Dangos 27 canlyniad

Thirty-four letters from David Jones (1895-1974), artist and writer, to Petra Tegetmeier, 1930-1970, mostly 1930-1935, including letters from Egypt in 1934. Drawings on ff. 24, 35v, 36 and 54; inscriptions on ff. 28 ('Exsultet iam angelica turba ...') and 53 ('Gloria in excelsis ...').

Thirty-three letters and cards, 1926-1929, 1954-1965, from David Jones, artist and writer, to Douglas Cleverdon. The earlier series (ff. 1-37) concerns David Jones's engravings on copper for the edition of The Rime of the Ancient Mariner published by Douglas Cleverdon in 1929.

Nine letters and a postcard, 1925-40, 1954-72, from David Jones, artist and writer, to Philip Hagreen. The first letter, which includes two drawings in ink, was published in Hague, René (ed.): Dai Greatcoat ... (London, 1980).

Papers of Thomas Charles Edwards, Ampleforth, 1918, 1935-1976, including fifty-seven letters, in Welsh and English, from Saunders Lewis to him, 1935-1976 (ff. 1-5, 7-11, 13-15, 18, 20-45, 47-48, 50-55, 58-69), to his wife Imelda, 1940-1941, 1950 (ff. 16-17, 19, 49), or to both, 1939 (f. 12), containing personal news and discussing politics, current affairs, the Catholic Church and articles by TCE.
Also included are letters to TCE from David Jones, 17 June 1937, seeking to send Lewis a copy of his 'In Parenthesis' (f. 6), G[riffith] J[ohn] Williams, 16 July 1948, concerning an R. W[illiams] Parry englyn (f. 46) and John B[arrett] Davies, St Dogmaels, 22 October 1962 (ff. 56-57); together with a letter, 19 May 1918, from TCE, Shrewsbury, to his mother (ff. 70-73); a script for Lewis's radio talk 'A Prospect of Wales: 7. Welsh Writers of Today', as transmitted on the Welsh Home Service, 25 April 1961, being the copy sent by Lewis to TCE (ff. 74-84); and seven press cuttings, 1935-1936, mainly relating to Lewis and the burning of the bombing school at Penyberth (ff. 85-91).

Over a hundred letters, 1901-1991, of miscellaneous provenance from twentieth-century Anglo-Welsh writers to various recipients; the correspondents include Gillian Clarke (10, and three poems) 1986-1988, Rhys Davies (10) 1928-1929, 1975-1978, W. H. Davies (13, together with press cuttings, 1905-1950s, and four printed poems) [1909x1913]-1925, David Jones (8) 1960-1973, John Cowper Powys (7) 1927-1953, Dylan Thomas (10) 1938-1952, Edward Thomas (7) 1901-1912, Gwyn Thomas (2) 1952-1953, R. S. Thomas (6) 1956-1960 and Vernon Watkins (5) 1962-1966.

Literary manuscripts of David Jones, with manuscript drafts of In Parenthesis: Seinnyessit e gledyf ym penn mameu; The Anathemata: Fragments of an attempted writing; Epoch and Artist: Selected writings by David Jones; The Sleeping Lord and other fragments; The Dying Gaul and other writings, and The Roman Quarry and other sequences. There is a substantial body of letters to David Jones from friends, editors and others, 1910-1976; draft letters from David Jones to friends, newspaper editors and others, 1929-1982; and letters by David Jones, 1919-1985, published in Dai Greatcoat: A self-portrait of David Jones in his letters. There are some examples of David Jones' art, and material relating to David Jones as an artist, as well as personal documents, financial papers, family papers, photographs, and accumulated research material.

Photocopies of some fifty letters, 1931-1944, from the artist and writer David Jones (1895-1974) to the artist H.S. Ede ('Jim' Ede, 1895-1990), including manuscript and typescript autobiographical accounts by David Jones. The originals (L.9.1977-L.60.1977) are held at Kettle's Yard, Cambridge, founded by Jim Ede in 1957.