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Exercise book, [?1920]-1930, of Gwen John containing a few impressions and sparse notes for pictures.

Notebook, 1928-1929, containing personal reflections in the form of draft letters from Gwen John, in French to Véra Oumanҫoff, and in English to Tom Burns.

Notebook, c. 1930-1932, containing personal reflections, mainly in the form of draft letters from Gwen John to Véra Oumançoff and to Chanoine A. Pierme.

Extracts, 1911-1919, by Gwen John, copied from various authors, mostly religious or philosophical.

Some one hundred and thirty draft letters, [c. 1908]-1938, from Gwen John to various correspondents (surnames P-W), including Rainer Maria Rilke (4) [c. 1910]-1913, Auguste Rodin (57) [c. 1908]-[c. 1916], and Ursula Tyrwhitt (4) 1911-1938.

Some eighty-two draft letters, July 1927-April 1932, from Gwen John to Véra Oumançoff, containing mainly personal news and reflections but also including references to John's drawing in church (ff. 1-4, 42 verso); showing her pictures to Véra, and the latter’s reactions to them (ff. 12 verso, 29 verso, 30, 38-40 verso, 66); the 'dessins du lundi' (ff. 56, 78, 97); general references to her work (ff. 21, 23); notes on colours and tones (f. 41); rough sketches (f. 90 verso); the demolition of the mairie [at Meudon] and new buildings going up (ff. 60-62); the dampness of the house where she lives (f. 87); fragmentary drafts of letters to Tom Burns (ff. 34, 53 verso).

Papers and correspondence, 1880-1972, of or relating to the artist Gwen John and including letters and diaries, exercise books and other notebooks, and sketches; together with correspondence and other papers relating to the estate of Gwen John, and photographs found amongst her papers after her death.