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Ink score, titled Opus 35: 'Make Haste So To Live: Anthem for Chorus and Organ', with words from 'The Principle and Foundation' by Gerard Manley Hopkins. Commissioned for the Guild for the Promotion of Welsh Music for the Fishguard Music Festival, 1972. Dedicated to John Davies.

Copy of published score for David Harries, 'Opus 35: Make Haste So To Live: Anthem for Chorus and Organ' (Cardigan: Samuel King, 1992). The score was originally commissioned by the Guild for the Promotion of Welsh Music for the Fishguard Music Festival, 1972.

Ink score, dated 1972, and titled Opus 36: 'Three Poems of Tagore for Tenor and Orchestra', based on the poems 'In the World's Audience Hall', 'I Hunt for the Golden Stag', and 'Across an Hundred Years' by Rabindranath Tagore. Including parts for flutes, oboe, clarinets, cornets, bassoon, trumpets, trombones, timpani, percussion, violins 1 and 2, viola, violoncello, cello, and bass. The work was originally commissioned by the University College of Wales, Aberystwyth, on the occasion of its centenary, in association with the Welsh Arts Council, and first performed by Kenneth Bowen and the BBC Welsh Orchestra, conducted by David Harries, Great Hall, Aberystwyth October 1972.

Facsimile copy of ink score, dated 1974, and titled Opus 37: 'Overture: The Three Men'. Includes parts for flutes, oboes, clarinets, cornets, trumpets, trombones, bass trombone, timpani, percussion, violins 1 and 2, viola, violoncello, cello, and bass. The work was originally commissioned for the Llandaff Festival, 1974, with assistance from the Welsh Arts Council. Dedicated to Alwena Harries.

Ink score, dated 1974, and titled Opus 37: 'Overture: The Three Men'. Includes parts for flutes, oboes, clarinets, cornets, trumpets, trombones, bass trombone, timpani, percussion, violins 1 and 2, viola, violoncello, cello, and bass. The work was originally commissioned for the Llandaff Festival, 1974, with assistance from the Welsh Arts Council.

Two facsimile copies of ink score, titled Opus 38: 'Orison for Organ', and dated 18 April- 3 September 1975. The work was commissioned by the North Wales Music Festival in association with the Welsh Arts Council, and first performed by Stephen Cleobury at St Asaph Cathedral. Dedicated to Alwena Harries.

Ink score, titled Opus 38: 'Orison for Organ', and dated 18 April-3 September 1975. The work was commissioned by the North Wales Music Festival in association with the Welsh Arts Council, and was first performed by Stephen Cleobury at St Asaph Cathedral. Dedicated to Alwena Harries.

Facsimile copy of ink score with pencil annotations, [1976], titled Opus 40: 'Symphony No.1'. Includes parts for flutes, oboes, clarinets, bassoons, horns 1, 2, 3, and 4, trumpets 1 and 2, trombones 1 and 2, bass, timpani, percussion, violins 1 and 2, viola, violoncello, and cello. The work was originally commissioned by the Fishguard Music Festival in association with the Welsh Arts Council, [1976]. Dedicated to Alwena Harries.

One facsimile copy and one ink copy of anthem, dated January 1977, and titled Opus 42: 'Dinas Gadarn'. Includes a typewritten note (unsigned) stating that the anthem was commissioned for the 700th anniversary of the Borough of Aberystwyth by Royston Harvard and the Madrigal Singers, University College Wales, Aberystwyth.

Facsimile copy of ink score, dated 1977, titled Opus 43: 'Piano Concerto'. The score was commissioned by the Llandaff Festival, 1977, with the assistance of the Welsh Arts Council. The file also includes a typewritten note, signed by David Harries discussing the piece, dated 26th November 1984. The score includes parts for flutes 1 and 2, oboes 1 and 2, clarinets 1 and 2, bassoons 1 and 2, horns 1, 2, 3 and 4, trumpets 1 and 2, trombones 1 and 2, bass trombone, timpani, percussion, piano, violins 1 and 2, viola, cello, and bass.

Draft score in pencil, titled 'Opus 43: Piano Concerto No.1'. Included with the manuscript is a typed descriptive and biographical note relating to the works and career of David Harries (undated). Commissioned by the Llandaff Festival, 1977.

Ink score in five parts, [1978], titled Opus 45: 'Canticle No.2: Five Poems of Roland Mathias for Voice & Piano'. The score was commissioned by the Cardiff Festival of 20th Century Music, with the assistance of the Welsh Arts Council.

Partial score, in ink and pencil, [1978], titled Opus 45: 'Canticle No.2: Five Poems of Roland Mathias For Voice and Piano'. The score was originally commissioned by the Cardiff Festival of 20th Century Music, with the assistance of the Welsh Arts Council.

Facsimile and ink scores for all instrument parts for the orchestral composition Opus 48: 'Princes of Gwynedd: Symphonic Impressions' (1979), including rough score and list of instruments. A note about the commissioning of the piece included in the series explains that the work was commissioned by the Royal National Eisteddfod of Wales, Caernarfon 1979, in association with the Welsh Arts Council, and first performed in Caernarfon in August 1979 by the BBC Welsh Symphony Orchestra conducted by David Lloyd Jones. The piece consists of four movements based on impressions of the medieval Welsh princes Maelgwn Gwynedd, Cadwaladr Fendigaid, Owain Gwynedd, and Llewelyn ap Gruffudd.

Draft score in ink with pencil annotations, dated 26 February-8 May 1955, titled Opus 5: 'Sonatina for Piano', and with a note in the hand of David Harries stating that this piece was performed by the composer at University College Wales Music Club, March and May 1955; and at Gregynog for the Congress of the Guild for Promotion of Welsh Music, June 1955.

Facsimile copy of ink score for tenor, string quartet and piano, composed between February and May 1983, dated 27th June 1983 and titled Opus 51: 'Canticle No.3 The Sleeping Lord: Fragments of a Poem by David Jones.' The work was commissioned by the Guild for the Promotion of Welsh Music in association with the Welsh Arts Council for the Swansea Festival, 1983. The file also includes a typewritten copy of the poem 'The Sleeping Lord' by David Jones.

Facsimile copies of ink score, in four separate parts for violin 1, violin 2, viola, and cello, [1983], and titled Opus 5: Canticle No.3 The Sleeping Lord: Fragments of a Poem of David Jones'.

Facsimile copy of ink score, dated April-May 1985, and titled Opus 53: 'Myfyrdod: Contemplation for Orchestra'. Includes parts for tenor trombones 1 and 2, bass trombone, tuba, timpani, percussion, violins 1 and 2, viola, violoncello, cello, flutes 1, 2, and 3, oboes 1 and 2, clarinets 1 and 2, bass clarinet, bassoons 1, 2, and 3, trumpets 1 and 2, and harps 1 and 2. Dedicated to Peter Fletcher.

Two facsimile copies of ink score, dated April-May 1985, and titled Opus 53: 'Myfyrdod: Contemplation for Orchestra’. Includes parts for tenor trombones 1 and 2, bass trombone, tuba, timpani, percussion, violins 1 and 2, viola, violoncello, cello, flutes 1, 2, and 3, oboes 1 and 2, clarinets 1 and 2, bass clarinet, bassoons 1, 2, and 3, trumpets 1 and 2, and harps 1 and 2. Dedicated to Peter Fletcher.

Facsimile copy of ink score, dated 1985, and titled Opus 53; 'Myfyrdod: Contemplation for Orchestra Parts 1'. The score contains parts for flutes 1, 2, and 3; oboe 1, 2, and 3; clarinets 1, 2, and 3; bassoons 1, 2, and 3; horns 1,2, 3, and 4; and trumpets 1 and 2.