyn

Diwedd

Gorgyffwrdd Union

Defnyddiwch y dewisiadau hyn i bennu sut mae'r ystod dyddiadau yn dychwelyd canlyniadau. Mae "Union" yn golygu fod rhaid i ddyddiadau dechrau a diwedd disgrifiadau fod yn gyfangwbl o fewn yr ystod dyddiadau a gofnodir. Mae "Gorgyffwrdd" yn golygu y dychwelir unrhyw ddisgrifiadau sydd â'u dyddiadau dechrau neu ddiwedd yn cyffwrdd neu'n gorgyffwrdd yr ystod dyddiadau a dargedir.

Rhagolwg argraffu Gweld:

Trefnu yn ôl:

Cyfeiriad:

4583 canlyniad gyda gwrthrychau digidol Dangos canlyniadau gyda gwrthrychau digidol

The sun used to shine,

424/2/119/2.
Ffeil
1916, May. 22 /

First line: The sun used to shine while we two walked. Written at Hare Hall. Typescript, with corrections in Eleanor Farjeon's hand. The typescript matches the version in the Blue Notebook (in private ownership), and Eleanor's annotations match the second draft which is held in the Bodleian Library, Oxford.

Thomas, Edward, 1878-1917

The sun used to shine,

424/2/119/1.
Ffeil
1916, May. 22 /

First line: The sun used to shine while we two walked. Written at Hare Hall. Manuscript draft in ink. Not recorded in R. George Thomas, The Collected Poems of Edward Thomas (1978).

Thomas, Edward, 1878-1917

Two houses,

424/2/87/1.
Ffeil
1915, Jul. 22 /

First line: Between a sunny bank and the sun. Written in London. Typescript.

Thomas, Edward, 1878-1917

Digging [2],

424/2/86/1.
Ffeil
1915,Jul. 21 /

First line: What matter makes my spade for tears or mirth. Written in London. Typescript.

Thomas, Edward, 1878-1917

Melancholy,

424/2/67/1.
Ffeil
1915, Apr. 25 /

First line: The rain and wind, the rain and wind raved endlessly. Written in Steep. Typescript.

Thomas, Edward, 1878-1917

Letter sent 21 Jan 1917,

424/1/1/1/1/219.
Ffeil
1917, Jan. 21 /

Letter from Edward Thomas to Helen Thomas. Formerly in envelope postmarked 21 Jan 1917, Codford, Wiltshire.

Thomas, Edward, 1878-1917

March the 3rd,

424/2/47/1.
Ffeil
1915, Mar. 23 /

First line: Here again (she said) is March the third. Written in Steep. Typescript. Manuscript alterations in Eleanor Farjeon's hand, lines 6-8 the most heavily corrected, also 9, 13 and 20, which probably reflect the editing mentioned in Thomas' letters to her, printed in E. Farjeon, Edward Thomas: The Last Four Years (1958), p. 132. (1) 'Perhaps I shall be able to mend March the 3rd. I know it must be either mended or ended'. (28 Apr 1915); (2) 'I have mended March 3rd too, you see'. (29 Apr 1915).

Thomas, Edward, 1878-1917

The Hollow wood,

424/2/15/1.
Ffeil
1914, Dec. 31 /

First line: Out in the sun the goldfinch flits.Written in Steep. Typescript.

Thomas, Edward, 1878-1917

Birds' nests,

424/2/9/1a.
Ffeil
1914, Dec. /

First line: The summer nests uncovered by autumn wind. Written in Steep. Typescript. Version A.

Thomas, Edward, 1878-1917

Old man,

424/2/4/1.
Ffeil
1914, Dec. 6 /

First line: Old Man, or Lad's-love,--in the name there's nothing. Written in Steep. Typescript.

Thomas, Edward, 1878-1917

Cellan Patriotic Society,

NLW ex 737.
Ffeil
1917-1921.

Bank book and vouchers, 1917-21, relating to the Cellan Patriotic Society.

Wallet.

424/7/9.
Ffeil

Edward Thomas' leather wallet [early 20th century].

'Rhiwle yn Ffrainc' written by Hedd Wyn,

BMSS/23333(a).
Ffeil
1917.

The letter provides a poet's view of the life 'behind the line' and yet heroically does not reveal the actual horrors of the trenches, but focuses on the few small moments of beauty that the poet finds to contemplate and share with the reader.

Hedd Wyn, 1887-1917