Showing 132 results

Facsimile copy of ink score, dated 1985, and titled Opus 53; 'Myfyrdod: Contemplation for Orchestra Parts 1'. The score contains parts for flutes 1, 2, and 3; oboe 1, 2, and 3; clarinets 1, 2, and 3; bassoons 1, 2, and 3; horns 1,2, 3, and 4; and trumpets 1 and 2.

Facsimile copy of ink score, dated 1985, and titled Opus 53: 'Myfyrdod: Contemplation for Orchestra: Parts 2'. The score contains parts for trombones 1 and 2; bass trombone; tuba; harps 1 and 2; timpani; percussion; violins 1 and 2; viola; cello; and bass.

Ink score with pencil annotations, dated December 1958 to 3rd September 1959, and titled Opus 11: 'Prolegomena: Variations for String Orchestra'. Including parts for violins 1 and 2, viola, violoncello, cello, and bass.

Ink score with pencil annotations, dated 3 September 1959, and titled Opus 11: 'Movements From "Prolegomena: Variations for Strings" '. The work consists of a rough score, with separate instrument parts for the epilogue, including parts for violins 1 and 2, viola, violoncello, cello, and double bass.

Ink score, [1961], consisting of the first part of the work titled Opus 14: 'Noctuary: Five Sonnets of Gerard Manley Hopkins for Chorus and String Orchestra'. Originally commissioned for the BBC in Wales, the work includes parts for violins 1 and 2, viola, cello, and bass.

Draft score in pencil, dated 27th August 1963, and titled Opus 18: 'Violin Concerto No. 1'. For violin solo and orchestra. The work was used as a testpiece for the International Competiton for Violinists, 1966.

Facsimile copy of ink score, dated 10 May 1963 to 14 January 1964, and titled Opus 18: 'Violin Concerto'. including parts for flutes, clarinets, bassoon, horns, trumpets, trombone, timpani, percussion, violins 1 and 2, violas, cellos, and bassess. The work was a testpiece for the International Competition for Violinists, 1966.

Ink score with pencil annotations, [1964], titled Opus 18: 'Violin Concerto'. The score contains separate parts for violins 1 and 2, viola, cello, double bass, flutes 1 and 2, oboe, clarinets 1 and 2, bassoon, horns 1 and 2, trumpets 1 and 2, trombone, timpani, and percussion. A handwritten note, (1968), to David Harries from the Assistant Orchestral Librarian, BBC Welsh Orchestra, is also included in the file.
The work was a testpiece for the International Competition for Violinists, 1966.

Ink score, dated 1972, and titled Opus 36: 'Three Poems of Tagore for Tenor and Orchestra', based on the poems 'In the World's Audience Hall', 'I Hunt for the Golden Stag', and 'Across an Hundred Years' by Rabindranath Tagore. Including parts for flutes, oboe, clarinets, cornets, bassoon, trumpets, trombones, timpani, percussion, violins 1 and 2, viola, violoncello, cello, and bass. The work was originally commissioned by the University College of Wales, Aberystwyth, on the occasion of its centenary, in association with the Welsh Arts Council, and first performed by Kenneth Bowen and the BBC Welsh Orchestra, conducted by David Harries, Great Hall, Aberystwyth October 1972.

Facsimile copy of ink score, dated 1974, and titled Opus 37: 'Overture: The Three Men'. Includes parts for flutes, oboes, clarinets, cornets, trumpets, trombones, bass trombone, timpani, percussion, violins 1 and 2, viola, violoncello, cello, and bass. The work was originally commissioned for the Llandaff Festival, 1974, with assistance from the Welsh Arts Council. Dedicated to Alwena Harries.

Ink and pencil draft of partial score for Opus 16: 'Petitions and Interludes for Male Voice Chorus and Piano', [1962]. Commissioned by the BBC.

Ink score, titled Opus 58: 'Queen of Paradise: A Sequence of Carols to the Blessed Virgin Mary for Chorus and Organ', [1987]. Commissioned by the Cardiff Festival of Music in association with the Welsh Arts Council. Written as one of a sequence of three works celebrating devotion to the Virgin Mary which include his Opus 57 (1/42), Opus 56 (4/8) and Opus 58 (4/9).

Facsimile copy of ink score, titled ‘Dyma y Dydd (Salm 118): Anthem i Gôr Cymysg a Thelyn’, dated June-July 1988. Commissioned by the Dinas Powis Welsh Society Choir, with assistance from the Welsh Arts Council for the Royal National Eisteddfod, Newport, 1988. Dedicated to Bryn and Byron.

Facsimile copy of ink score, titled 'Fanfare & Psalm for Male Chorus & Military Band', dated 1991. Setting for military band and fanfares by Lawrence Pendleton, with music from David Harries, Opus 63.

Copy of published score for David Harries, 'Opus 35: Make Haste So To Live: Anthem for Chorus and Organ' (Cardigan: Samuel King, 1992). The score was originally commissioned by the Guild for the Promotion of Welsh Music for the Fishguard Music Festival, 1972.

Copy of published score for David Harries, 'Opus 64: Psalm 8: O Lord, Our Lord' (Cardigan: Samuel King, 1992). Originally commissioned by John Davies and the Pembrokeshire Youth Choir in association with the Welsh Arts Council.

Four copies of a score for Opus 24 No.2: 'O Come, Let Us Sing Unto the Lord (Psalm 95: Vemite, exultemus Domino) for Chorus and Organ', including one draft score in ink with pencil annotations, dated 14 July 1966; one ink score, dated July 1966; and two facsimile copies of the ink score, both also dated July 1966.

Published copy of score titled Opus 24 No.1: 'Christ Child: Christmas Carol' (Oxford: Oxford University Press, 1967).

Ink score, titled Opus 35: 'Make Haste So To Live: Anthem for Chorus and Organ', with words from 'The Principle and Foundation' by Gerard Manley Hopkins. Commissioned for the Guild for the Promotion of Welsh Music for the Fishguard Music Festival, 1972. Dedicated to John Davies.

Facsimile copy of ink score, titled Opus 35: 'Make Haste So To Live: Anthem for Chorus and Organ', with words from 'The Principle and Foundation' by Gerard Manley Hopkins. Commissioned for the Guild for the Promotion of Welsh Music for the Fishguard Music Festival, 1972. Dedicated to John Davies.