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A notebook containing texts and scenarios for the Gaeafdaith production.

Loose notes and notebooks, one of which is Lis Hughes Jones’ workbook, comprising notes on music, songs, an introduction speech and information about the project, presumably for participating performers, texts, lyrics, scenarios, and performance actions.

Photographs of the Ymfudwyr touring production and of the second version of the production performed in 1986.

Lis Hughes Jones' workbook for the Ymfudwyr production containing mainly notes relating to texts and songs and other general notes.

[Research] sources comprising postcards and cuttings, many of which relate to fabrics and costumes, together with a copy of the production texts.

Photographs and information relating to the Bible Banners, including photographs of the Cathedral Churches, the banners, the banners at various locations and the work in progress; articles regarding the banners and their installation at various venues; copies of the text for the project booklet; and a list of the books of the bible with some quotations; together with information brochures for various cathedrals and some correspondence with Clifford McLucas.

A copy of the project publication and a flyer for the touring exhibition.

Photographs and copies of photographs of the Bible banners at various venues during the touring exhibition; together with slides of the banners being made and in location at Llanrhaeadr-ym-Mochant.

A Welsh version of the production script from the papers of Lis Hughes Jones.

Reviews of the Besatt production in Norway.

Work notes for the Besatt production, including script/text notes, a work plan, possibly for rehearsals, [devising notes], notes on actions and ideas, research material and production information.

Lis Hughes Jones' workbook for the Displaced Persons production including draft scenarios, details of and ideas for video, sound, stage directions and improvisation, dynamic notes, details of photographs [to be taken], songs and some texts, correspondence and publicity material.

A copy of a Magdalena newsletter which contains an article by Lis Hughes Jones in which she discusses the Disasters of War project.

Lis Hughes Jones' workbook for the productions of the Disasters of War project including work plans and event timetables, and notes on various elements including the Goya etchings, general ideas, an improvisations day and improvisations, stage actions and dynamics, together with some research notes.

A proof and final copy of the workbook for the Leeuwarden production of Gododdin, which had been written specifically for that performance following a visit to the venue; together with some negatives of photographs of the venue.

Negatives of photographs of the location in Poliverigi for the performance of Gododdin.

A proof copy of the workbook for the Hamburg production of Gododdin, which had been written specifically for that performance following a visit to the venue; together with some photographs of the venue and a festival programme.

Previews and reviews relating to the Gododdin production, including the performances at Glasgow, Cardiff, Polverigi and Leeurwarden and of the soundtrack by the Test Department.

Photographs of the various Gododdin productions, showing performances, the musicians, venues and sites, props, set preparations and rehearsals and including some photocopies of photographs.

Lis Hughes Jones' workfile for the Gododdin production containing general production papers and papers relating to the production music and songs, including a copy of the texts spoken and sung by Lis Hughes Jones , [extracts from the Gododdin poem], draft [running order] for the production music, extracts of the [score] and details of performance music and soundtrack, and correspondence and papers relating to arrangements for the Gododdin LP; together with postcards, a programme for a twentieth celebration for the Gododdin production, project information and scenographic plans.