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Ffotograffau o Gôr Plant Llanuwchllyn gyda Mrs Beryl Davies, Post, 1952-3; Côr Cymysg Llanuwchllyn, 1952; Eisteddfod y Llungwyn, Llanuwchllyn, 1953; parti deulais Llanuwchllyn, buddugol yn Eisteddfod yr Urdd a gynhaliwyd yn Y Bala, 1954, a hyfforddwyd gan Emrys a Hannah Bennett Owen; parti merched Aelwyd Llanuwchllyn, buddugol yn Eisteddfod Genedlaethol yr Urdd Caernarfon, 1956; Parti Aelwyd Llanuwchllyn yn Eisteddfod Genedlaethol yr Urdd, Rhydaman, 1957, yr arweinydd oedd Emrys Bennett Owen; Côr Aelwyd Llanuwchllyn, 1958-9; a Pharti Merched Llanuwchllyn, buddugol yn Eisteddfod Genedlaethol yr Urdd Dolgellau, 1960.

Ink score with pencil annotations, dated April-May 1952, titled Opus 1: 'Introduction (Quasi Notturno) and Allegro Scherzoso for String Quintet', based on the Welsh folk melodies ‘Hun Gwenllian’ and ‘Hela’r 'Sgyfarnog’. The score includes parts for violins 1 and 2, viola, and cellos 1 and 2. A title note added indicates that this piece was first performed at the University College of Wales, Aberystwyth, March 1953, and was awarded a prize at the National Eisteddfod, Aberystwyth, 1952. Dedicated to Grace Williams.

Rhestrau o fuddugwyr Eisteddfodau'r Urdd Sir Feirionnydd rhwng 1953 a 1960.

Full score and parts, in ink and pencil, 1953, titled Opus 3: 'Incidental Music to Antigone: a tragedy by Jean Anouilh, translated from the French by Lewis Galantière'. The full score includes Part 1, 'Overture' (dated 28th October – 6th November 1953); Part 2, 'Introduction to Act II' (dated 6th-10th November 1953); and Part 3, 'Introduction to Act I Scene VIII' (dated 11th November 1953). The instrument parts include violins 1 and 2, and viola for Parts 1 and 2 (dated 11th November 1953), and for Part 3 (dated 6th November 1953); cello for parts 1, 2 and 3 (dated 6th November 1953); horns for Parts 1, 2, 3, and 4 ([1953]); bassoon for Part 1 (dated 6th November 1953) and Part 2 ([1953]); trombone for Part 1 (dated 6th November 1953) and Part 2 ([1953]); timpani for Part 1 (dated 6th November 1953) and Parts 2, 3, and 5 ([1953]); and piano for Parts 1, 2, 3, and 4 (dated 12th November 1953).

Original ink score, titled 'Opus 3: Incidental Music to Antigone', and based on Jean Anouilh's version of Sophocles' tragedy 'Antigone', translated from the French by Lewis Galantière. The work is in two parts: 'Overture', dated 28 October-6 November 1953; and 'Introduction to Act II', dated 6-10 November 1953. Commissioned by the University College of Wales Dramatics Society, for a production at Aberystwyth of Jean Anouilh’s ‘Antigone’, November 1953, and recorded at Aberystwyth on 13th November, 1953, performed by: A.B. Thomas & J. Cynan Jones (horns); Hugh Jones (bassoon); Delwyn Tibbott (trombone); Jayne Filer (timpani); Edward Bor (violin 1); Jeffrey Francis (violin 2); Raymond Jeremy (viola); John Clapham (cello); and William Mathias (piano).

Draft score in ink and pencil, dated 23 August 1953, titled Opus 2: 'String Quartet No.1 in G'. The score includes parts for violins 1 and 2, viola, and cello.

Telegram and postcard from Grace Williams (composer), congratulating him on his wedding to Rhiannon and the birth of their son.

Minutes of Special General Meetings, Annual General Meetings, and meetings of the W.C.U. council, 1954-1975.

Draft score in ink with pencil annotations, dated 26 February-8 May 1955, titled Opus 5: 'Sonatina for Piano', and with a note in the hand of David Harries stating that this piece was performed by the composer at University College Wales Music Club, March and May 1955; and at Gregynog for the Congress of the Guild for Promotion of Welsh Music, June 1955.

Argraffiadau Taith Canada - drafftiau cyntaf ac yna'r drafft terfynol: Adroddiad ar yr Ymweliad â Chanada, Awst 18 - Tachwedd 18, 1955. (gwaith dwyieithog).

Araith Llwyd o'r Bryn, 'Cinio mawr Caerdydd,' a draddodwyd mewn cinio a gynhaliwyd i ddathlu fod gwartheg Cymru yn glir o'r diciâu. Mae araith Llwyd o'r Bryn yn ei law ei hun, ynghyd â chopi teipiedig a chyfieithiad, 'The cattle of Wales are free of tuberculosis'.

Papers relating to the Church Hall at Peterstone-super-Ely and a proposed application to the Carnegie United Kingdom Trust.

Ffotograff o aelodau Cymdeithas Gwrandawyr Cymru o flaen Y Llew Coch, Y Bala, [1956x1957], rhestr o'r aelodau yn ardal Penllyn a nodiadau pwyllgor.

Facsimile copy of ink score with pencil annotations, dated 24th September 1955 and titled ‘Suite for Children’. Composed for piano by William Mathias.

Draft score in ink and pencil, titled 'Opus 7: Epithalalium for Two Violins' and consisting of three parts: part 1, 'Fanfare and Wedding March' dated 1956; part 2, 'Hymn' dated 7 January 1961; and part 3, 'Dance' dated 11 January 1961. The manuscript also includes a typewritten biographical note (undated).

File of Group 56 executive committee member Eric Malthouse, comprising largely correspondence, 1956-1957, 1961 and undated, regarding 56 Group membership (including letters of membership acceptance addressed to Eric Malthouse from Robert (Bob) Hunter, Ernest Zobole, Arthur Giardelli and John Wright and a letter rejecting membership from artist and writer Brenda Chamberlain); together with Group manifesto of August 1956 and material relating to 56 Group exhibitions held in 1957 at Worcester Museum & Art Gallery, the National Museum of Wales in Cardiff, and Tenby Civic Centre. An undated letter to Group chairman Eric [Malthouse] from Bob [Robert Hunter] includes a humorous interpretation of the latter's relinquishing of his secretarial role in 1961.

Facsimile copy of ink score, dated 1956-1961, titled Opus 10: 'Canticle for Voice and Piano', and incorporating 'Words by Twentieth-Century Anglo-Welsh Poets'. Consisting of Part 1, 'Lean on the Rail' by Randal Jenkins, dated 12 January 1957; Part 2, 'I Will Give you a Golden Flower' by David Harries, dated16 December 1956; Part 3, 'Lie Still, Sleep Becalmed' by Dylan Thomas, dated 24 July 1957; Part 4, 'When I Was a Child' by R. S. Thomas, dated 24 November 1959; Part 5, 'Is There a Cause?' by Vernon Watkins, dated 21 April 1960; Part 6, 'In the Grass Gold Rings' by Roland Mathias, dated 10 May 1957; and Part 7, 'There is No Time' by Raymond Garlick, dated 24 January 1961.

Ink score with pencil annotations, dated 1956-1961 and titled Opus 10: 'Canticle for Tenor and Piano: Words by 20th-century Anglo-Welsh Poets'. The score is in seven parts: Part 1, 'Lean on the Rail' by Randal Jenkins, dated 12 January 1957; Part 2, 'I Will Give you a Golden Flower' by David Harries, dated 16 December 1956; Part 3, 'Lie Still, Sleep Becalmed' by Dylan Thomas, dated 24 July 1957; Part 4, 'When I was a Child' by R. S. Thomas, dated 24 November 1959; Part 5, 'Is There a Cause?' by Vernon Watkins, dated 21 April 1960; Part 6, 'In the Grass Gold Rings' by Roland Mathias, dated 10 May 1957; Part 7, 'There is No Time' by Raymond Garlick, dated 24 January 1961.

Bound facsimile copy of a rough score, dated July 1956-March 1959, titled Opus 9: 'Sinfonia da Camera (Horae Canonicae) For Chamber Ensemble' and including a typewritten note (unsigned). The rough score incorporates parts for flute, clarinet, bass clarinet, oboe, cor anglais, bassoon, trumpet, horn, trombone, violin, viola, and violoncello. Dedicated to Professor and Mrs Ian Parrott.