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The file consists of correspondence and papers relating to the artists: John Piper, Arthur Pritchard, Bill Price, Linda Brill and Elizabeth Rathmell, [1960]-1997.

The file comprises letters from various people including D. Brynmor Anthony, Vernon Watkins (6, 1 incomplete) and Gwen Watkins, William Cookson, Howard Griffin, Vincent Lines (3), Vera Bassett, Neville Braybrooke (4), K. M. Elisabeth Murray, Louis Bonnerot, Percival R. Kirby, Sir Ifor Evans (2), Charles L. H. Duchemin (4), Arnold Palmer (3), William Blissett, Raymond Garlick (2), John Buckland Wright, August Closs (4), D. Emrys Evans, Helen Sutherland (2), David Bell (2), Megan Lloyd George, T. Charles Edwards, Valerie Wynne-Williams (2), J. E. Jones, William Hayward (4), John P[iper], Sir John Cecil Williams (2), Donald Nicholl (5), A. Robert Caponigri, Prof. Thomas Jones (3), Elwyn Evans (2), Alun Oldfield-Davies (3, 1 incomplete), Canon Walter Hussey, Alan Pryce-Jones, Geraint Gruffydd (2), Harman Grisewood, V. E. Nash-Williams, Kenneth Clark, Dr Charles Burns (incomplete), Colin Wilcockson, Janet Stone and W. B. Dalton.

Eighty-four letters, 1904-1988, from various artists, addressed to various recipients, and seemingly brought together as examples of autographs.
Among the correspondents are Edward Bawden, 1967 (f. 12), Clive Bell, [?1920s] (f. 85), George Bissill, 1956-1961 (ff. 14-56), Mark Gertler, 1916 (f. 86), Duncan Grant, 1942 (f. 87), Augustus John, 1953-1958 (ff. 4-7, 88), Gwen John, [?1904] (ff. 89-90), Clare Leighton, 1934 (ff. 9-11), Lord Methuen, 1972-1973 (ff. 67-70), Henry Moore, 1950-1951, 1961 (ff. 1-2, 91), John Nash, 1967 (f. 71), Paul Nash, [early 1940s] (f. 92), Sir William Nicholson, 1904-1906 (ff. 93-94), John Piper, 1941-1943 (ff. 72-75), Sir William Rothenstein, 1932 (ff. 96-97), Kenneth Rowntree, 1957 (ff. 78-82), and Sir Matthew Smith, 1950, 1957 (ff. 3, 99). The main recipients are Daniel George, 1953-1962 (ff. 4-8), Cyril Lakin, 1934 (ff. 9-11), Peter Rhodes (ff. 12-56, 58, 65-71, 83-84) and his wife Felicity Rhodes (ff. 57, 59-64, 72-82). The letters include references to the sale of pictures by Peter De Wint (ff. 16, 22-29, 37-40, 44-47) and comments by Augustus John on Caitlin Thomas’s autobiography (f. 6).

Ink full score, dated June 1984; and a full score, June 1984, prepared for publication by University College Cardiff Press (1986).