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Notebook of Berta Ruck, August-December 1938, containing a journal of a stay in Italy, mostly around Lake Garda and Venice, August-September 1938 (ff. 1-34), notes for fiction, and comments on the Sudeten crisis in Europe. Photographs, press cuttings, theatre programmes and twenty-six personal and family letters and cards, 1936, 1938, have been pasted in.
The correspondents include Oliver Onions, July-September 1938 (ff. 9 verso, 13 verso, 14 verso, 17 verso, 20 verso, 21 verso, 47 verso), Philip Connard, [1938] (f. 27 verso), and Marda Vanne, 4 August 1938 (f. 48); a letter on behalf of Queen Mary, 3 February 1936, acknowledges Ruck's letter of condolence on the death of George V (f. 3 verso). A programme and cuttings, October 1938, relating to the first production of the Emlyn Williams play The Corn is Green are ff. 34 verso, 36, 43-44. Among the photographs are two of Ruck in Venice and Cologne (ff. 45 verso, 49). The journal entries include an overheard conversation between a German and an Austrian concerning 'the Juden question' (f. 18) and a description of the former residence of Gabriele D'Annunzio at Gardone (ff. 29 verso-30)

Notebook of Berta Ruck, July 1941-April 1942, containing ideas for fiction, journal entries and comments on the progress of the war. Press cuttings relating to contemporary events and some sixty-six letters, cards, postcards and telegrams to the author, May 1940-April 1942, have been pasted in.
The correspondents include Anthony Thorne, July 1941-January 1942 (ff. 1 verso, 15 verso, 17 verso, 24, 39a), Hermon Ould, 25 July 1941 (f. 1 verso), Emlyn Williams, [1941] (f. 4 verso), Baron Atkin of Aberdovey, 20 November 1941 (f. 18 verso), Edith Heal, [Christmas 1941] (f. 33), Able Seaman E. J. Smith, HMS Cossack, 2 May 1940 (f. 36 verso), Alice Williams, 2 March [1942] (f. 38 verso), and Alec Waugh, 19 February 1942 (f. 47 verso). The journal includes a description of a visit to her sister's house in Llanfachreth, Merioneth, October 1941 (ff. 5, 6, 7, 8, 9).

Notebook of Berta Ruck, September 1943-January 1945, containing a few diary entries, mainly commenting on the war and on the progress of her writing, and pasted-in letters and cards to her, including one each from Sir Maurice Bowra and Emlyn Williams (f. 38 verso). Also pasted in are press cuttings relating to contemporary events, especially the progress of the war, and a few programmes for concerts and plays performed at Aberdyfi, 1942-1944.

Papers, 1935-1945, of the Rev. B. George Rees, Curate of Llangynwyd, Maesteg (1936-38), and Laleston (1938-44), Rector of Llansannor (1944-48), and a WEA lecturer on literature at the Maesteg Unemployed Centre and elsewhere. The papers include letters, 1939-1940, from a number of authors and poets, responding to requests by Rees for their thoughts on lecture subjects such as 'Life and Literature'.
The respondents include W. H. Auden, [1939] (ff. 2-3), Winston Churchill, 17 January 1939 (f. 8), C. Day Lewis, [?1939]-1940 (ff. 10-12), Aldous Huxley, 27 March 1940 (f. 16), Glyn Jones, April 1939-February 1940 (ff. 19-27), Herbert E. Palmer, February-March 1940 (ff. 35-44), John Cowper Powys, February-March 1940 (ff. 45-47), J. B. Priestley, 10 January 1939 (f. 48), Dylan Thomas, September 1939-February 1940 (ff. 56-60), and Emlyn Williams, 8 February 1940 (f. 63); a few respondents, such as Glyn Jones (f. 25) and Dylan Thomas (ff. 59-60), supplied Rees with brief essays. Also included are notes, newspaper cuttings and other papers relating to Rees's lectures (ff. 66-91); and papers, 1935-1945, relating to his Church career, including letters and telegrams concerning his Institution at Llansannor, August-September 1944 (ff. 92-100), sermon notes (ff. 102-109), and parish magazines and pages from annual reports relating to Laleston, 1935-1944 (ff. 110-120).

Notebook of Berta Ruck, 1951-1956, including letters from Gwen Ffrangcon-Davies, May 1953, and Emlyn Williams, July 1955; notes for her novels Fantastic Holiday (London, 1953) and The Men in Her Life (London, 1954); and a copy of Dock Leaves, 3.9 (Winter 1952).

Over one hundred and fifty letters, 1916-1959, to Leila Mégane relating mainly to her singing career and including letters from Sir Granville Bantock (2), 1934, Lilian Baylis (1), 1935, Benjamin Grey Davies (2), 1923-1936, Edward Tegla Davies (1), 1953, Walter Johnstone-Douglas (5), 1921-1956, Benno Elkan (2), 1945, Franklin Engelmann (1), 1955, Frances Louise Lloyd George, Countess Lloyd George of Dwyfor (14), 1945-1948, Lady Megan Arfon Lloyd George (2), 1945-1946, Otto Hermann Kahn (3), 1923-1933, Count John McCormack (1), 1937, Robert Owen, Croesor (1), 1954, Robert Williams Parry (5), 1948-1949, Nansi Richards (Telynores Maldwyn) (1), 1959, Sir Landon Ronald (1), 1934, Richie Thomas, Penmachno (1), 1953, Emlyn Williams (10), 1951-1956, Thomas Nefyn Williams (2), 1958, and Sir Henry Joseph Wood (1), 1934, with notes and comments concerning the correspondents added by Leila Mégane on many of the letters. Letters, 1920-1960, to other individuals relating to Leila Mégane include four to T. Osborne Roberts and one to Frances Louise Lloyd George, Countess Lloyd George of Dwyfor (ff. 226-241 verso).

Letters, 1966-1967, 1975, to the author and playwright Emlyn Williams from David Smith, brother-in-law of infamous Moors murderer Myra Hindley. Williams spent time with David Smith and his wife Maureen in order to gain insight into the lives of Myra Hindley and her partner Ian Brady for his 1967 novel Beyond Belief: A Chronicle of Murder and its Detection, a semi-fictionalised account of the criminal activities of Brady and Hindley. The novel was published a year after Brady and Hindley were sentenced to life imprisonment for the murder of five children aged between ten and seventeen in and around Manchester between July 1963 and October 1965. David Smith, who witnessed at least one of the murders, was the chief prosecution witness at Brady and Hindley's trial.

Two copies of character notes, overview and plot synopsis relating to proposed feature film by Emlyn Williams titled Land Of Milk And Money. Some variation between cast lists.

Screenplay by Emlyn Williams titled Beyond Belief, based on a 1967 book of the same name by Williams, together with a later edited and revised version of the script by Emlyn Williams' son Brook Williams and the film's director Roy Ward Baker, both book and screenplay chronicling the events behind the infamous Moors Murders carried out in and around Manchester by Ian Brady and Myra Hindley between July 1963 and October 1965. Also included are a synopsis of the original events of the Moors Murders; letters from Brook Williams, Roy Ward Baker and producer Andrew Montgomery; critical evaluation of both book and screenplay; biographical details relating to Emlyn Williams, Roy Ward Baker and Andrew Montgomery; and details of expenses relating to the making of the film.

The file consists of a scrapbook of press cuttings, 1984-1992, of obituaries of Richard Burton, Emlyn Williams, Dr Kate Roberts, Sir Geraint Evans, Dylan Thomas, Ivor Novello and others prominent in Welsh literary, theatrical and musical circles.

Orders of service for religious services, 1983-1995, and publications relating to the publication of the new Welsh Bible in 1888. They include the memorial service cards for Lady Olwen Carey-Evans, 5 March 1990, Emlyn Williams, 3 September 1990, and the order of service for the service of thanksgiving for Harold Wilson, Lord Wilson of Rievaulx, 12 July 1995. There are also a few press cuttings.

The file comprises letters, [1968]-[1998], from Charles Tennyson (3), Peter Terson (5), Caitlin Thomas (2), Lisa T[ickner] (3), Ruthven Todd (2), William J. Weatherby (3), Sir Charles Wheeler (3), Emlyn Williams (2) and Dora Yates (11). Letters from unidentified correspondents are also included.

The file comprises letters, 1929-1960, addressed to Eirene White, on a wide range of subjects, interspersed in a few cases with drafts or copies of replies from her. The file includes letters from Sir Goronwy Edwards, 1956, Abraham Flexner, 1955, Sir Ben Bowen Thomas, undated, Emlyn Williams, 1956, and Professor Gwyn A. Williams (2), 1957 and 1960.

William Glynne-Jones papers, 1936-1974, comprising autograph drafts and notes for an autobiography, his novels and short stories; letters, 1946-1955, from Dr Thomas Jones CH; typescripts and cuttings of various stories and articles; and letters, 1944-1969, to William Glynne-Jones offering him moral and financial support. The correspondents include Richard Burton, 1951-1968, Dr Thomas Jones CH, 1946-1954, and Emlyn Williams, 1944-1969.

Three undated programmes relating to performances by the actor and playwright George Emlyn Williams (1905-1987) comprising a production of 'The Corn is Green' at the Duchess Theatre, London, [1938]; a performance of scenes from the novels and stories of Charles Dickens; and a theatrical entertainment entitled 'Dylan Thomas Growing Up' (Welsh Association of Youth Clubs); together with a press cutting from the Daily Herald, [1945], relating to the London première of 'The Wind of Heaven'.

The file comprises press cuttings, programmes and periodicals, 1927-1987, relating to the life and work of Emlyn Williams.

Ymhlith y gohebwyr mae Thomas Parry, Emlyn Williams, D. J. Williams (5), Alun T[alfan] Davies, Kate Roberts (3), Per Denez ac Eirene White.

The file comprises early letters during her schooldays at St Paul's Girls' School and her years as an undergraduate at Somerville College, Oxford. A few relate to the affairs of the Oxford Women's Student Association. Some are written by relatives. Later letters concern her early career, particularly her journalistic work and applications for posts. Many of the correspondents refer to Eirene Jones's candidature for Flintshire in the general election of 1945 and her subsequent election campaigns in Flintshire East. There is much general political correspondence, some concerning constituency matters. Many of the letters refer to her wide-ranging public and committee work and numerous societies. A few discuss business and financial matters, the purchase of property, etc. The correspondents include Alan Lennox-Boyd, 1958, David Eccles, 1961, Dr Huw T. Edwards (2), 1954 and 1959, Hugh Gaitskell, 1960, Lady Megan Lloyd George, 1953, D. T. Guy, 1940, Barry Jones MP, 1964, Sir Keith Joseph, 1963, Selwyn Lloyd, 1961, Violet R. Markham, 1955, A. L. Rowse, [c. 1950], George Bernard Shaw, 1945, Hartley Shawcross, 1953, John Silkin, 1961, Sir Geoffrey Summers, [1950s], R. H. Tawney, 1955, Sir Ben Bowen Thomas, 1942, Emlyn Williams, 1949, and Dame Shirley Williams, 1960.

Programmes, 1963-[?2003], of productions relating to Dylan Thomas, including portrayals of him by Alec Guinness, Jack Aranson, and Bob Kingdom. Also included are programmes and papers, 1957-1968, relating to Emlyn Williams's performance, 'A boy growing up' or 'Dylan Thomas growing up', in which he presented a selection of work by Dylan Thomas,

The file contains correspondence relating to the general election campaigns of 1945 in the Flintshire constituency and 1950 in the Flintshire East constituency. Many are addressed to Eirene White congratulating her on her election to parliament in February 1950. The correspondents include George Bernard Shaw, 1945, Major Edgar Jones, 1950, T. I. Jeffreys-Jones, 1950, William Mars-Jones, 1950, Frank Soskice, 1950, Emlyn Williams, 1950, and Harold Wilson, 1950.