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Four letters, 1947-1950, from Augustus John to the scholar and colonial administrator, Sir Ronald Storrs, regarding arrangements for a proposed portrait of the latter.

Ten letters, February 1960-April 1961, from the painter Augustus John, Fordingbridge, Hampshire, to the art collector [Emerich (Emo)] Telt[s]ch, mostly concerning John's work (ff. 1-3, 5-10, 13); together with one letter from Dorelia John to Teltsch, 19 August 1960 (f. 4), and one from the painter Jo[sette] Jones to Teltsch, [February 1961] (ff. 11-12).
The letters contain references to work on John's triptych 'Les Saintes-Maries de la Mer with Sainte Sara, l'Egyptienne' (ff. 3, 5-9, 13); Teltsch offered him up to £8000 for the work (see NLW MS 22786D, f. 68, and Michael Holroyd, Augustus John: The New Biography (London, 1996), p. 597). There are two letters, from John (f. 10) and Josette Jones (ff. 11-12), concerning John's apology for an ill-advised letter (not present) to Teltsch, criticizing drawings by Teltsch's God-child (unidentified).

Three letters, 1916-1918, relating to Augustus John, including one letter sent by John, at the Canadian Corps HQ, [France], to the artist [Peter] Harrison, 21 February 1918, commenting on John's exhibition at the Alpine Club, London, and his current work as a war artist with the Canadian War Memorials Fund (f. 4).
Also included are two letters from George Moore, London, the first to Henry Tonks, 1 December 1916, discussing John's portrait of [Admiral] Lord Fisher [of Kilverston] (f. 2), and the second to Harrison, 5 February 1918, concerning the Alpine Club exhibition (f. 3).

Some fifty letters and postcards, [1904]-1958, from Augustus John to various correspondents, containing mainly personal news.
The correspondents include Lady Margot Asquith, [?1925]-1929 (ff. 1-3), Simon Asquith, [1948]-1958 (ff. 4-19), Nicandra McCarthy (later Hood), 1946-1953 (ff. 21-34 verso), Dorelia McNeill, [July 1904]-1923 (ff. 35-40), John Quinn, [1909]-1910 (ff. 41-48), Margaret Sampson, [March 1907] (ff. 49-50), and Stuart Wilson, [1949]-[?1958] (ff. 53-67). The volume contains poetry by John, [1904]-[1930s] (ff. 36-39 verso, 51, 68-69), including a ballad and sonnets addressed to Dorelia, [July 1904] (ff. 36-38). There are references to a visit, with John Sampson, to the family of Matthew Wood, the Welsh Gypsy (ff. 41 verso-44 verso), and to the death of Ida John (ff. 49 verso-50). For extracts from three of the letters (ff. 35-36, 42-43, 49-50) see Michael Holroyd, Augustus John (London, 1996), pp. 151, 158, 231, 233, 289-290.

A typescript copy, [20 cent., third ¼], of a letter, [Summer 1930], from Augustus John, Renvyle, County Galway, to Will [?Rothenstein], in which John explains his presence in Ireland to paint W. B. Yeats' portrait.
The typescript has the date supplied in the hand of [?Michael Holroyd] and resembles typescripts of other letters to Rothenstein to be found in NLW, Michael Holroyd (Augustus John) Research Papers 4/6.

Three address books, [?1930s-?1940s], [1960s-1970s], of Phyllis Playter. Enclosures include name and address labels and cards (including an inscribed address card of Raymond Garlick), memoranda, press cuttings (including obituary notices), photographs, business receipts and a typescript letter, 1971, to Phyllis Playter from Sarah J. Whitfield of the Tate Gallery regarding an offer made relating to the correspondence between Augustus John and John Cowper Powys.