Dangos 812 canlyniad

Negatives of photographs of the location in Poliverigi for the performance of Gododdin.

A proof copy of the workbook for the Hamburg production of Gododdin, which had been written specifically for that performance following a visit to the venue; together with some photographs of the venue and a festival programme.

Previews and reviews relating to the Gododdin production, including the performances at Glasgow, Cardiff, Polverigi and Leeurwarden and of the soundtrack by the Test Department.

Photographs of the various Gododdin productions, showing performances, the musicians, venues and sites, props, set preparations and rehearsals and including some photocopies of photographs.

Lis Hughes Jones' workfile for the Gododdin production containing general production papers and papers relating to the production music and songs, including a copy of the texts spoken and sung by Lis Hughes Jones , [extracts from the Gododdin poem], draft [running order] for the production music, extracts of the [score] and details of performance music and soundtrack, and correspondence and papers relating to arrangements for the Gododdin LP; together with postcards, a programme for a twentieth celebration for the Gododdin production, project information and scenographic plans.

Handwritten and typed devising notes and ideas by [Clifford McLucas] for the Los Angeles production.

Reviews and previews for the various Los Angeles productions, including at Rhymney, Glasgow, Fribourg, Grenoble, Buenos Aires, and Taliesin Theatre and Theatr y Werin.

Correspondence and papers from Giles Parbury relating to the Los Angeles performance at the Mayfest Festival, Glasgow, including show accounts, venue and set plans, papers regarding set arrangements and technical details, work timetable, reviews, production information including a structural summary and [scenario], and rehearsal details; together with papers relating to a solo performances at St Fagans Museum and Chapter Arts Centre, including performance schedules, set and venue plans and papers regarding equipment hire.

Correspondence and papers of the production manager, Giles Parbery, relating to the Los Angeles performance at Buenos Aires, including props lists with notes and images, details and arrangements for technical and set requirements, venue plans, a contract and work schedules and trip itineraries.

Lis Hughes Jones' workfile for the Llythyron o’r Nefoedd production including daily work plans for [rehearsals] including names of [participants] and notes on tasks, dynamics and actions; word association lists; a general work plan; notes on ideas, workshops, dynamics and stage actions; production checklists; draft scenarios; verses and songs; venue plans; research material; a draft copy of the production texts; publicity material; and correspondence.

Previews and reviews of the Pax performances at St David's Hall, Cardiff, Glasgow and the Railway Station, Aberystwyth; also included are some reviews of the performance with Cyrff Ystwyth in Llanbadarn Church and Los Angeles in Rhymni.

Copies of a working 'score' for the Aberystwyth production of Pax.

Correspondence and papers from the production manager, Giles Parbery, relating mainly to the Pax production in Glasgow, including scenographic plans and sketches, venue plans, timetable of artistic meetings, production schedules, work schedules and work strategy, electrical equipment location diagrams, details of equipment, articles and materials required, a production ‘score’, crew and cast member details and budgets.

Copies of notes by Clifford McLucas, written in the form of a letter, containing a discussion on Brith Gof and on how to develop Pax following the Gododdin production.

Scenographic and prop designs and sketches by Clifford McLucas relating to the Pax production, including designs for the sets of the performances at Aberystwyth Railway Station, Llanbadarn Church, St David's Hall and Glasgow; together with scenographic artwork and devising work also by Clifford McLucas, relating to the Pax production, a production score, photographs, an information brochure and some of Clifford McLucas' 'ghost' photographs.

Papers and photographs relating to the Gwynt, Glaw, Glo a Defaid production, including a notebook, an information leaflet, previews and reviews, and design and final copies of the production poster.

A notebook containing ideas, devising and research notes and scene outlines.

An information leaflet for the Gwynt, Glaw, Glo, a Defaid production, previews and reviews of the performance, and a copy of the production poster; together with an article relating to Mike Peters' involvement with Pax, a personal letter and performance notes.

Photographs and papers relating to the Patagonia production, including photographs taken during visits by some members of Brith Gof to Patagonia in 1986, of Tomi and Eddie Davies at their home in Patagonia and performance photographs; devising notes and research material; publicity material; scenographic plans and designs; venue information; previews and reviews; and draft copies of pages from the production [prospectus]; together with correspondence and papers relating to the arrangement of the performance of Patagonia at the various venues, the correspondence and papers of the production manager, Giles Parbery and Lis Hughes Jones' workfile.

Publicity material and programmes for performances at Taliesin Arts Centre, Swansea, Sherman Theatre, Cardiff, and the Barclays New Stages Festival of Independent Theatre; together with a draft copy of some of the text for one of the programmes.