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Letters, cards and notes, 1975-1999 and undated, from Freda Aykroyd to John Pikoulis. The material largely discusses Lewis and Aykroyd's brief but intensely passionate relationship during the years 1943 to 1944, with reference also to Lewis's literary work. Many of the letters are undated, apparently incomplete/fragmentary, or are heavily-annotated drafts included along with fair-copied counterparts; some of the undated correspondence may be of a later provenance than the 1999 cut-off date of the dated letters. One letter, dated 9 January 1981 encloses a poem by Freda Aykroyd titled 'Rosehip'.
See also New Welsh Review Archive at NLW.

Draft and fair-copied letters, 1975, 1977 and undated, to Freda Aykroyd from John Pikoulis. Some items fragmentary/incomplete.

Photocopies of letters, [1943-1944], sent to Freda Aykroyd from Alun Lewis, the orginals housed in the Bodleian Library, Oxford. Some annotations in John Pikoulis's hand. Alun Lewis's letters to Freda Aykroyd were published as A Cypress Walk (Enitharmon Press, 2006).

Letters, 1996-1997, to Freda Aykroyd from literary and talent agency Curtis Brown.

Undated draft letter from Freda Aykroyd to Mike Felton of Poetry Wales Press/Seren Books.

Envelopes marked with name of correspondent and date of correspondence.

Alun Lewis's letters to Freda Aykroyd: Dates noted are those of original letters, not of photocopying.

Material relating to the compilation and production of How Poets Work, edited by Tony Curtis and published by Seren Books in 1996 (see, for example: How Poets Work, see, for example: https://www.serenbooks.com/book/how-poets-work/)
The material comprises:
Overview of the publication and list of contributing poets
Draft poetry by and printed interviews (conducted by Tony Curtis) with some of the contributing poets
Correspondence from Mick (Mike) Felton of Seren Books and from contributing poets Dannie Abse, Simon Armitage, Maura Dooley, Carol Ann Duffy, Helen Dunmore, Douglas Dunn, Lawrence Ferlinghetti, Michael Longley, Don Paterson and Anne Stevenson

Letters, 1974-1988, to John Pikoulis from publishing companies, the correspondence largely relating to the publication of Pikoulis's Alun Lewis: A Miscellany of his Writings (Poetry Wales Press, 1982) and Alun Lewis: A Life (Poetry Wales Press, 1984) and to articles contributed by Pikoulis to literary publications. Correspondents comprise: Poetry Wales magazine and Poetry Wales Press/Seren Books, the representative correspondents being Sam Adams (Poetry Wales magazine), Cary Archard (Poetry Wales magazine and Poetry Wales Press) and Mike Felton (Poetry Wales Press and Seren Books); Peter Leek of publishers George Allen & Unwin Ltd (together with a rough draft of a report by John Pikoulis on John Parker's submitted typescript of his biography and photocopied texts of poetical works (one signed) by Alun Lewis); Philip Unwin, formerly of George Allen & Unwin publishing company (1981), and Philip Unwin's widow, Evelyn Unwin (together with rough manuscript notes by John Pikoulis); and Farrar, Straus & Giroux Inc, New York.

Material relating to the production of The Arches, published by Seren Books in 1998 (see, for example: https://www.serenbooks.com/book/the-arches/), which contains Tony Curtis's poetic responses to collages created by Surrealist artist and poet John Digby. The material includes draft, fair-copy and printed poetry (some annotated by Tony Curtis) and prints and copies of collages by John Digby (where apparent, each collage has been paired with the relevant poem); printed programme, with related material, of a slide/tape presentation of Digby's collages coupled with Curtis's poetry, also called 'The Arches', produced as part of the Festival of Vision held at the University of Glamorgan, May 1996 (text annotated by Tony Curtis); printed booklets titled 'Improvisations on Rimbaud's Drunken Boat' (copyright 1995) and 'Collages' (undated) containing poetry and reproductions of collages by John Digby; and correspondence, 1994-1998 and undated, between John Digby and Tony Curtis, two letters, 1997, from John Digby to Mike Felton of Seren Books and letter, 1996, to Tony Curtis from Anne Cluysenaar of the Usk Valley Vaughan Association. Together with typescript prose piece titled 'Appropriate Behaviour' (author not noted); Arts Council of Wales funding guidelines for 1996/7; note, 1997, to Tony Curtis from Isabelle Thomas, Literature Development Officer for Cambridgeshire County Council; note, 1998, to Tony Curtis from Italian poet Andrea Bianchi; letter, 1998, to Tony Curtis from jazz musician and composer Tim Whitehead; printed invitation to attend a reception at the West Harbour Gallery, Oyster Bay, New York State; paper, most likely authored by Tony Curtis, titled 'A Cageload of Men', which outlines a proposition for 'an exhibition and accompanying publication to explore and illuminate the practice of artists in depicting miners and mining in Wales'; and a case statement titled 'New Europe 1999: Europe Reconsidered at Century's End' compiled by the Dance Theater Workshop, New York City.

Material relating to Wales: The Imagined Nation, edited by Tony Curtis and published by Poetry Wales Press in 1986 (see, for example: https://books.google.co.uk/books/about/Wales_the_Imagined_Nation.html?id=N3pnAAAAMAAJ&redir_esc=y).
The material includes:
Letters to/from Tony Curtis and prospective contributors to the volume and letters to Tony Curtis from Mick Felton of Poetry Wales
Contributed essays and thumbnail biographies of contributors
Poetry Wales Press booklet detailing new publications
Letter to contributors from Tony Curtis
Press cuttings
Photocopied material from printed sources, including poetry
Draft outline/contents of the volume

Letters and card relating to the compilation and publication of Welsh Painters Talking, edited by Tony Curtis and published by Seren Books in 1997, the correspondents comprising Mick Felton of Seren Books, David Higgs of the British Council (to Mick Felton, with copy to Tony Curtis), poet and writer Helen Dunmore, Maggie Knight of the Washington Gallery, Penarth, artists Arthur and Bim Giardelli, sculptor and artist Jonah Jones, landscape painter Peter Prendergast and poet and writer Leslie Norris.

For the publication see, for example: https://www.waterstones.com/book/welsh-painters-talking/tony-curtis/9781854112002)