Half-length studio portrait of a young soldier in the Royal Field Artillery. His arms are resting on the back of a chair in order to display his good conduct stripe and three overseas service chevrons. See also DCH Mil 232. On his shoulder is a divisional patch depicting a thistle, that of the Ninth Division.
A photograph, 2017, of the carved wooden ‘Brenin y Coed Môr’ (‘King of the Sea Trees’) sign designed and made by Mark Sawyer which was used in the project exhibitions; photograph by Erin Kavanagh.
A poster, 2017, explaining ‘Haenau yn y Tirwedd’ (the Welsh title for the ‘Layers of the Landscape’ project) in Welsh, designed by Erin Kavanagh; the poster was used in the project exhibitions.
A postcard image, 2017, of the ‘King of the Sea Trees’, drawn and designed by Erin Kavanagh with an extract from her poem of the same name; the postcard was produced by the ‘Layers in the Landscape’ project and used in the project exhibitions.
A photograph, 2016, of a textile interpretation by Emily Hawkins of ‘King of the Sea Trees’, produced by her for a Master’s degree and used in the ‘Layers in Lampeter’ exhibition; photograph by Erin Kavanagh.
A photograph, 2016, of a textile interpretation by Emily Hawkins of ‘King of the Sea Trees’, produced by her for a Master’s degree and used in the ‘Layers in Lampeter’ exhibition; photograph by Erin Kavanagh.
A photograph, November 2017, of part of the display at the ‘Layers in Lampeter’ exhibition, including the prehistoric red deer antlers, the ‘Brenin Y Coed Môr’ sign and the 'Time Scroll'; photograph by Erin Kavanagh.
A photograph, 2017, of Valerie Price and her sculpture ‘Mammoth’, which was used in the ‘Layers in Lampeter’ exhibition; photograph by Jacob Whittaker.
A postcard image, 2017, of ‘Sandstorm’, comprising a poem and a photograph of Borth beach, both by Erin Kavanagh; the postcard was produced by the ‘Layers in the Landscape’ project and used in the project exhibitions.