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Papers and photographs relating to productions that were part of the Auturius Rex Project, including press, marketing and publicity material, production information, notes and ideas, and production texts/scripts.

Correspondence and papers relating to the Sawl Bywyd production including, production photographs, scenario, display, flyer and draft copies of the production programme for the week, copies of a production information brochure, devising notes, draft budgets, press releases, administrative papers, production texts and scripts, scenographic sketches and designs, soundtrack list and draft and final copies of a marketing pack; together with research material relating to Dutch Schultz.

Correspondence and papers relating to the Once Upon a Time in the West, Hafod, Lla'th (Gwynfyd), Y Dyddiau Olaf/Y Dyddiau Cyntaf, Llais Cynan (On Forgetting), Draw, Draw yn . . . (On Leaving) productions of Prosiect Ecs, the Host and the Ghost publication and to the project in general, including texts and scripts, production scores/scenarios, marketing booklets, publicity and information material, reviews, preparation and devising material, production booklets, research material, photographs and slides, script and action notes, technical notes and specification, workplans and organisational papers, scenographic papers, press information and releases, financial papers, notes and sketches relating to video graphics, video editing and camera placement and administrative papers; together with mock-ups, preparatory and design papers for the proposed 'The Host and the Ghost' publication.

Lis Hughes Jones’ papers relating to her solo productions and the work of Brith Gof, including workbooks, scenarios with texts, a score, research sources and production texts; together with papers regarding various Brith Gof productions collected for symposiums, an article by Lis Hughes Jones, publications relating to Brith Gof and a paper by Mike Pearson.

Scenographic designs and sketches for various productions, including Haearn, Gododdin, Pax, Patagonia and Second Coming.

Papers relating to the I Wlad Dda a Helaeth television production by Brith Gof including, a catalogue of slides of Patagonia, production texts and scripts, a first draft of a screenplay, oral history transcripts, a promotional postcard and preparatory papers.

Papers relating to the television production of Patagonia - Enactment/Autopsy, including draft and master copies of the production storyboard and script, with a proposal, some background notes and a summary, a production script, preparatory papers, research material, scenographic sketches, and master and final copies of an outline proposal for the television commission of Patagonia; together with correspondence and papers relating to the development, funding and commissioning of the television production.

Correspondence and papers relating to the Y Pen Bas/Y Pen Dwfn production including research material and notes; devising notes; draft and final copies of the production storyboard and script; a work timetable; copies of production texts and scripts; draft copies of production scenarios and [scores]; copies of images and graphics; press reports; scenographic designs; design and final copies of the production booklet; a scenes list; venue plans; draft, design, master and final copies of production publications; slides and photographs; production flyers; together with correspondence and papers relating to the development, administration, arrangement and filming of the production.

Papers relating to the Pandaemonium production, including devising notes, a scenario, production texts, research material, and other production notes; together with Lis Hughes Jones’ workbook.

Papers and photographs relating to the EXX-1 production comprising mainly stage directions, prospectus, scenographic designs, reviews, and a soundtrack information leaflet; together with a copy of Clifford McLucas’ visual diary artwork which was based on the EXX-1 production and a file of the production manager, Giles Parbery's papers.

Correspondence, papers and images relating to the Pax project, including the Los Angeles production, the preparatory etudes and the productions in Cardiff, Glasgow and Aberystwyth, comprising items such as notes, scenographic sketches, research material, scenarios and scores, prospectuses, booklets, publicity material, reviews and previews.

Various articles, reviews, publications and essays relating mainly to the work of Brith Gof, the company, site-specific theatre and theatre in Wales, including previews and reviews for various productions between 1981 and 1988; interviews with company members; and articles and chapters by Mike Pearson and Clifford McLucas; together with an article regarding Clifford McLucas' visual diary artwork.

Company information papers including a review of work and a copy of an interview with Mike Pearson and Clifford McLucas.

Company publications and proposals, including discussion papers and company prospectuses, regarding training and pedagogy, digital media developments, television and theatre projects, and an installation.

Correspondence and papers relating to the Brith Gof archive, including the safekeeping of the archive and details of the contents of the archive.

Photographs, negatives, slides, contact sheet images and copies of photographs of a number of productions by Brith Gof; together with some slides of work possibly by other companies including Odin Teatret, Cardiff Laboratory Theatre and RAT Theatre.

Lis Hughes Jones' papers relating to the Manawydan and Gwaed neu Fara productions, comprising production song scores and lyrics and texts for the Gwaed neu Fara production.

Lis Hughes Jones' papers relating to the Gernika! production including a copy of the production score and melody lines, together with production notes and notebooks.

Papers and photographs relating to the Ymfudwyr production including photographs of performances, production notes and ideas and a production prop; together with Lis Hughes Jones' workbook.

Lis Hughes Jones' papers relating to the 8961 - Caneuon Galar a Gobaith production including draft texts and notes, research material and Lis Hughes Jones’ workbook.