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1R. Communications through Family. Punch; 10r. Half a Stage Onward. Punch; 15r. In the Act. Punch; 24r. A Paling Darkness ...,

1R. Communications through Family. Punch; 10r. Half a Stage Onward. Punch; 15r. In the Act. Punch; 24r. A Paling Darkness. Punch; 30v. Bean. Punch; 39v. Chancellor, Whom Are You Hounding Now? Budget 1970. Punch; 47v. A Song or Two for Santa. Punch; 56v. Hear This, Hear This Good [continued in E248]. Punch.

1R. Ewart Knew My Father. The Teacher or Punch; 8r. The Unfinished Lads. The Teacher or Punch; 13v. Aberfan. The ....

1R. Ewart Knew My Father. The Teacher or Punch; 8r. The Unfinished Lads. The Teacher or Punch; 13v. Aberfan. The Teacher or Punch; 17v. Washington Irving Slept Here. The Teacher or Punch; 24v. a draft letter to accompany the previous piece with a reference to writing his autobiography - 'I've still to encounter a trace of the truth'; 25r. Quintet. The Teacher or Punch; 30r. The Everlasting Noah. The Teacher or Punch; 36v. To the Point of ?Babies. The Teacher or Punch;. 43R. Sex Viewed as a Hindrance. The Teacher or Punch; 50v. Walking Away from the Impotent Halls. The Teacher or Punch; 56v. The Night Rock [continued in E257]. The Teacher or Punch.

1R. Hear This, Hear This Good [continued from E247]. Punch; 10r. A Choice of Panics. Punch; 17v. Stay Beat As ....

1R. Hear This, Hear This Good [continued from E247]. Punch; 10r. A Choice of Panics. Punch; 17v. Stay Beat As You Are. Punch; 25r. Stubble Trouble: or Arthur Moyle, the last of the really serious gleaners. Punch; 32r. [Hear This, Hear This Good]: lead-in and extension. Punch; 37r. The Way to the King: lead-in [cf. G27]. Punch; 39r. The Beam. Punch; 43r. The Welcome: title only. Punch; 43v-end. [blank]; Back cover. [inserts].

1R. 'If you have a myth, hang on to it ...' [continued from E250]. Punch; 3v. 'I have been ....

1R. 'If you have a myth, hang on to it ...' [continued from E250]. Punch; 3v. 'I have been ... Saint Francis and the Wolf ... Rollo Richards, ...' Punch; 17v. 'I am getting ... dark looks from all over the ward I represent ... Waldo Falkman ... Elmhill ...' Punch; 36r. 'When Waldo Falkman had to leave his job as a porter ...' Punch; 39v. 'At about this time Grospoint Castle became empty ...' Punch; 55r. [inserts].

1R. The Night Rock [continued from E256]. The Teacher or Punch; 3v. A Passing Darkness [or] The Lantern's Eye. The ....

1R. The Night Rock [continued from E256]. The Teacher or Punch; 3v. A Passing Darkness [or] The Lantern's Eye. The Teacher or Punch; 12r. Aberfan 1967. The Teacher or Punch; 15r. Helmsman, Who Are You? [or] The Growing Helmsman. The Teacher or Punch; 21r. Cover My Flank [or] A Shaking Fist. The Teacher or Punch. 29R. A Purgative Impulse. The Teacher or Punch; 35v. A Shaking Fist [continuation of above and continued again in E258]. The Teacher or Punch.

1R. The Renascent Guffaw. [Subject: Changing social fabric in south Wales] [1960s]; 7v. The Words of Spain. [Subject: Spanish literature] ...,

1R. The Renascent Guffaw. [Subject: Changing social fabric in south Wales] [1960s]; 7v. The Words of Spain. [Subject: Spanish literature] [a lengthy essay]; 37v. The Westward Fancy. [Subject: Gwyn Thomas's first visit to the USA] [Punch, 1965]; 44v. The Virgin Bands. [Subject: Russian socialism] [published in The Lust Lobby]; Odd notes on the back cover.

1R. The Romano-British (series on British Museum. cf. G126); 16r. Television reviews, 19 Dec. 1970 and 2 Jan. 1971; 25r ...,

1R. The Romano-British (series on British Museum. cf. G126); 16r. Television reviews, 19 Dec. 1970 and 2 Jan. 1971; 25r. New Year's Eve 1970; 27v. Book review: Norman F Cantor, The Age of Protest; 33v. The Postal Strike; 37r. Roman Britain; 38v. Discs for radio programme on the Rhondda; 39v. two draft letters; 40r. inserts for the Romano-British piece.

1R. The Shape of Violence; 7r. Note to accompany ideas for programmes outlined in preceding pages; 8r. Continuation of ideas ....

1R. The Shape of Violence; 7r. Note to accompany ideas for programmes outlined in preceding pages; 8r. Continuation of ideas on the theme of violence - reminiscences of the Second World War e.g. 11r Gwyn Thomas at Cardigan; 17r. Incapacity for Work in the Rhondda; 21r. A note about censorship; Roundabout; 24r. Miscellaneous notes back further notes on violence cover.

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