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The group comprises material collected by René Hague while editing Dai Greatcoat : a self-portrait of David Jones in his letters, (London : Faber and Faber, 1980), a collection of letters to H. S. (Jim) Ede, Harman Grisewood, T. F. (Tom) Burns, and René Hague. There are copies of letters from David Jones to them and others, and also biographical material, setting copies, and other material relating to the publication. They have been arranged into two groups and listed by Harman Grisewood.

One hundred and twenty-four autograph letters, 1959-1974, from painter-poet David ('Dafydd') Jones, all addressed to Valerie ('Elri') Wynne-Williams (née Price), with the exception of two to her husband Michael ('Mihangel') (ff. 54, 112-113) and one to them both (ff. 55-56), discussing a variety of topics including his, and her, health and living conditions, his work, his friends, the Welsh language and Welsh history and politics. Some letters are illustrated with coloured pencil, pen and ink drawings, mainly of animals and flowers (ff. 8, 32, 33, 45 verso, 46 verso-47, 48 verso, 76, 103, 104 verso, 152), inscriptions (ff. 9, 34, 124 verso, 128, 136 verso) and sketch maps of Harrow (ff. 143, 144).
There are references throughout to friends and correspondents including Saunders Lewis (ff. 2-11 passim, 42-188 passim), Harman Grisewood (ff. 4-192 verso passim), René Hague (ff. 42 verso-187 passim), David Blamires (ff. 160, 186, 190 verso, 192), Louis Bonnerot (ff. 123, 186 verso), Tom Burns (ff. 13, 14 verso, 48, 64 verso, 68 verso, 77, 85 verso, 86 verso, 89 verso, 110, 116, 140 recto-verso, 188 verso), Douglas Cleverdon (ff. 68 verso, 160 verso, 162, 163 verso, 187), Aneirin Talfan Davies (ff. 9 verso, 11, 14 verso, 16, 33 verso, 63 verso, 71 verso, 123, 124, 128, 129 verso, 154 verso, 162), Clarissa Eden (f. 107 verso), T. S. Eliot (ff. 51 recto-verso, 62 verso, 67 verso, 69 verso, 71, 73, 74, 85), Gwynfor Evans (ff. 29 verso, 31, 131-192 verso passim), Illtud Evans (f. 6, 11 recto-verso, 37, 46 verso, 57, 61), Arthur Giardelli (ff. 150, 151 verso, 171 verso, 186), Eric Gill (ff. 45 verso, 66, 67 verso, 68 verso, 121), Stanley Honeyman (ff. 84, 140, 154 verso, 159 verso), Morag Owen (ff. 59, 98, 140), Catherine Rousseau (née Ivainer) (ff. 36 verso-127 passim), Stephen Spender (ff. 81 verso-82, 83 verso, 91), Bill Stevenson (f. 158 verso) and Helen Sutherland (ff. 68, 97 verso, 157). There are also occasional references to Desmond Chute (f. 120 verso), Idris Foster (ff. 60 verso, 63 verso), Philip Jones Griffiths (ff. 1, 131), David Lloyd George (ff. 108 verso-109, 127 verso), Megan Lloyd George (ff. 18 verso, 20, 21-22), J. D. Innes (f. 49 verso), Augustus John (f. 85 verso), Alun Oldfield-Davies (ff. 37, 77), Tristram Powell (ff. 142 recto-verso, 144), Caradog Prichard (ff. 19 verso, 77, 108), Kathleen Raine (f. 59 verso), Keidrych Rhys (ff. 6 verso, 8, 9, 16, 30 verso, 36 verso), Meic Stephens (ff. 171, 175), Vernon Watkins (ff. 47, 128 verso), D. J. Williams (f. 106 recto-verso), Kyffin Williams (ff. 49, 63, 77) and R. O. F. Wynne and his family (ff. 61, 62, 63, 64 verso, 67 verso, 81, 94 verso, 96 verso¸ 98, 130 verso), and brief reminiscences of his experiences during the First World War (ff. 70 recto-verso, 76, 79 recto-verso, 108 verso-109, 130 recto-verso, 151 verso, 164). Also included is a copy of his letter, dated 10 August 1959, to Megan Lloyd George (f. 21; for her reply see NLW, David Jones (Artist and Writer) Papers CT3/3, f. 247); cuttings of letters to the Times by David Jones, Valerie Price and others, 1958 (ff. 193-196); and a copy of a 1959 photograph of the two by Philip Jones Griffiths (f. 197). The letter of 23 September 1973 (ff. 178-179 verso) was published under the title 'Yr Iaith' in Planet, 21 (January 1974), 3-5.

The file comprises letters to David Jones, 1943-1961 and undated, from friends and acquaintances, including Kenneth Clark, Harman Grisewood, Lady Barbara Moray, Joan and René Hague, Fr Illtud Evans O.P., and Theodore Bailey O.S.B.

The file comprises four bundles of typescript copies of David Jones' letters to Jim Ede, Tom Burns, Harman Grisewood and Rene Hague, arranged chronologically into four sections as in the book. There is also a letter from David Jones to Philip Hagreen, and a letter from René Hague to Colin [Hughes], 1978.

The file comprises letters to David Jones arranged alphabetically, G-I, including Nicolete Gray, Harman Grisewood, Bryn Griffiths, Arthur Giardelli, Ray [Howard-Jones], Rupert Hart-Davies, René Hague, Robin Ironside and others.

The file comprises manuscript drafts of letters from David Jones to some of his dearest friends: René Hague, Valerie Wynne Williams (and to her mother Mrs Price), Harman Grisewood, Helen Sutherland, Tom Burns, Jim Ede, Morag [McLennan], and Saunders Lewis.

The file comprises typescript and carbon copies of letters from David Jones mainly to Harman Grisewood and Jim Ede, with also letters to Helen Ede and René Hague, with one letter each to Prudence Pelham, Philip Hagreen, and T. S. Eliot.

The file comprises typescript and carbon copies of letters from David Jones to René Hague, and occasionally to his wife, Jean Hague, 1933-1974, selected for Dai Greatcoat.

The file mainly comprises typescript copies of numerous letters by David Jones to René Hague, 1931-1974, and a few to Jim and Helen Ede, 1927-1936.

The file comprises typescript and carbon copies of letters from David Jones to René Hague, and occasionally to his wife, Jean Hague, 1934-1936, 1946, 1955, 1960, 1963-1967, 1970-1974.

The file comprises postcards to David Jones from Jim Ede, Louis Bonnerot, Janet Stone, Harman Grisewood, Peter Levi, Douglas Cleverdon, Will Carter, Walter Shewring, Desmond Chute, Ben Nicholson, Prudence Pelham, Desirée Hirst, Lynette Roberts, Keidrych Rhys, Tom Burns, René Hague, Helen Sutherland and many other friends and family members, with also a Christmas card made by Ray Howard-Jones and a postcard from David Jones, 1915.

The group contains manuscript and typescript drafts of most of the poems which appear in the volume with also some material which was unused.
The Roman Quarry and other sequences was edited by Harman Grisewood and René Hague, and first published by Agenda Editions in 1981. (See the foreword and introduction for information on how the material was selected from the archive for publication in this volume.) The volume is made up of some unpublished poetry, but also poetry which may have been part of The Anathemata (1952), The Sleeping Lord (1974), The Kensington Mass (1975) or The Narrows (1981). Most of the papers are from Group B.