Dangos 33 canlyniad

Letters, 1900-1995, of miscellaneous provenance. Correspondents include A. J. Balfour (1) 1916, W. H. Davies (2) 1912-1913, Lyubov (Aimée) F. Dostoevskaya (1, in French) 1924, Owen M. Edwards (4) 1900-1916, David Lloyd George (4) 1911-1919, Megan Lloyd George (3) 1948-1951, Richard Hughes (6) 1923-1935, Augustus John (7) [1918]-1950, Daniel Jones (2) 1972-1981, David Jones (1) 1966 (discussing some of his paintings), Jack Jones (2) 1938-1939, Saunders Lewis (5) 1951-1965, Wallis Simpson, later Duchess of Windsor (1) 1937, Edward Thomas (1) 1901, and Ralph Vaughan Williams (1) [1940].

Eighty-four letters, 1904-1988, from various artists, addressed to various recipients, and seemingly brought together as examples of autographs.
Among the correspondents are Edward Bawden, 1967 (f. 12), Clive Bell, [?1920s] (f. 85), George Bissill, 1956-1961 (ff. 14-56), Mark Gertler, 1916 (f. 86), Duncan Grant, 1942 (f. 87), Augustus John, 1953-1958 (ff. 4-7, 88), Gwen John, [?1904] (ff. 89-90), Clare Leighton, 1934 (ff. 9-11), Lord Methuen, 1972-1973 (ff. 67-70), Henry Moore, 1950-1951, 1961 (ff. 1-2, 91), John Nash, 1967 (f. 71), Paul Nash, [early 1940s] (f. 92), Sir William Nicholson, 1904-1906 (ff. 93-94), John Piper, 1941-1943 (ff. 72-75), Sir William Rothenstein, 1932 (ff. 96-97), Kenneth Rowntree, 1957 (ff. 78-82), and Sir Matthew Smith, 1950, 1957 (ff. 3, 99). The main recipients are Daniel George, 1953-1962 (ff. 4-8), Cyril Lakin, 1934 (ff. 9-11), Peter Rhodes (ff. 12-56, 58, 65-71, 83-84) and his wife Felicity Rhodes (ff. 57, 59-64, 72-82). The letters include references to the sale of pictures by Peter De Wint (ff. 16, 22-29, 37-40, 44-47) and comments by Augustus John on Caitlin Thomas’s autobiography (f. 6).

The fonds comprises the research papers of Michael Holroyd mainly relating to his biography of Augustus John originally published in 1974-1975, other editions and the revised edition published in 1996. These include letters from the John family, researchers, British and foreign repositories, photocopies of letters from Augustus John to his family, letters to fellow artists, his writer friends and members of the Gypsy Lore Society; reminiscences of friends and family; press cuttings relating to his works; papers relating to Augustus John's autobiography Chiaroscuro published in 1952, including publishing contracts; photocopies of writings by Augustus John; publishing agreements and book reviews of the biography. Also included are exhibition addresses on the artist by Michael Holroyd; scripts written about him and Gwen John by others, papers relating to the book co-written by Michael Holroyd and Malcolm Easton, The art of Augustus John (London, 1974), together with some research papers relating to Gwen John and to other projects.

Correspondence, notes, catalogues and press cuttings relating to the sale by the Leicester Gallery, London, of paintings by J. D. Innes. Among the correspondents are David Bell, Nicholas Brown, Ailleen Cole, Geoffrey Crawshay, Augustus John, Iorwerth Hughes Jones and Euphemia Lamb. The papers in this file were accumulated by Winifred Coombe Tennant and added to by her son, Alexander.

Typescript drafts and proofs of Augustus John's first volume of memoirs, Chiaroscuro: Fragments of Autobiography (London: Jonathan Cape, 1952), [1950]-1951; working manuscripts, typescripts and editorial correspondence relating to the follow-up volume, published posthumously under the title Finishing Touches (London: Jonathan Cape, 1964), [1950x1952]-[early 1960s]; and other miscellaneous autobiographical fragments, [c. 1950], [?1959].

Proofs of an article by Eric Rowan on Augustus and Gwen John, based on the script of his BBC Wales television film, The Fire and the Fountain, and published in The Listener, 20 March 1975.

Screenplay by Robert Bolt titled Augustus, the plot based on the life of artist Augustus John.

One hundred and forty letters, 1968-1986, from Romilly John to his niece Sara John.
The letters contain references to the John family, in particular Augustus, Gwen and Edwin John, with many discussing the settlement of the estate of Dorelia McNeill.

Letters and other papers of, or relating to, W. H. Davies, 1908-1960, accumulated by his biographer Lawrence Hockey of Newport.
The collection includes twenty-six letters and postcards from W. H. Davies to his literary agent C. F. Cazenove, concerning his literary activities, 1908-1910 (ff. 1, 3-29), and six, mainly personal, letters from Davies to Lawrence Hockey, 1930-1938 (ff. 30-35), as well as letters to Hockey, mainly concerning Davies, from Augustus John, 1941, 1942 (ff. 36-37), Bertram Rota, 22 October 1947 (ff. 38-39), Louis Blake Duff, 1 January 1949 (ff. 40-43), John Gawsworth, 1949 (ff. 44-45), and Huw Menai, 10 February 1955 (f. 51), and a letter from C[harlotte] F[rances] Shaw (wife of G. B. Shaw) to Cazenove, 1 August 1908 (f. 2). Also included are miscellaneous papers relating to W. H. Davies, including typescript copies for publication of three poems, 'The White Horse', [1927] (published in The London Mercury, 15 (1926-27), 344) and 'The Little Devil', [1930], and 'Love Lights his Fire', [1930] (both published in The London Mercury, 23 (1930-31), 105) (ff. 52-54); a photostat copy, [1946], of his will (f. 56); three photographs (ff. 57-59); and newspaper cuttings, [?1930s] (f. 60), 1960 (ff. 62-63); as well as an unpublished letter, 1 February 1955, from Hockey to the Western Mail, in defence of Huw Menai and criticising Dylan Thomas (ff. 47-50).

Fifty-eight letters and cards, 1889-1953, fifty-five of which, 1889-1948, were sent to Sir W. Goscombe John from various correspondents including sculptors, artists, statesmen and politicians, relating mainly to his career as a sculptor and to honours bestowed on him.
The correspondents include H. H. Asquith, 1910 (ff. 4-5), Lilian Baylis, 1929 (ff. 7-8), James Gascoyne-Cecil, 4th Marquess of Salisbury, 1912-1913 (ff. 12-14), George Clausen, 1898-1899 (ff. 15-18), Robert Windsor-Clive, 1st Earl of Plymouth, 1912 (ff. 19-20), Sir Cyril Fox, 1940-1948 (ff. 34-35), George Frampton, 1907 (f. 36), David Lloyd George, 1910 (ff. 39-40, 42), Alfred Gilbert, 1899 (ff. 43-44), Edmund Gosse, 1899, 1919 (ff. 45-48), Augustus John, 1928 (f. 49), Edward Burne-Jones, [1889], [?1893] (ff. 53-55), Sir Lewis Morris, 1899 (ff. 58-59), Sir Edward J. Poynter, 1917 (f. 63), Auguste Rodin, [1902] (f. 66), John Singer Sargent, [?1907] (f. 70), John Crichton-Stuart, 4th Marquis of Bute, 1937 (ff. 75-76), and Sir Lawrence Alma-Tadema, 1890-1911 (ff. 77-80). Also included is a note in the hand of King George V, 1911 (f. 38), copy letters from Goscombe John to David Lloyd George, 1910 (f. 41), and Queen Mary, 1932 (f. 57), and one letter, 1953, to his daughter, Mrs Muriel Fildes, from D. Dilwyn John of the National Museum of Wales (f. 50).

Holograph letter, dated 7 January 1938, by Dylan Thomas to Keidrych [Rhys], sent from Blashford, in which he informs KR that Augustus John is trying to contact him regarding a portrait, expresses his own frustration at KR and the publication of Wales magazine, and enquires if KR is compiling a bibliography of his (DT) work.

Holograph letter, (2 ff.), dated 5 March 1945, by Dylan Thomas to Augustus [John], written in blue ink (ff. 1r, 2r) and sent from New Quay, thanking the latter for his gift and referring to Mary Keene who is staying at New Quay. Also included is a typescript copy, [1950x1970], of the letter; inscribed '511/?I/NPQ/72' and '214' in pencil in unidentified hands at the bottom of the page.

Printed material, 1953-1998, comprising mostly press cuttings of articles and obituaries about Caitlin Thomas, together with a postcard of Augustus John's portrait of her, and a copy of her funeral brochure, 1994.