Dangos 8981 canlyniad

(i.) June 1917, Pilckem area - indicates key features including trenches; (ii.) 21 July 1917, Unknown area (N. France / Belgium?) - shows network of trenches; (iii.) 24 April 1917, Unknown area (N. France / Belgium?) - shows network of trenches, river with makeshift bridges; (iv.) 17 June 1917, Pilckem area - displays key features, including trenches.

Diary entries, on loose sheets, for [?22] November [1903] (f. 1), 22-30 November 1905 (f. 2 recto-verso), 24-29 June 1908 (f. 3 recto-verso), and 29 August-16 September [1911] (ff. 4-5 verso), a letter, 1903, to Edward Thomas granting him permission to fish, and a transcript by the poet of the folk-song 'O can ye sew cushions'.

Over one hundred letters, 1896-1900, from Edward Thomas to Helen Ashcroft Noble, whom he married on 20 June 1899. The letters contain mainly personal news and reflections, notably impressions of his life at Oxford and of visits to Wales; also included are a few draft poems, probably c. 1897 (ff. 297-301).

Over one hundred and twenty letters, 1901-1913, from Edward Thomas to his wife, Helen Thomas, containing mainly personal news and reflections, including accounts of his visits to Wales in 1910 and 1911, and to Paris in 1912.

Some sixty-five letters, 1916-1917, from Edward Thomas to his wife, Helen Thomas, giving accounts of his training as an army officer, his departure to France, and experiences at the front until his death.

The separate score of the overture in D Major (No. 1), for violins, violas, 'cello, clarinets, oboes, cornets, trombones, and drums.

The score of an orchestral symphony in C by Dr Joseph Parry, March 1869.

'Sleep', an orchestral composition by Dr Joseph Parry; the separate score for violins, violas, 'cello, cornets, trombones, and flutes.

A group of compositions for the piano by Dr Joseph Parry: Sonata No. 1 in C Minor; Sonata No. 2 in G; Sonata No. 3 in E Minor; 'Recollections of the Fireside'; and a fragment of a sonata.

A collection of anthems and songs by, and partly in the autograph of Dr Joseph Parry; a short anthem ('Holy! Holy! Santaidd! Santaidd!'), 1890; a chorale ('Inspirer and hearer of Prayer'); a fragment of an anthem ('Teilwng yw'r Oen'), 1889; 'adroddgan: Moses Bach'; 'The two Christmas Eves'; ballad: 'Gwraig y Morwr', 1870; a part-song in memory of the late Mr Idris Williams, Porth, and a hymn-tune 'Haydn'; 'Old memories: Y dyddiau gynt'; 'I fyny bo'r nod'; 'Deuawd Genedlgarol: y ddau wladgarwr; A National Duett: The two patriots'; ballad: 'Y Fam a'i phlentyn'; and 'Cloch y Llan'.

Letter from Thomas Richards, General Secretary, SWMF to the secretary of Prince of Wales National Relief Fund/Out-of-work fund.

Receipts and correspondence between the South Wales Miners' Federation and other organisations relating to Out of Work pay and the Prince of Wales Relief Fund.

The Monmouthshire and South Wales Coal Owners Association receipt for the South Wales Miners' Federation for payment for keeping a record of the weekly levy for the Prince of Wales Fund; J.C. Kirk and Son summary of information for The Monmouthshire and South Wales Coal Owners Association regarding firms profits and losses, men employed and output.

Memoirs and journal, compiled 1798, of the artist Thomas Jones, Pencerrig, recounting in detail his life in London, France and especially Italy during the second half of the eighteenth century.
The volume briefly recounts Jones's ancestry and early years, becoming more detailed from the 1760s, with the last detailed entry being for December 1783 (f. 218 verso); the bulk of these later entries are extracts from Jones's own journals. The final entry was signed by the artist at Pencerrig, November 1798 (f. 220 verso). The main text, including some later deletions, is written on the versos only; notes and emendations, [1798x1803], have been added by Jones on the rectos and the volume has been signed and dated 1803 by him inside the front cover. Family memoranda, in a different hand, have been added after Jones's death (ff. 225 verso). Friends and acquaintances referred to include the artists William Pars (ff. 15 verso-177 passim), Richard Wilson (ff. 17 verso-20 verso, 35 verso, 56 verso, 85, 90 verso-91, 219 verso), John Hamilton Mortimer (21 verso, 27 verso-48 verso passim, 59 verso, 64 verso, 136 verso, 217 verso), Guiseppe Marchi (ff. 27 verso, 36 verso), Thomas Hardwick (ff. 66 verso-70 verso, 90 verso-100 verso, 115 verso, 130 verso) and Anton Raphael Mengs (ff. 101 verso, 130 verso, 148 verso, 161 verso), the composer Stephen Storace (ff. 117 verso-121, 146 verso), and the art collector Sir William Hamilton (ff. 127 verso-188 verso passim, 215 verso, 219 verso). A sketch of Mount Vesuvius is on f. 118; a plan of his lodgings in Naples is on f. 142. For a complete transcript (with index) see 'Memoirs of Thomas Jones, Penkerrig, Radnorshire', The Walpole Society, 32 (1951), 1-162; this transcript is also available on the Library's website.