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The file comprises scripts which all appear to be radio broadcasts, including manuscript drafts, 1945-1982 (with gaps), a number of which are reviews by Glyn Jones of various books. Included are scripts of a tribute to Idris Davies, 'I was born in Rhymney', [1953], 'The dream of Jake Hopkins', 1953, (with a cutting and image relating to the work), 'The misfortunes of Princess Heledd', 1954, an excerpt from The learning lark, 1958, tributes to Henry Treece, 1966, Vernon Watkins, 1967, and Aneirin Talfan Davies, 1980, and an interview regarding Selected poems, 1976. In addition, the file includes scripts of a talk by Gwyn Thomas, 'Present indicative', 1955; and 'Anglo Welsh writing. The bells of Rhymney - Idris Davies' which includes comments by Glyn Jones, 1982; and an undated Welsh translation by Glyn Jones of a script delivered by Jack Jones.

Some hundred letters, 1929-80 (correspondents N-W), to Ceri and Frances Richards, many of them concerned with their work as artists. The correspondents include John Ormond (11) [?1940s]-1976 (with typescript and autograph drafts and fair copies of poems, and typescript text of a radio broadcast by him, 1954, entitled 'Rest and Unrest: the Art of Ceri Richards'), Victor Pasmore (1) 1969, Peter Pears (8) [1960s-70s], Sir John Rothenstein (2) 1958-68, Roberto Sanesi (12) 1961-76, Stephen Spender (2) 1962, Graham Sutherland (3) [?1941]-56, Vernon Watkins (10) 1960-7 (see note 544, below), with one autograph and one typescript poem.

Over a hundred letters, 1956-78, to Keidrych Rhys from various correspondents (surnames T-W), mainly in his capacity as editor of Wales and Welsh correspondent of The People, together with poems, short stories and essays submitted to him for publication. The correspondents and contributors include George Thomas (1) 1961, Ned Thomas (1) [1959], the Reverend E. Meurig Walters (1, with sixteen poems) 1955, Vernon Watkins (3) 1957-9, Harri Webb (16, with one poem and a book review) 1957-64, and Angus Wilson (1) 1968.

Some one hundred and thirty letters, 1936-1938, to William Ronald Rees Jones (Keidrych Rhys) from over forty contributors and supporters, mostly covering issues 1-3 of 'Wales'. Some of the most notable correspondents are Roy Campbell (1), Idris Davies (6), Rhys Davies (6), Caradoc Evans (3), George Ewart Evans (5), Margiad Evans (3), Ll. Wyn Griffith (2), Nigel Heseltine (8), Richard Hughes (1), Augustus John (1), Glyn Jones (20), John Lehmann (1), Cedric Morris (2), Mervyn Peake (1), A. G. Prys-Jones (1), Goronwy Rees (2), Ernest Rhys (1), Dylan Thomas (10) and Vernon Watkins (7). Many of the letters are accompanied by manuscript and typescript drafts of poetry and prose, mostly published in 'Wales' nos 1 - 3 (1937). Also included are a few notes and press cuttings compiled by Keidrych Rhys.

The file comprises typescript copies of the D.Phil. (University of California) dissertation by Dora Polk, 'Vernon Watkins: an ambience for reading the "Ballad of the Mari Lwyd" and other poems', 1970; and article, 'Gateways to the vision of Vernon Watkins', published in The Anglo-Welsh Review, vol. 20, no. 45 (Autumn 1971).

Includes letters from L. Alun Page (6); Michael Gardner (5); Glyn Jones (8); D. Emrys Evans; Arthur Giardelli; David Williams; and Vernon Watkins (4). Some letters relate to lectures by Roland Mathias and the broadcasting of poems by him.

Includes letters from Meic Stephens (2); Cecil Price (12); R. George Thomas (6); Robert Morgan (3); Leonard Clark (5); Raymond Garlick (5); Glyn Jones (2); John Idris Jones (4); David Harries; Bryn Griffiths (2); D. J. Williams; Gerald Morgan (2); Gwyn A. Williams (2); Pennar Davies; Alison Bielski (3); Vernon Watkins; Aneirin Talfan Davies; Alun Llewellyn; Dannie Abse (2); Leslie Norris (3); A. G. Prys-Jones (2); Ellen Tifft (2); Emily Katharine Harris (2); Robert Gittings; Islwyn Ffowc Elis; and John Stuart Williams (3). The file also includes a statement of income and expenditure and balance sheet for the Dock Leaves Press, year ending 29 Feb. 1964.

Includes letters from Gerald Morgan; Cecil Price (13); R. George Thomas (3); Robert Gittings (3); Leslie Norris (2); John Stuart Williams (7); Dora Polk (4); Ellen Tifft (3); Alun Llewellyn (18); Rev. L. Alun Page (6); Islwyn Ffowc Elis (3); William Mathias (3); Neville Masterman (2); Raymond Garlick (5); Arthur Giardelli (3); Alison Bielski (4); Robert Morgan (3); Ian Parrott (4); Emily Katharine Harris (2); Jeffrey Steele; Julian Ennis (3); Vernon Watkins (3); Dannie Abse; F. R. Konekamp; Maurice Carpenter (2); Bryn Griffiths; David Harries (2); and David Jones (3), including a typescript copy of the poem 'The hunt'.

Includes letters from Meic Stephens (18); Dannie Abse (7); Arthur Giardelli (2); Jeffrey Steele (5); George Ewart Evans; Susan Glyn (2); Dora Polk (5); John Stuart Williams (7); Robert Shaw (2); R. S. Thomas; John Pook (3, including poems by him); Tony Curtis; Alun Llewellyn (16); Glyn Jones (2); Thomas Taig (3); H. P. Collins (4); Neville Masterman (7); John Idris Jones (8); Cecil Price (17); Kent Thompson (2); Bryn Griffiths (4); Ian Parrott (4); Bernard Lloyd (4); R. George Thomas; Howard Sergeant (2); Kay Harris; John Alun Davies (2); Brian Way (3); Alison Bielski; Vera Rich (copy); Randal Jenkins (5); Ray Howard-Jones; Raymond Garlick (4); David Gallon (4); Leslie Norris (2); John Snelling; Tom Earley; David Parry; Vernon Watkins; John Ward (3); A. G. Prys-Jones (3); Ralph Salisbury (2); Gerald Morgan; Joseph P. Clancy; Annemarie Towner (2); Robert Morgan; Eiluned Lewis (3); and Harri Webb (copy).

Manuscript and typescript draft, 1974, of Vernon Watkins (Cardiff, 1974), part of the Writers of Wales series. Also included are typescript copies, with some manuscript amendments, [1969]-[1979], of various articles and a talk by Roland Mathias about Vernon Watkins; and additional notes, letters, photocopies and cuttings, [1960]-1984, pertaining to Vernon Watkins.

Eighty letters, 1939-1966, to John Davenport, literary critic and friend of Dylan Thomas, much of the correspondence relating to literary matters (ff. 1-91). There are references to Thomas throughout, including detailed (and contrasting) accounts, by John Malcolm Brinnin (ff. 12-13) and George Reavey (ff. 71-72 verso), of events surrounding his death.
The correspondents include Kingsley Amis, 1955-1965 (ff. 1-6), John Malcolm Brinnin, 1952-1953 (ff. 11-13), Walford Davies, 1963-1965 (ff. 16-23), Constantine FitzGibbon, 1950-1966 (ff. 27-52), Glyn Jones, March-April 1965 (ff. 57-59), T. H. Jones, 9 November 1961 (f. 60), George Reavey, [November 1953] (ff. 71-72), Roger Roughton, 1939-1940 (ff. 73-80), Caitlin Thomas, 1947-[?1952] (ff. 81-85, including a postcard also signed by Dylan Thomas), and Vernon Watkins, 1956-1965 (ff. 86-90). Also included are further papers relating to Dylan Thomas, comprising manuscript notes by Davenport, [1956x1966] (ff. 92-100); a postcard, [?1950], to Thomas from Jack Lindsay in Prague (f. 101); a typescript, 10 November 1953, of a radio obituary to Thomas by Davenport (ff. 102-104); a typescript article, [mid-1950s], on Thomas by Davenport (ff. 105-114); and press cuttings, 1954-1965 (ff. 115-121). A typescript table of contents is ff. i-iii. Three of the Kingsley Amis letters (ff. 1, 2, 4) are published in The Letters of Kingsley Amis, ed. by Zachary Leader (London, 2000) (pp. 448-50, 464-5, 527-8).

One hundred and twenty-four autograph letters, 1959-1974, from painter-poet David ('Dafydd') Jones, all addressed to Valerie ('Elri') Wynne-Williams (née Price), with the exception of two to her husband Michael ('Mihangel') (ff. 54, 112-113) and one to them both (ff. 55-56), discussing a variety of topics including his, and her, health and living conditions, his work, his friends, the Welsh language and Welsh history and politics. Some letters are illustrated with coloured pencil, pen and ink drawings, mainly of animals and flowers (ff. 8, 32, 33, 45 verso, 46 verso-47, 48 verso, 76, 103, 104 verso, 152), inscriptions (ff. 9, 34, 124 verso, 128, 136 verso) and sketch maps of Harrow (ff. 143, 144).
There are references throughout to friends and correspondents including Saunders Lewis (ff. 2-11 passim, 42-188 passim), Harman Grisewood (ff. 4-192 verso passim), René Hague (ff. 42 verso-187 passim), David Blamires (ff. 160, 186, 190 verso, 192), Louis Bonnerot (ff. 123, 186 verso), Tom Burns (ff. 13, 14 verso, 48, 64 verso, 68 verso, 77, 85 verso, 86 verso, 89 verso, 110, 116, 140 recto-verso, 188 verso), Douglas Cleverdon (ff. 68 verso, 160 verso, 162, 163 verso, 187), Aneirin Talfan Davies (ff. 9 verso, 11, 14 verso, 16, 33 verso, 63 verso, 71 verso, 123, 124, 128, 129 verso, 154 verso, 162), Clarissa Eden (f. 107 verso), T. S. Eliot (ff. 51 recto-verso, 62 verso, 67 verso, 69 verso, 71, 73, 74, 85), Gwynfor Evans (ff. 29 verso, 31, 131-192 verso passim), Illtud Evans (f. 6, 11 recto-verso, 37, 46 verso, 57, 61), Arthur Giardelli (ff. 150, 151 verso, 171 verso, 186), Eric Gill (ff. 45 verso, 66, 67 verso, 68 verso, 121), Stanley Honeyman (ff. 84, 140, 154 verso, 159 verso), Morag Owen (ff. 59, 98, 140), Catherine Rousseau (née Ivainer) (ff. 36 verso-127 passim), Stephen Spender (ff. 81 verso-82, 83 verso, 91), Bill Stevenson (f. 158 verso) and Helen Sutherland (ff. 68, 97 verso, 157). There are also occasional references to Desmond Chute (f. 120 verso), Idris Foster (ff. 60 verso, 63 verso), Philip Jones Griffiths (ff. 1, 131), David Lloyd George (ff. 108 verso-109, 127 verso), Megan Lloyd George (ff. 18 verso, 20, 21-22), J. D. Innes (f. 49 verso), Augustus John (f. 85 verso), Alun Oldfield-Davies (ff. 37, 77), Tristram Powell (ff. 142 recto-verso, 144), Caradog Prichard (ff. 19 verso, 77, 108), Kathleen Raine (f. 59 verso), Keidrych Rhys (ff. 6 verso, 8, 9, 16, 30 verso, 36 verso), Meic Stephens (ff. 171, 175), Vernon Watkins (ff. 47, 128 verso), D. J. Williams (f. 106 recto-verso), Kyffin Williams (ff. 49, 63, 77) and R. O. F. Wynne and his family (ff. 61, 62, 63, 64 verso, 67 verso, 81, 94 verso, 96 verso¸ 98, 130 verso), and brief reminiscences of his experiences during the First World War (ff. 70 recto-verso, 76, 79 recto-verso, 108 verso-109, 130 recto-verso, 151 verso, 164). Also included is a copy of his letter, dated 10 August 1959, to Megan Lloyd George (f. 21; for her reply see NLW, David Jones (Artist and Writer) Papers CT3/3, f. 247); cuttings of letters to the Times by David Jones, Valerie Price and others, 1958 (ff. 193-196); and a copy of a 1959 photograph of the two by Philip Jones Griffiths (f. 197). The letter of 23 September 1973 (ff. 178-179 verso) was published under the title 'Yr Iaith' in Planet, 21 (January 1974), 3-5.

A copy of Jane L. McCormick's MA thesis 'The Prose of Vernon Watkins' (Simon Fraser University, British Columbia, Canada, 1969)