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Correspondence and papers relating to the creation, arrangement and administration of the Haearn production, including drafts, workings and translations of the production scripts; papers regarding scenographic elements such as lighting, equipment and props; research material; workplans and timetables; site plans and scenographic plans; performance structures, scenarios, storyboards and scores; notes for performers; budgets; and negatives and copies of photographs of the venue; together with correspondence and papers regarding the televised version and relating to possible UK and foreign re-stagings.

A copy of a lecture given by Lis Hughes Jones at Ile Festival Voix de Femmes, Liège.

Correspondence and papers, mainly regarding arrangements, relating to Brith Gof’s participation in the Institute for Theatrical Experimentation and Research (ITER) festival – Waves – in Copenhagen, where they held two workshops and performed Disasters of War; and also including festival publicity materials, information about ITER, including a copy of their magazine, and reviews, some of which relate to a performance of Disasters of War in Ireland.

Correspondence and papers relating mainly to the Bible Festival and the designing and making of the Bible banners for the festival, including design watercolour paintings of the banners, font and script examples, design sketches, devising notes, research material, location designs and production notes and recipes; together with photographs of the banners and banners in location at Llanrhaeadr-ym-Mochnant and a plan of Llanrhaear-ym-Mochnant noting the location of the banners.

Correspondence and papers relating to the development and arrangement of the production, regarding matters such as the arrangement of equipment and venue, research, financial assistance and filming; including also contacts details, product brochures, budgets and budget notes, details of contractual and financial conditions, papers relating to ordering/purchasing aerial photographs and ordnance survey maps, a copy of the production update paper, minutes of a meeting between Suzie Boyd and Clifford McLucas and papers relating to the musical aspect of the production.

Notes by [Clifford McLucas] relating to the development of Pax.

Two sets of handwritten notes relating to the development of the Pax production; together with an open letter from [Lis Hughes Jones] regarding how to move forward and the issues involved.

Correspondence and papers relating to the development, funding and commissioning of the television version of the Patagonia production, including proposals, budgets, funding applications, production information and some devising notes; together with the text of an appendix to the outline proposal.

A notebook containing research notes and material, draft scripts and script notes, ideas and notes on structure.

Correspondence and papers relating to the preparation of the production text and script, including research material relating to Tryweryn and mental health issues, copies of extracts of text from this or possibly another production, and a copy of the script; together with general notes, plans and notes about the video footage, scenographic designs, and letters regarding the performance and the production music.

A spiral notebook containing [Clifford McLucas'] devising notes and papers, comprising ideas, sketches, scenographic sketches and designs, including a draft copy of a Prydain scenography booklet, copies of pages from the Sabotage production booklet, action/performance directions, and publicity material designs.

A notebook of devising notes for the production, including scenographic designs and sketches, research material and notes, draft production [score], notes on structure, scripts and texts, soundtrack, video details and for publicity material.

Devising notes and sketches by [Clifford McLucas], including general ideas, technical details and performance structure; together with some scenographic sketches.

Devising notes comprising facts about the bombing and aftermath, possibly to be used in the production together with papers that appear to be the texts for the Hiroshima production and notes regarding music and the soundtrack

A spiral notebook containing notes and sketches in the hand of [Clifford McLucas] relating to a number of productions/projects, including notes relating to Hafod and the Hafod production; notes and structure designs relating to the work at the National Eisteddfod in [?1995] and 1996; and notes relating to the Eddie Ladd production Once Upon a Time in the West; together with notes relating to the Tri Bywyd production and the Tri Bywyd publication, namely Clifford McLucas' chapter in the publication edited by Nick Kaye: Site-Specific Art: Performance, Place and Documentation.

Devising notes and papers by [Clifford McLucas] relating to the strucutre and form of the production, and including copies of the schematic scenario, narrative structure and storyboards.

Devising notes by Clifford McLucas possibly for a visual or production score for the Haearn production.

Research and devising notes by [Clifford McLucas] for the Haearn production, relating to themes, structure and scripts.

A spiral notebook containing devising sketches and notes, research papers and notes, development and outline plans, draft text for the proposal and draft production [scores]; and also including correspondence and papers relating to architecture events at Chapter; together with additional notes and scenographic designs, some of which were also used in Clifford McLucas' chapter in the publication edited by Nick Kaye: Site-Specific Art: Performance, Place and Documentation and the proposed Host and the Ghost publication.

Devising notes and papers by [Clifford McLucas] mainly relating to the venue, set and scenographic elements of the Haearn production; together with some research papers relating to robots.