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A copy of a lecture/presentation by Clifford McLucas regarding the work and productions by Brith Gof.

Correspondence and papers relating to various lectures, presentations, conferences and seminars attended by or given by members of Brith Gof, including copies of lectures and presentations, regarding subjects such as site-specific theatre, Brith Gof’s work and productions, theatre and archaeology, experimental theatre, theatre and media work, and theatre practice and theory in Wales; together with slides possibly for use in a lecture.

Notes on actions, possibly for a performance class/workshop.

Handwritten notes that appear to be notes on actions and also texts and ideas.

Unidentified notes which may relate to the Ymfudwyr and Gernika productions, including notes on texts, ideas and actions.

Draft copies of the text for production prospectuses/marketing packs, including the prospectuses for work in 1991, 1992 and 1993, Pax, Haearn, EXX-1, Patagonia, Y Pen Dwfn/Y Pen Bas, From Memory, Los Angeles, and classes on performance.

A joiner of photographs of a forest scene, but which was possibly used as a graphic illustration in publicity material.

Original master copies of portfolio pages for various productions showing text layout, together with draft copies of the portfolio texts.

Proof and master copies of artwork and images used for visuals in production publicity material and publications and including pages of the Los Angeles prospectus.

Master and design copies of pages of various company/production portfolios, proposals, prospectuses and marketing packs; together with copies of pages from Hybrid magazine.

Copies of programmes for Chapter Arts Centre, some of which contain adverts for Brith Gof productions.

Programmes and pamphlets for a number of productions including, Blodeuwedd, Gwaed neu Fara, Gernika!, Ymfudwyr, Rhydcymerau, Lleuad, Lleuad!/Luna, Luna!, Ann Griffiths, Boris, Du a Gwyn, Disasters of War: Parts 1 and 2, Pandaemonium: The True Cost of Coal, Besatt, EXX-1, Los Angeles, From Memory I, Der Gefesselte, Haearn, Arturius Rex, From Memory II, Prydain, Y Pen Bas/Y Pen Dwfn, Hafod (The Plan, the Elevation and the Lunacy in his Common Sense), Hafod and for the events by Brith Gof at the Bro Colwyn National Eisteddfod of Wales.

Publicity material including programmes and pamphlets for a number of productions and for Chapter Arts Centre; master and design copies of pages of various company/production portfolios, proposals, prospectuses and marketing packs; proof and master copies of artwork and images used for visuals in production publicity material and publications; and draft copies of the text for production prospectuses.

A copy of an interview recorded with Mike Pearson and Clifford McLucas regarding Brith Gof's work and site-specific theatre and which may have been intended for use in a publication.

A review of the work undertaken by Brith Gof in 1986.

Company information papers including a review of work and a copy of an interview with Mike Pearson and Clifford McLucas.

Questions and answers with Lis [Hughes] Jones relating to work by Brith Gof.

Correspondence and papers relating to a proposed book by Clifford McLucas entitled ‘The Host and the Ghost’, which concerned the approaches to site in the theatre works of Brith Gof, and including also draft and final copies of the publication proposal and mock-up and design copies of some pages of the book.

Correspondence and papers relating to two publications edited by Nick Kaye: Site-Specific Art: Performance, Place and Documentation and Art Into Theatre, regarding mainly the contributions by Clifford McLucas and Mike Pearson about the work of Brith Gof.