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Includes letters from David Barnett (7); John Barnie (10); Glenda Beagan (9); Deirdre Beddoe; Chris Bendon (9); Gilbert Bennett (5); Veronica Bennett (4); Ron Berry (9); Ruth Bidgood (15); Alison Bielski (10); and Tony Brown (19).

Correspondence, mostly concerning poems submitted for The Anglo-Welsh Review, including letters from Chris Bendon; Ivor C. Treby (4); Ruth Bidgood (7); Mike Jenkins (3); Roland Mathias (2); Tom Earley (3); John Davies; Tony Curtis; Joyce Herbert (3); Sheenagh Pugh (2); Alison Bielski (3); Nigel Jenkins; Bridget Joseph; John Tripp (3); Rosamund Stanhope; Michael Farley; D. S. Savage; Susanne M. Dumbleton; Tom Rawling; Margaret Toms (4); Jon Dressel (7); J. P. Ward; Pete Morgan (4); David T. Lloyd (3); John Barnie (2); Gerald Dawe (4); Jane McLaughlin; Gerard Casey (12); Leslie Norris (2); David Constantine (2); Philip Owens (3); Moelwyn Merchant; Wes Magee (2); Steve Griffiths (2); Sam Adams (2); Jack Clemo (6); Ted Hughes; Anthony Conran; Paul Wilkins (4); I. P. Taylor (3); Phyllis M. Jones; R. S. Thomas; Ian Hughes (3); Dudley G. Davies; Mary Casey; Charles Kohler; A. G. Prys-Jones (3); Leonard Clark; Andrew McNeillie; Lynn M. Trowbridge; Huw Jones; Brian Martin Davies (addressed to Huw Jones); Richard Poole; and Chris O'Neill. Some letters are addressed to Roland Mathias.

Includes letters from Henry Paget (Marquess of Anglesey, 3), R. Gerallt Jones, Roger de Grey, Ioan Bowen Rees, Moelwyn Merchant (2), Tegid Wyn Jones, Ruth Lambert, Victoria Crowe, Adrian Sorrell, David Griffiths (2), Keith Bowen, Wyn Roberts (3), John Barnie, Jack Raymond Jones, Carel Weight, Alistair Crawford, Eiluned Rees, Bernard Dunstan (2), Elisabeth Beazley (2), David Jenkins, Miriam Hughes, Luned Roberts de González, Piers Rodgers (2), and Patrick Hannan (2).

The file includes seventy-eight letters to Sam Adams, 1970-1975 and undated, from Peter Abbs (6), Cary Archard (1), John Barnie (3), D. A. Callard (1), Elwyn Davies (6), Tom Earley (1), Christine Furnival (2), David Greene (2), Steve Griffiths (6), Peter Gruffydd (2), Robert Havard (3), Cyril Hodges (2), Daniel Huws (1), Nigel Jenkins (1), John Ackerman Jones (3), Peter Levi (1), Peter Elfed Lewis (6), Robert Minhinnick (5), John Montague (1), C. B. O'Neill (1), Dora Polk (2), John Pook (3), Richard Poole (1), Peter Preece (1), Sheenagh Pugh (2), Sally Roberts Jones (2), Meg Seaton (1), R. George Thomas (3), Chris Torrance (3), J. P. Ward (6), and Herbert Williams (1). The letters mainly relate to Poetry Wales, and include copies of poems by John Barnie and Peter Elved Lewis, and biographical details provided by Elwyn Davies, Sheenagh Pugh, and Meg Seaton.

Letters to Sam Adams from A.O.H. Jarman (1), Meic Stephens (5), R. George Thomas (1), Dora Polk (1), Stewart Conn (4), Duncan Glen (1), Edwin Morgan (3), Gus Martin (1), Ulla-Lena Lundberg (1), William Cookson (3), John Ackerman (2), John Barnie (1), Norman Schwenk (1), Ruth Bidgood (1), Lewis Davies (1), Malcolm Parr (1), Christopher Meredith (1), Peter Gruffydd (1), John Harris (2), John Stuart Williams (1), John Davies (1), Glyn Tegai Hughes (2), Pennar Davies (2), Raymond Garlick (1), Roland Mathias (5), Sally Roberts Jones (3), Nest Cleverdon (1), Howell Daniels (1), Tony Curtis (1), Ioan Bowen Rees (1), Nigel Jenkins (1), Chris Torrance (1), Walford Davies (1), Robert Morgan (2), Alexander Cordell (1), Desireé Hirst (1) and Glyn Jones (5) concerning literary, social and personal matters, especially relating to poetry, Poetry Wales and Welsh literature, including comments on Adams's own poems and reviews, together with copies of two poems by Bobi Jones (one of them in Welsh), one poem by Tony Curtis and three by Meic Stephens.

Two manuscript drafts and a typescript draft of ‘Real Aberystwyth’ with manuscript and typescript annotations by Niall Griffiths and the publisher, and related letters and email correspondence between them concerning the writing and production of the book, as well as correspondence between Niall Griffiths and the predominantly literary contacts whom he consulted about the content of the book, together with other material accumulated during the writing of the book and relating to people, places, events, activities, issues and phenomena in Aberystwyth and the surrounding area as well as the ‘Real Aberystwyth’ project itself, comprising manuscript and typescript notes by Niall Griffiths, typescript copies and photocopies of poems (notably ‘One, Rheidol Place’, ‘Symbols’ and ‘River Moods’ by Herbert Williams, ‘An Aberystwyth Canto’ by Matthew Jarvis, ‘Nietzscheanism and the meaning of the superman’ and ‘Aberystwyth short fiction’ by Tiffany Atkinson, and ‘The Buoy’ by Gwyneth Lewis), typescript copies of articles (including ‘“In a very deranged state”: notes on the Iolo Morganwg Project’ by Mary-Ann Constantine, ‘The English in Wales: an Englishman’s view’ and ‘Flag waving’ by Simon Rodway, ‘Crud cenedlaetholdeb Cymreig’ [‘A cradle of Welsh nationalism’] by Rhys Jones and Carwyn Fowler, and ‘Teithio yn y nos / Nachtreise’ by Patricia Duncker), photographs taken by Niall Griffiths (in labelled envelopes which have since become jumbled), printouts from websites, press cuttings and tourist information literature. Also included, bound in a volume with a draft of ‘Real Aberystwyth’, is a manuscript draft of ‘Real Liverpool’ with manuscript notes by Niall Griffiths and an outline proposal by him for the book, together with a copy of related email correspondence between him and the publisher.