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Letters from John Cowper Powys to his brother, Llewelyn Powys, [1923], his companion, Phyllis Playter, [?1924], 'George', 1958, and a 'Mr London', [?1940s], the latter dictated by Powys to Phyllis Playter; together with miscellaneous literary papers, which comprise drafts of poems, [c. 1900]-1953, including an early version of 'Samphire' (published in Horned Poppies ... (1986)) and of several unpublished anniversary poems addressed to Phyllis Playter; a draft, [?1900]-1902, of an unpublished preface to poems by Alfred de Kantzow; an ink and pencil sketch of the map which forms the end-papers of Powys's novel Ducdame (1925); and drafts of the opening of a philosophical work, 1938, and of a speech in Welsh, [1935x1954], the latter composed by Powys while he was living in Corwen.

Two autograph poems, [1951], by Idris Davies, entitled 'In Glasnevin Cemetery' (ff. 113-116) and 'Mists upon the sea' (f. 117), first published in Dock Leaves, 3.8 (Summer 1952), 28, and ibid. 2.6 (Michaelmas 1951), 36, respectively.
Both appear in The Collected Poems of Idris Davies, ed. by Islwyn Jenkins (Llandysul, 1972), pp. 60-61, 167, and in The Complete Poems of Idris Davies, ed. by Dafydd Johnston (Cardiff, 1994), pp. 161-163.

Eight typescript poems, [1970]-[1972], by R. S. Thomas, published in Poetry Wales, 6.1 (Summer 1970), 37-38, and ibid. 7.4 (Spring 1972), 9-14.
The poems are 'Vocation', [1970], 'Alma Mater', 'Dimensions', 'No', 'God's Story', 'The Hand', 'Ann Griffith' and 'Amen', [1972]. However, 'Saunders Lewis', also published in the Spring 1972 number, is not present.

Manuscript and typescript drafts by Berta Ruck, [1955]-[1974x1978], of chapters of projected and published autobiographical works, mainly concerned with her life in Wales.
They include a manuscript draft of the first chapter of An Asset to Wales (London, 1970), [?1969] (ff. 1-24); drafts, mainly typescript, of various chapters for projected works entitled 'Welsh Harlequinade' and 'Fanfare for Wales', [1974x1978] (ff. 25-137); a typescript poem entitled 'Stair-case Remorse', [1970x1978] (f. 138); a typescript of various fragments of fiction and autobiographical prose, [1970x1978] (ff. 139-144); a cutting of an article by Ruck, 'A Golden Prince Came to the Castle', [1955] (f. 145); and a cut-out watercolour sketch of a young man (f. 146). There are references to N. C. Hunter (ff. 47-50), Stephen Peet, producer of the 1970 television documentary featuring Ruck (ff. 106-120), and to E. Nesbit (ff. 141-142).

Notebook of Berta Ruck, May 1930-March 1931, containing journal entries, including accounts of her visits to Sweden, July 1930 (ff. 14-22), Germany, July, November 1930 (ff. 22 verso-28 verso, 69 verso-81 verso), Vienna, Austria, July-August, November-December 1930 (ff. 28 verso-42 verso, 82-91), and the French Riviera, August-September 1930 (ff. 44-61), and notes for fiction. Some fifty-two letters, cards and telegrams from family and friends, photographs, cuttings, programmes and other ephemera have been pasted in.
The correspondents include Marda Vanne, June-[December] 1930 (ff. 4, 62, 91), Oliver Onions, July-[August] 1930 (ff. 13, 30, 53), Alec Waugh, 22 June 1930 (f. 38), Hermon Ould, 30 September 1930 (f. 65 verso), Vicki Baum, 4 November 1930 (f. 78), Gwen Ffrangcon-Davies, [December] 1930 (f. 91), Norman Haire, [December] 1930 (f. 114 verso), Vita Sackville-West, 3 November 1930 (f. 121), and Cynthia Stockley, [December] 1930 (f. 129). The volume contains sketches and drawings (ff. 2 verso, 28 verso-29, 48-49, 87, 92 verso, 109, 123 verso) and poetry (ff. 67 verso, 73a-b, 88, 91-92 verso, 94 verso, 101 verso) by Ruck. The photographs include three of her with her sons (inside front cover, ff. 54, 60; the latter was published in A Story-Teller Tells the Truth (London, 1935), facing p. 166). Among the friends and acquaintances referred to in the volume are Ernst Hanfstaengl (79 verso, 80 verso-81 verso) and the writers Rebecca West (ff. 45 verso, 50 verso -51), Geoffrey Moss (ff. 49 verso-50, 54 verso, 57 verso), Vicky Baum (f. 71 verso) and Otto Friedländer (ff. 82 verso, 83, 84).

Notebook of Berta Ruck, March-June 1931, containing journal entries including an account of a visit to Oxford, 16 May 1931 (ff. 28 verso-30), and notes for fiction and other work. Twenty-nine letters, postcards and telegrams, mostly from family and friends, February-June 1931, [December 1935], cuttings, photographs and ephemera have been pasted in.
The correspondents include Oliver Onions, April-May 1931 (ff. 34, 36 verso, 52), Robin Darwin, 20 March 1931 (f. 2 verso), Marda Vanne, 25 May 1931 (f. 8 verso), Alec Waugh, April 1931 (ff. 16 verso-17, 30 verso), and Doris Langley Moore, 12 May 1931 (f. 28); there are also four copy letters from Ruck to her father and others, March-April 1931, [December 1935] (ff. 1 recto-verso, 4-5, 14-15 verso, 38a-b). The volume also contains ink sketches (ff. 27, 30, 42, 44) and verses (ff. 20 verso, 32-33, 36, 40 verso, 44, 46) by Ruck. There are references to Doris Langley Moore's forthcoming biography of E. Nesbit (London, 1933) (ff. 25 verso, 28) and to Gwen Ffrangcon Davies (f. 40 verso). Besides a single copy letter there is no material dating from 1935 onwards (as alluded to on the front cover), presumably having being excised.

Notebook of Berta Ruck, July-August 1931, containing journal entries and notes on her visit to Vienna and Carinthia, Austria. Four letters, March 1931-September 1932 (ff. 10 verso, 18, 28, inside back cover), photographs and postcards, playbills and other ephemera have been pasted in.
The volume contains a photograph of Ruck (f. 15) and verse by her (ff. 1 verso, 4 verso). There are fragments of text on the stubs of ff. 13-14, 16-17, 21-28 and on the unfoliated stubs between ff. 17 and 18.

Notebook of Berta Ruck, Aberdyfi, May 1945-December 1946, containing journal entries including comments on the end of the Second World War and its aftermath and notes for fiction, especially the novel Surprise Engagement (London, 1946) (here called 'They are engaged', ff. 27-73 passim). Some one hundred and forty-six letters, cards and telegrams, mostly from family and friends, January 1945-September 1946, cuttings and other ephemera have been pasted in.
The correspondents include Tony Thorne, January 1945-March 1946 (ff. 4 verso, 12 verso, 17a, 26 verso, 44, 56 verso, 65 verso, 73verso-74 verso, 75 verso, 79 verso), Miriam L. Rothschild, 4 January 1945 (f. 6), Ronald Staples, May-June 1945 (ff. 6, 10 verso), J[oseph] P[eter] T[horp], 6 June 1945 (f. 10 verso), Alec Waugh, July 1945-April [1946] (ff. 22, 75 verso, 80), Vicki Baum, 20 August 1945 (f. 24 verso), Bernard Darwin, 28 August 1945 (f. 26a), Oliver Onions, September-December 1945 (ff. 34, 35, 59 verso), A. E. Chesterton, 26 October 1945 (f. 41), Nancy Rodd [ie. Mitford], 12 January 1946 (f. 43 verso), Gwen Ffrangcon-Davies, [11 November 1945] (f. 52 recto-verso), Marda Vanne, 11 November 1945 (f. 53), Osbert Sitwell, November-December 1945 (ff. 54 verso, 58 verso), Maurice Bowra, 22 December [1945] (f. 60 verso), Hermon Ould, 11 March 1946 (f. 74), Esmond Knight, [1946] (f. 75 verso), Ivor Brown, 20 August 1946 (f. 83 verso), Ambrose Heal, 16 September 1946 (f. 87), and C. A. Lejeune, 24 May [1946] (f. 89 verso). The volume contains references to the deaths of her friends Ménie Muriel FitzGerald (f. 1) and Edith Heal (f. 87), and conditions in London after VE Day (ff. 7, 8); also verse (f. 46) and an ink sketch (f. 51 verso) by Ruck. Pasted into the volume are 1945 General Election leaflets for Merioneth (ff. 17, 20 verso, 22), and photographs of Gwen Ffrangcon-Davies and Marda Vanne (f. 86).

Diary of Raymond Garlick containing entries for the period 8-22 July 1990, kept during a two week cruise, mostly of the Baltic (ff. 1-51, text on rectos).
The ship called at Amsterdam, Netherlands (ff. 7-8), Leningrad (ff. 19-27) and Riga, USSR (ff. 33-36), Visby, Sweden (ff. 37-39), Copenhagen, Denmark (ff. 40-42), and Oslo, Norway (ff. 43-45). Also included are an incomplete draft of the poem 'Leningrad', dated 18 July 1990 (ff. 77 verso-8) and an apparently unpublished poem entitled 'At the Winter Palace', dated 14 July 1990 (ff. 78 verso- 9).

Miscellaneous papers of Berta Ruck, 1902-[early 1970s], including autograph and typescript drafts of verse, [1920s]-[1930s], many in multiple copies (ff. 1-123); lecture notes, [c. 1935]-[c. 1945] (ff. 124-224); a short story, 'April Folly', [c. 1935], apparently related to her novel Half Past Kissing Time (London, 1936) (ff. 225-248); and some thirteen letters to the author in English and German, [1903x1904]-1971 (ff. 264-283).
The correspondents include Clement Scott, [1903x1904] (f. 264), Marda Vanne, 9 October 1936 (f. 280), Harold Nicolson, 14 June 1962 (f. 281, on the death of his wife, Vita Sackville-West), and Quentin Bell, September 1971 (ff. 282-283, concerning his biography of Virginia Woolf); there are also three letters, 1929, from 'Harry', her Austrian lover (ff. 265-272, mostly in German). Also included are two leaves from Ruck's journal, June 1930 (ff. 249-250); reminiscences, [early 1970s], of Lydia Lopokova (ff. 251-259) with a photograph of her, [?1920s] (f. 260); press cuttings of an article by Ruck, September 1936 (f. 261), and of two articles relating to Virginia Woolf, 1972 (ff. 262-263); W. R. Oliver's school report at Shrewsbury School, 1929 (f. 284); programme for 'My Lady Molly' at the Lyceum Theatre, Edinburgh, 1902 (ff. 285-286); and page proofs for Chapter 8 of A Smile for the Past (London, 1935) (ff. 287-292).

Notebook of Berta Ruck, October 1931-August 1932, containing journal entries, including an account of her stay in Vienna, October-November 1931 (ff. 2-31), notes for fiction, verses and sketches by the author and a record of her dreams. Some twenty-seven letters, postcards and telegrams from family and friends, photographs, cuttings and other ephemera have been pasted in.
The correspondents include Oliver Onions, [October 1931] (f. 21), Doris Langley Moore, December 1931-February [1932] (ff. 53, 87), Marie Belloc-Lowndes, [1932] (f. 54 verso), Marda Vanne, [1932] (ff. 70 verso, 76a), and Ferdinand Deutelmoser, October 1931, April 1932 (ff. 73, 91). The volume also contains ink sketches (ff. 60, 70, 71, 81 verso) and verse (ff. 47 verso, 66, 68, 93 verso) by Ruck, and a German translation by Deutelmoser of another of her verses (f. 25 verso).

Some one hundred and forty letters, 1948-1997, in English and Welsh, to John Elwyn from various correspondents (surnames S-W), both personal and work related.
The correspondents include Christopher Sandford, 1953 (ff. 12-13), Meic Stephens, 12 December 1995 (f. 22), Winifred Coombe-Tennant, 19 February 1948 (f. 33), Dewi-Prys Thomas, 1977-1978 (ff. 36-37), David Tinker, 1967 (ff. 44-45), John Ward, 1967-1992 (ff. 75-78 verso), George Weber of Edmonton, Alberta, 1987-1994 (ff. 81-97 verso), Sir Huw Wheldon, 1961, [?late 1970s] (ff. 116-118), Phillip Whitfield, 1991-1996 (ff. 119-146 verso), the Rev. G[wilym] O[wen] Williams, 20 February 1952 (f. 158), Kyffin Williams, [1960s]-1995 (ff. 161-167), Stan Williams, [?early 1990s], (f. 171), and the Royal Cambrian Academy of Art, 1965-1967 (ff. 148-153). Also included are draft letters from John Elwyn (ff. 53, 58 verso-59 verso, 63 verso, 100) and drafts of two poems by Phillip Whitfield, 1991-1992 (ff. 124, 127, 129, 131, 134, 138, 141), with a translation into Welsh of one of them [?by John Elwyn], [?1992] (f. 147).

A holograph copy, [1910s], of 'A Boy's Sorrow', an apparently unpublished poem of two eight-line stanzas by W. H. Davies.

A sample copy, [1929], of part of a projected printed book by Ezra Pound, to be called 'The Complete Works of Guido Cavalcanti', containing also four autograph poems and a prose fragment by Dylan Thomas, [1936]-[early 1940s], and two typescript poems by Vernon Watkins, [c. 1939]. Pound's book was intended for publication in 1929 but was abandoned, with only the first 56 pages printed, when the Aquila Press went bankrupt. The present volume appears to be a sample copy, of which two similar ones are recorded (see Donald Gallup, Ezra Pound: A Bibliography (Charlottesville, 1983), p. 153), consisting of the first two gatherings only (ff. 2-9) and filled out with blank leaves (ff. 10-74). The original Aquila Press fragments were later incorporated into the composite work Guido Cavalcanti Rime, ed. by Ezra Pound (Genoa, [1932]).
The Dylan Thomas poems are 'Then was my neophyte', [1936] (f. 11) (published in Twenty-five Poems (London, 1936), pp. 40-41), 'We lying by seasand', [1937x1939] (f. 74 verso) (first published in Poetry (Chicago), 49.4 (January 1937), 183, and collected in The Map of Love (London, 1939), p. 8), 'Paper and sticks', [early 1940s] (tipped in on f. 12) (first published in Seven, 6 (Autumn 1939), 6, and collected in Deaths and Entrances (London, 1946), p. 23), and 'Once below a time', [early 1940s] (tipped in on ff. 13-14) (first published in Life and Letters Today, 24.31 (March 1940), 274-275; see Collected Poems 1934-1952 (London, [1952]), pp. 132-133); the prose fragment (tipped in on f. 15) is the end of 'One Warm Saturday', [1938], the last story in Portrait of the Artist as a Young Dog (London, 1940), pp. 253-254. The two Vernon Watkins poems, 'The windows', 1939, and 'A bronze head', [c. 1939], are apparently unpublished (tipped in on ff. 16-17). A dried leaf found loose within the volume has been placed in an archival sleeve.

Notebook, 1914-1916, kept by Nursing Sergeant Davies of 'C' section of the 130th (St John) Field Ambulance unit, attached to the 38th (Welsh) Division of the British Army. It includes a diary, November 1914-June 1916 (ff. 1-12), describing duties in Britain before embarkation for France on 3 December 1915, and subsequent activities on the Western Front prior to the Battle of Mametz Wood.
A draft application for an army commission (ff. 45, 46 verso) suggests that Sergeant Davies was a native of Carmarthenshire and a former miner. The notebook also contains medicinal recipes (ff. 13-14, 44 verso, 45-6), ration tables (ff. 8 verso-9, 14), and poetry in both English and Welsh (ff. 22 verso-23, 31-44, 49-53). An additional folio, tipped into the volume (f. 16a), contains further diary entries, October 1916, and suggests the existence of a second volume, subsequently lost.

Manuscript and typescript papers, [?1932]-[c. 1965], of the poet and author Clifford Dyment, comprising poetry, [?1932]-[?1965] (ff. 1-76), and miscellaneous prose, [1948]-[c. 1965] (ff. 77-95).
The poems appear to be mainly unpublished; those which appear in his published collections are 'Mouse' (f. 12) (Straight or Curly (London, 1937), p. 36), 'The Suicide' (f. 35) (Experiences and Places (London, 1955), p. 42), and ff. 46-76 which are drafts, [1955]-[1965], of sixteen out of the twenty-eight new dream poems in section VI of his Collected Poems (London, 1970), pp. 89-102 passim; 'Gedicht voor mijn Verjaardag', [late 1950s] (f. 37), is a Dutch translation by G. K. van het Reve of Dyment's 'Poem for my Birthday' (f. 36). The prose includes a corrected typescript, [1948], of the introduction to Thomas Hood, Selected Poems, ed. by Clifford Dyment ([London], 1948) (ff. 77-88, see also f. 26 verso); a draft letter to Bernard Miles, [early 1950s] (f. 89); and part of an essay on his dream poetry, [c. 1965] (ff. 91-92). Many of the later items are written on the backs of old letters, circulars and other ephemera as well as fragments of a typescript for his autobiography The Railway Game (London, 1962) (ff. 44 verso, 45 verso, 48 verso, 76 verso). A photocopy of the front cover of the original binder is f. i.

A holograph copy of the poem 'Leisure' by W. H. Davies, signed and dated 8 May 1914.
The poem was first published in William H. Davies, Songs of Joy and Others (London, 1911) and thereafter appeared in various collections and anthologies, including William H. Davies, Collected Poems (London, 1916), The Essential W. H. Davies (London, 1951) and The Complete Poems of W. H. Davies (London, 1963). This fair copy was possibly written whilst the poet was in Gloucestershire visiting friends among the Dymock poets (see Selected letters of Robert Frost, ed. by Lawrance Thompson (London, 1965), pp. 122-124).

Autograph copy, [1956], of Margiad Evans's poem 'The Thunderstorm', dated 1954 but said to have been written while a patient at the [Kent and Sussex] Hospital, Tunbridge Wells, two years earlier. The poem is apparently unpublished.

An autograph fair copy, [1914], of the poem 'Sweet Night' by W. H. Davies. It was first published in W. H. Davies, The Bird of Paradise (London, 1914), p. 20.
The manuscript contains a different reading of line 3, 'Take thou a lover’s grateful heart' rather than the published 'A lover gives his grateful heart', and two corrections in lines 9 and 10, conforming to the printed version. The poem is written on '29 Clarence Gardens, N.W.' notepaper with the address changed by Davies to '22, Priory Gardens, Highgate'.

An autograph fair copy, [1918], of the poem 'The Soul's Companions' by W. H. Davies. It was first published in the Nation, 20 April 1918, p. 64, and collected in William H. Davies, Forty New Poems (London, 1918), p. 33.
The poem is written on '14, Great Russell Street, W.C.' notepaper. A pencil note 'Poetry for this week' (partially erased) indicates it was used as the printer’s copy.