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The file comprises biographical and background information including draft manuscript letters from David Jones to Captain St Luke, 1929, and to Rex Nan Kivell; a catalogue of the David Jones exhibition at the Redfern gallery, 1948; photocopies of family documents, David Jones' demobilisation certificate form the Royal Welsh Fuseliers, 1919, and his certificate of baptism, 1921; photocopies of six letters from David Jones to Colin Hughes, 1969-1972; letters to René Hague from Mike Richey, Tony Hyne, Nicolete Gray, Jim Ede, Tom Burns and others relating to David Jones; and copies of articles by Kathleen Raine and Arthur R. Howell.

The file comprises manuscript drafts of letters from David Jones to friends. The addressees have in most cases been identified by Harman Grisewood and are listed on the wrapper. They include Stella Wright, Colin Hardie, Mr Plumtre, Peter Levi, Herbert Read, Theodore Bailly, Clarissa Eden, Jack Sweeney, Kenneth Clark, Mike Richey, Nancy Sanders, Kathleen Raine, T. S. Eliot and Louis Bonnerot. Amongst the subjects discussed in these letters are The Anathemata (referred to as 'a thing I've been struggling with for some years' in a draft letter to Colin Hardie dated 11 July 1945); Welsh history and the Welsh language (subjects which appear in several of these letters); 'The Fatigue' (1965); an inscription for the ordination of Peter Levi (1964, 1967); 'the general civilizational predicament vis-à-vis 'the arts''; the vernacularization of the Mass ('I've wasted hours & hours & days & days, writing & destroying letters addressed to The Tablet---', 1965); 'my new piece' ('The Sleeping Lord', 1967); Rembrandt (in a draft letter to Lord Clark, 1966); 'The Wall' (1967); Roman roads (1967); his family background and 'The Dream of Private Clitus' (in a draft letter to Louis Bonnerot, n.d.). There is a draft letter of condolence to Valerie Eliot on the death of her husband, T. S. Eliot.

The file comprises letters to David Jones arranged alphabetically, N-R, including Alun Oldfield-Davies, Peter Orr, Kerrison Preston, Mary Potter, Tristram Powell, Prudence Pelham (7), John Rothenstein, Kathleen Raine, Joan Roberts, Howard Roberts and others.

The file comprises letters to David Jones from Prudence Pelham, Helen Sutherland (incomplete), and Keidrych Rhys, with a book of poetry by Cid Corman, a map showing Pigotts by Eric Gill, a newspaper cutting of Eric Gill's tombstone, miscellaneous manuscript notes and drafts by David Jones, typed copy of the poem 'Spell of Safekeeping' by Kathleen Raine, maps and other items.

The file includes correspondence about the Commentary mainly between René Hague and Christopher Skelton of the Skelton Press, with letters to René Hague from William Blissett and others, 1977. There are reviews of the Commentary by Kathleen Raine, Harman Grisewood, and Hugh McKinley, 1978, and numerous prints of a portrait by Eric Gill of David Jones in 1921.

One hundred and twenty-four autograph letters, 1959-1974, from painter-poet David ('Dafydd') Jones, all addressed to Valerie ('Elri') Wynne-Williams (née Price), with the exception of two to her husband Michael ('Mihangel') (ff. 54, 112-113) and one to them both (ff. 55-56), discussing a variety of topics including his, and her, health and living conditions, his work, his friends, the Welsh language and Welsh history and politics. Some letters are illustrated with coloured pencil, pen and ink drawings, mainly of animals and flowers (ff. 8, 32, 33, 45 verso, 46 verso-47, 48 verso, 76, 103, 104 verso, 152), inscriptions (ff. 9, 34, 124 verso, 128, 136 verso) and sketch maps of Harrow (ff. 143, 144).
There are references throughout to friends and correspondents including Saunders Lewis (ff. 2-11 passim, 42-188 passim), Harman Grisewood (ff. 4-192 verso passim), René Hague (ff. 42 verso-187 passim), David Blamires (ff. 160, 186, 190 verso, 192), Louis Bonnerot (ff. 123, 186 verso), Tom Burns (ff. 13, 14 verso, 48, 64 verso, 68 verso, 77, 85 verso, 86 verso, 89 verso, 110, 116, 140 recto-verso, 188 verso), Douglas Cleverdon (ff. 68 verso, 160 verso, 162, 163 verso, 187), Aneirin Talfan Davies (ff. 9 verso, 11, 14 verso, 16, 33 verso, 63 verso, 71 verso, 123, 124, 128, 129 verso, 154 verso, 162), Clarissa Eden (f. 107 verso), T. S. Eliot (ff. 51 recto-verso, 62 verso, 67 verso, 69 verso, 71, 73, 74, 85), Gwynfor Evans (ff. 29 verso, 31, 131-192 verso passim), Illtud Evans (f. 6, 11 recto-verso, 37, 46 verso, 57, 61), Arthur Giardelli (ff. 150, 151 verso, 171 verso, 186), Eric Gill (ff. 45 verso, 66, 67 verso, 68 verso, 121), Stanley Honeyman (ff. 84, 140, 154 verso, 159 verso), Morag Owen (ff. 59, 98, 140), Catherine Rousseau (née Ivainer) (ff. 36 verso-127 passim), Stephen Spender (ff. 81 verso-82, 83 verso, 91), Bill Stevenson (f. 158 verso) and Helen Sutherland (ff. 68, 97 verso, 157). There are also occasional references to Desmond Chute (f. 120 verso), Idris Foster (ff. 60 verso, 63 verso), Philip Jones Griffiths (ff. 1, 131), David Lloyd George (ff. 108 verso-109, 127 verso), Megan Lloyd George (ff. 18 verso, 20, 21-22), J. D. Innes (f. 49 verso), Augustus John (f. 85 verso), Alun Oldfield-Davies (ff. 37, 77), Tristram Powell (ff. 142 recto-verso, 144), Caradog Prichard (ff. 19 verso, 77, 108), Kathleen Raine (f. 59 verso), Keidrych Rhys (ff. 6 verso, 8, 9, 16, 30 verso, 36 verso), Meic Stephens (ff. 171, 175), Vernon Watkins (ff. 47, 128 verso), D. J. Williams (f. 106 recto-verso), Kyffin Williams (ff. 49, 63, 77) and R. O. F. Wynne and his family (ff. 61, 62, 63, 64 verso, 67 verso, 81, 94 verso, 96 verso¸ 98, 130 verso), and brief reminiscences of his experiences during the First World War (ff. 70 recto-verso, 76, 79 recto-verso, 108 verso-109, 130 recto-verso, 151 verso, 164). Also included is a copy of his letter, dated 10 August 1959, to Megan Lloyd George (f. 21; for her reply see NLW, David Jones (Artist and Writer) Papers CT3/3, f. 247); cuttings of letters to the Times by David Jones, Valerie Price and others, 1958 (ff. 193-196); and a copy of a 1959 photograph of the two by Philip Jones Griffiths (f. 197). The letter of 23 September 1973 (ff. 178-179 verso) was published under the title 'Yr Iaith' in Planet, 21 (January 1974), 3-5.