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[Barry from the Docks]

Ridley 1399.
Item
[ca.1905].

Part of Martin Ridley Collection

The right half of a 215 x 165 mm negative showing the seamen's Hall, Andrews Coffee Tavern and the Dock Offices.

Barry Island

Ridley 0366.
Item
[ca.1905].

Part of Martin Ridley Collection

A tranquil and unspoilt Barry Island photographed from the beach.

[Base of cliff, Puerto Madryn]

Llyfr Ffoto 4690/38.
Item
1969.

Part of Kyffin Williams Archive

The base of the cliff where it meets the beach. The limestone has been smoothed and rounded by the actions of the sea.

[Bas-relief of a deity, Borobudur]

4552957/36
Item
1935.

Part of Gareth Vaughan Jones Papers

A bas-relief of a buddhist deity at Borobudur temple, Java.

Bassaleg Church

Ridley 0365.
Item
[ca.1905].

Part of Martin Ridley Collection

An exterior view of the church and churchyard showing the main entrance.

Bathing Pool, Whitmore Bay, Barry Island

Ridley 0364.
Item
[ca.1905].

Part of Martin Ridley Collection

An animated view of an enclosed area of beach used for sea bathing, open to tidal flow.

[Bay Horse]

Llyfr Ffoto 4690/223.
Item
1969.

Part of Kyffin Williams Archive

A bay horse on a piece of waste ground walks towards the camera, probably in Esquel.

[Bay Horse & fence]

Llyfr Ffoto 4689/201.
Item
1968.

Part of Kyffin Williams Archive

A bay horse in the middle distance standing next to a fence. In the foreground is a tall plant with small white flowers, in the background poplars.

[Beach and sea front, Cricieth]

Llyfr Ffoto 4686/304.
Item
[ca.1960].

Part of Kyffin Williams Archive

The beach and sea front as seen from the beach below the castle.

[Beach at Puerto Madryn]

Llyfr Ffoto 4690/36.
Item
1969.

Part of Kyffin Williams Archive

A deserted sandy beach with low cliffs in the distance on the right hand side. Similar to 4690/35.

[Beach in Winter]

Llyfr Ffoto 4695/289.
Item
[ca.1990]

Part of Kyffin Williams Archive

A framed oil painting of two men and a dog walking along a seashore. Beyond them are rough seas under a dark grey sky. The painting has been photographed with a Kodak Colour Control Patch and a Gray Scale card visible in the bottom of the frame.