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Two facsimile copies of ink score, titled Opus 38: 'Orison for Organ', and dated 18 April- 3 September 1975. The work was commissioned by the North Wales Music Festival in association with the Welsh Arts Council, and first performed by Stephen Cleobury at St Asaph Cathedral. Dedicated to Alwena Harries.

Ink score, titled Opus 38: 'Orison for Organ', and dated 18 April-3 September 1975. The work was commissioned by the North Wales Music Festival in association with the Welsh Arts Council, and was first performed by Stephen Cleobury at St Asaph Cathedral. Dedicated to Alwena Harries.

Facsimile copy of ink score with pencil annotations, [1976], titled Opus 40: 'Symphony No.1'. Includes parts for flutes, oboes, clarinets, bassoons, horns 1, 2, 3, and 4, trumpets 1 and 2, trombones 1 and 2, bass, timpani, percussion, violins 1 and 2, viola, violoncello, and cello. The work was originally commissioned by the Fishguard Music Festival in association with the Welsh Arts Council, [1976]. Dedicated to Alwena Harries.

One facsimile copy and one ink copy of anthem, dated January 1977, and titled Opus 42: 'Dinas Gadarn'. Includes a typewritten note (unsigned) stating that the anthem was commissioned for the 700th anniversary of the Borough of Aberystwyth by Royston Harvard and the Madrigal Singers, University College Wales, Aberystwyth.

Facsimile copy of ink score, dated 1977, titled Opus 43: 'Piano Concerto'. The score was commissioned by the Llandaff Festival, 1977, with the assistance of the Welsh Arts Council. The file also includes a typewritten note, signed by David Harries discussing the piece, dated 26th November 1984. The score includes parts for flutes 1 and 2, oboes 1 and 2, clarinets 1 and 2, bassoons 1 and 2, horns 1, 2, 3 and 4, trumpets 1 and 2, trombones 1 and 2, bass trombone, timpani, percussion, piano, violins 1 and 2, viola, cello, and bass.

Draft score in pencil, titled 'Opus 43: Piano Concerto No.1'. Included with the manuscript is a typed descriptive and biographical note relating to the works and career of David Harries (undated). Commissioned by the Llandaff Festival, 1977.

Ink score in five parts, [1978], titled Opus 45: 'Canticle No.2: Five Poems of Roland Mathias for Voice & Piano'. The score was commissioned by the Cardiff Festival of 20th Century Music, with the assistance of the Welsh Arts Council.

Partial score, in ink and pencil, [1978], titled Opus 45: 'Canticle No.2: Five Poems of Roland Mathias For Voice and Piano'. The score was originally commissioned by the Cardiff Festival of 20th Century Music, with the assistance of the Welsh Arts Council.

Draft score in ink with pencil annotations, dated 26 February-8 May 1955, titled Opus 5: 'Sonatina for Piano', and with a note in the hand of David Harries stating that this piece was performed by the composer at University College Wales Music Club, March and May 1955; and at Gregynog for the Congress of the Guild for Promotion of Welsh Music, June 1955.

Facsimile copy of ink score for tenor, string quartet and piano, composed between February and May 1983, dated 27th June 1983 and titled Opus 51: 'Canticle No.3 The Sleeping Lord: Fragments of a Poem by David Jones.' The work was commissioned by the Guild for the Promotion of Welsh Music in association with the Welsh Arts Council for the Swansea Festival, 1983. The file also includes a typewritten copy of the poem 'The Sleeping Lord' by David Jones.

Facsimile copies of ink score, in four separate parts for violin 1, violin 2, viola, and cello, [1983], and titled Opus 5: Canticle No.3 The Sleeping Lord: Fragments of a Poem of David Jones'.

Facsimile copy of ink score, dated April-May 1985, and titled Opus 53: 'Myfyrdod: Contemplation for Orchestra'. Includes parts for tenor trombones 1 and 2, bass trombone, tuba, timpani, percussion, violins 1 and 2, viola, violoncello, cello, flutes 1, 2, and 3, oboes 1 and 2, clarinets 1 and 2, bass clarinet, bassoons 1, 2, and 3, trumpets 1 and 2, and harps 1 and 2. Dedicated to Peter Fletcher.

Two facsimile copies of ink score, dated April-May 1985, and titled Opus 53: 'Myfyrdod: Contemplation for Orchestra’. Includes parts for tenor trombones 1 and 2, bass trombone, tuba, timpani, percussion, violins 1 and 2, viola, violoncello, cello, flutes 1, 2, and 3, oboes 1 and 2, clarinets 1 and 2, bass clarinet, bassoons 1, 2, and 3, trumpets 1 and 2, and harps 1 and 2. Dedicated to Peter Fletcher.

Facsimile copy of ink score, dated 1985, and titled Opus 53; 'Myfyrdod: Contemplation for Orchestra Parts 1'. The score contains parts for flutes 1, 2, and 3; oboe 1, 2, and 3; clarinets 1, 2, and 3; bassoons 1, 2, and 3; horns 1,2, 3, and 4; and trumpets 1 and 2.

Facsimile copy of ink score, dated 1985, and titled Opus 53: 'Myfyrdod: Contemplation for Orchestra: Parts 2'. The score contains parts for trombones 1 and 2; bass trombone; tuba; harps 1 and 2; timpani; percussion; violins 1 and 2; viola; cello; and bass.

Facsimile copy of ink score, dated August 1985, and titled Opus 54: 'Carillons for Harp'. The work was commissioned by the North Wales Music Festival in association with the Welsh Arts Council, and first performed by Caryl Thomas at St. Asaph Cathedral on 25 September 1985. Dedicated to Yvonne and William Mathias.

Ink score, dated August 1985, titled Opus 54: 'Carillons for Harp (originals)'. The work was commissioned by the North Wales Music Festival in association with the Welsh Arts Council, and was first performed by Caryl Thomas at St. Asaph Cathedral on 25 September 1985. The piece is dedicated to Yvonne and William Mathias.

Facsimile copy of ink score, dated June 1986, and titled Opus 55: 'Piano Sonata No.2'.

Ink score, titled Opus 56: 'The Hymn to the Virgin: Canticle No.4 for Female Voices and Harp', and dated 1986. With words attributed to the 15th-century poet Ieuan ap Hywel Swrdwal. Written as one of a sequence of three works celebrating devotion to the Virgin Mary which include his Opus 57 (1/42) and Opus 58 (4/9 and 4/10).

Ink score, dated 1987, and titled Opus 57: 'Antiphons for Cello and Piano: Meditations on the Antiphons for the Blessed Virgin Mary'. Originally commissioned by the Lower Machen Festival in association with the Welsh Arts Council. Written as one of a sequence of three works celebrating devotion to the Virgin Mary which include his Opus 56 (4/8) and Opus 58 (4/9 and 4/10).