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1 ink score and 5 facsimile copies with differing pencil annotations, for the part of Violin 1 in Opus 48: 'Princes of Gwynedd' (1979).

Facsimile copy of ink score, with pencil annotations, for the part of Oboe 2 in Opus 48: 'Princes of Gwynedd' [1979].

1 ink score with pencil annotations, for the part of Trumpet 1 in Opus 48: 'Princes of Gwynedd'. Dated 6 August 1979.

1 ink score with pencil annotations, for the part of Trumpet 2 in Opus 48: 'Princes of Gwynedd' [1979].

Ink score with pencil annotations, for the part of Trombone 1 in Opus 48: 'Princes of Gwynedd' [1979].

Ink score with pencil annotations, for the part of Trombone 2 in Opus 48: 'Princes of Gwynedd' [1979].

1 ink score with pencil annotations, for the part of Timpani in Opus 48: 'Princes of Gwynedd' [1979].

Facsimile copy of ink score for tenor, string quartet and piano, composed between February and May 1983, dated 27th June 1983 and titled Opus 51: 'Canticle No.3 The Sleeping Lord: Fragments of a Poem by David Jones.' The work was commissioned by the Guild for the Promotion of Welsh Music in association with the Welsh Arts Council for the Swansea Festival, 1983. The file also includes a typewritten copy of the poem 'The Sleeping Lord' by David Jones.

Facsimile copies of ink score, in four separate parts for violin 1, violin 2, viola, and cello, [1983], and titled Opus 5: Canticle No.3 The Sleeping Lord: Fragments of a Poem of David Jones'.

Facsimile copy of ink score, dated August 1985, and titled Opus 54: 'Carillons for Harp'. The work was commissioned by the North Wales Music Festival in association with the Welsh Arts Council, and first performed by Caryl Thomas at St. Asaph Cathedral on 25 September 1985. Dedicated to Yvonne and William Mathias.

Facsimile copy of ink score, dated April-May 1985, and titled Opus 53: 'Myfyrdod: Contemplation for Orchestra'. Includes parts for tenor trombones 1 and 2, bass trombone, tuba, timpani, percussion, violins 1 and 2, viola, violoncello, cello, flutes 1, 2, and 3, oboes 1 and 2, clarinets 1 and 2, bass clarinet, bassoons 1, 2, and 3, trumpets 1 and 2, and harps 1 and 2. Dedicated to Peter Fletcher.

Two facsimile copies of ink score, dated April-May 1985, and titled Opus 53: 'Myfyrdod: Contemplation for Orchestra’. Includes parts for tenor trombones 1 and 2, bass trombone, tuba, timpani, percussion, violins 1 and 2, viola, violoncello, cello, flutes 1, 2, and 3, oboes 1 and 2, clarinets 1 and 2, bass clarinet, bassoons 1, 2, and 3, trumpets 1 and 2, and harps 1 and 2. Dedicated to Peter Fletcher.

Facsimile copy of ink score, dated 1985, and titled Opus 53; 'Myfyrdod: Contemplation for Orchestra Parts 1'. The score contains parts for flutes 1, 2, and 3; oboe 1, 2, and 3; clarinets 1, 2, and 3; bassoons 1, 2, and 3; horns 1,2, 3, and 4; and trumpets 1 and 2.

Facsimile copy of ink score, dated 1985, and titled Opus 53: 'Myfyrdod: Contemplation for Orchestra: Parts 2'. The score contains parts for trombones 1 and 2; bass trombone; tuba; harps 1 and 2; timpani; percussion; violins 1 and 2; viola; cello; and bass.

Ink score, dated August 1985, titled Opus 54: 'Carillons for Harp (originals)'. The work was commissioned by the North Wales Music Festival in association with the Welsh Arts Council, and was first performed by Caryl Thomas at St. Asaph Cathedral on 25 September 1985. The piece is dedicated to Yvonne and William Mathias.

Facsimile copy of ink score, dated June 1986, and titled Opus 55: 'Piano Sonata No.2'.

Ink score, titled Opus 56: 'The Hymn to the Virgin: Canticle No.4 for Female Voices and Harp', and dated 1986. With words attributed to the 15th-century poet Ieuan ap Hywel Swrdwal. Written as one of a sequence of three works celebrating devotion to the Virgin Mary which include his Opus 57 (1/42) and Opus 58 (4/9 and 4/10).

Ink score, dated 1987, and titled Opus 57: 'Antiphons for Cello and Piano: Meditations on the Antiphons for the Blessed Virgin Mary'. Originally commissioned by the Lower Machen Festival in association with the Welsh Arts Council. Written as one of a sequence of three works celebrating devotion to the Virgin Mary which include his Opus 56 (4/8) and Opus 58 (4/9 and 4/10).

Facsimile copy of ink score with typewritten notes and handwritten lyrics in the hand of the composer, titled Opus 58: 'Queen of Paradise: A Sequence of Carols to the Blessed Virgin Mary for Chorus and Organ', dated 1987. Commissioned by the Cardiff Festival of Music in association with the Welsh Arts Council, and first performed at St Germains Church, Cardiff, 4 December 1987 by the John Davies Singers, conducted by John Davies and with organ played by Huw Tregelles Williams. Written as one of a sequence of three works celebrating devotion to the Virgin Mary which include his Opus 56 (4/8), Opus 57 (1/42) and Opus 58 (4/10).

Ink score, titled Opus 58: 'Queen of Paradise: A Sequence of Carols to the Blessed Virgin Mary for Chorus and Organ', [1987]. Commissioned by the Cardiff Festival of Music in association with the Welsh Arts Council. Written as one of a sequence of three works celebrating devotion to the Virgin Mary which include his Opus 57 (1/42), Opus 56 (4/8) and Opus 58 (4/9).