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Labeled folders' beginning with C, which includes the Concert for Iraq, the Iraq Constitution, Civil Society Fund They contain reports, Group summaries, meeting notes, articles, journal articles, press release, correspondence, letters, newspaper clippings, interview transcripts, parliamentary questions, reports, speeches, business cards, music sheet, Project Bid Form and Individual cases. Also documents such as the Iraq History Project: Selected Narratives and the NGO Scoping mission.

The file comprises over 160 letters to David Jones relating to his pictures, exhibitions and reproductions of his pictures from The Redfern Gallery, The Tate Gallery, The Arts Council, The British Council, the Golden Cockerel Press, CEMA and many other galleries, museums, firms and organisations. There are also letters from Frances Richards, Margaret Aeron-Thomas and others with an introduction to an exhibition of the '56 group' by Vernon Watkins.

The folders contain a variety of Foreign Affairs Committee session papers, visits documents, reports, and a case study from October and November 2013. Covering Northern and Western Africa extremism and political instability, Strategic Export Controls , Government Foreign Policy towards the United States, EU, Scotland, Human Rights work, BBC World Service and China.

It also includes a Visit to Boston, New York and Washington D.C. 27-31 October 2013 report, Foreign and Commonwealth Annual Reports and Accounts, British-American Parliamentary Group - Executive Committee Report, FCO and British Council Aid Response to the Arab Spring, British Council - Influence and Attraction and The Road to Dispossession: A Case Study- The Outpost of Adei Ad.

The file comprises letters to David Jones, from Alfred Longden, Lilian Somerville, Peter Orr and others from the British Council relating to exhibitions at the Tate Gallery and Paris (1945), Prague, (1946), Buffalo, USA (1946), Paris (1946), Cairo (1946), Europe (1947), South Africa (1947), Paris (1949), Brooklyn (1952), and also relating to an exhibition on 'painting since 1939' (1947), to a facsimile of 'Chapel in the park' and to sound recordings, 1964-1965.