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Copy of published score for David Harries, 'Opus 35: Make Haste So To Live: Anthem for Chorus and Organ' (Cardigan: Samuel King, 1992). The score was originally commissioned by the Guild for the Promotion of Welsh Music for the Fishguard Music Festival, 1972.

Copy of published score for David Harries, 'Opus 64: Psalm 8: O Lord, Our Lord' (Cardigan: Samuel King, 1992). Originally commissioned by John Davies and the Pembrokeshire Youth Choir in association with the Welsh Arts Council.

Four copies of a score for Opus 24 No.2: 'O Come, Let Us Sing Unto the Lord (Psalm 95: Vemite, exultemus Domino) for Chorus and Organ', including one draft score in ink with pencil annotations, dated 14 July 1966; one ink score, dated July 1966; and two facsimile copies of the ink score, both also dated July 1966.

Published copy of score titled Opus 24 No.1: 'Christ Child: Christmas Carol' (Oxford: Oxford University Press, 1967).

Ink score, titled Opus 35: 'Make Haste So To Live: Anthem for Chorus and Organ', with words from 'The Principle and Foundation' by Gerard Manley Hopkins. Commissioned for the Guild for the Promotion of Welsh Music for the Fishguard Music Festival, 1972. Dedicated to John Davies.

Facsimile copy of ink score, titled Opus 35: 'Make Haste So To Live: Anthem for Chorus and Organ', with words from 'The Principle and Foundation' by Gerard Manley Hopkins. Commissioned for the Guild for the Promotion of Welsh Music for the Fishguard Music Festival, 1972. Dedicated to John Davies.

Ink score, titled Opus 38: 'Orison for Organ', and dated 18 April-3 September 1975. The work was commissioned by the North Wales Music Festival in association with the Welsh Arts Council, and was first performed by Stephen Cleobury at St Asaph Cathedral. Dedicated to Alwena Harries.

Two facsimile copies of ink score, titled Opus 38: 'Orison for Organ', and dated 18 April- 3 September 1975. The work was commissioned by the North Wales Music Festival in association with the Welsh Arts Council, and first performed by Stephen Cleobury at St Asaph Cathedral. Dedicated to Alwena Harries.

Ink score, titled Opus 56: 'The Hymn to the Virgin: Canticle No.4 for Female Voices and Harp', and dated 1986. With words attributed to the 15th-century poet Ieuan ap Hywel Swrdwal. Written as one of a sequence of three works celebrating devotion to the Virgin Mary which include his Opus 57 (1/42) and Opus 58 (4/9 and 4/10).

Facsimile copy of ink score with typewritten notes and handwritten lyrics in the hand of the composer, titled Opus 58: 'Queen of Paradise: A Sequence of Carols to the Blessed Virgin Mary for Chorus and Organ', dated 1987. Commissioned by the Cardiff Festival of Music in association with the Welsh Arts Council, and first performed at St Germains Church, Cardiff, 4 December 1987 by the John Davies Singers, conducted by John Davies and with organ played by Huw Tregelles Williams. Written as one of a sequence of three works celebrating devotion to the Virgin Mary which include his Opus 56 (4/8), Opus 57 (1/42) and Opus 58 (4/10).

Facsimile and ink scores for all instrument parts for the orchestral composition Opus 48: 'Princes of Gwynedd: Symphonic Impressions' (1979), including rough score and list of instruments. A note about the commissioning of the piece included in the series explains that the work was commissioned by the Royal National Eisteddfod of Wales, Caernarfon 1979, in association with the Welsh Arts Council, and first performed in Caernarfon in August 1979 by the BBC Welsh Symphony Orchestra conducted by David Lloyd Jones. The piece consists of four movements based on impressions of the medieval Welsh princes Maelgwn Gwynedd, Cadwaladr Fendigaid, Owain Gwynedd, and Llewelyn ap Gruffudd.

Ink score, for all instrument parts for Opus 48: 'Princes of Gwynedd' (1979). Includes parts for flutes, oboes, clarinets, bassoon, horns, trumpets, trombones, timpani, percussion, harp, violins 1 and 2, viola, violoncello, bass, and cello. Dedicated to Roy Bohana.
The file also includes a typewritten note (unsigned).

1 ink score with pencil annotations, for the part of Oboe 1 in Opus 48: 'Princes of Gwynedd' [1979].

Facsimile copy of ink score, with pencil annotations, for the part of Oboe 2 in Opus 48: 'Princes of Gwynedd' [1979].

Ink score with pencil annotations, for the part of Clarinet 1 in Opus 48: 'Princes of Gwynedd' [1979].

Ink score with pencil annotations, for the part of Clarinet 2 in Opus 48: 'Princes of Gwynedd' [1979].

Ink score with pencil annotations, for the part of Bassoon 1 in Opus 48: 'Princes of Gwynedd' [1979].

Ink score with pencil annotations, for the part of Bassoon 2 in Opus 48: 'Princes of Gwynedd' [1979].

1 ink score and 1 facsimile copy, with differing pencil annotations, for the part of Horn 1 in Opus 48: 'Princes of Gwynedd' [1979].

Ink score with pencil annotations, for the part of Horn 2 in Opus 48: 'Princes of Gwynedd' [1979].