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Ink score with pencil annotations, dated December 1958 to 3rd September 1959, and titled Opus 11: 'Prolegomena: Variations for String Orchestra'. Including parts for violins 1 and 2, viola, violoncello, cello, and bass.

Material relating to the 56 Group's Welsh Committee of the Arts Council of Great Britain tour exhibitions which took place at the National Museum of Wales, Cardiff and the Glynn Vivian Art Gallery, Swansea, 1960, comprising correspondence, including circular letters, between Group representatives and other members and the Arts Council of Great Britain, exhibition venues and Lady Megan Lloyd George; and related material, including lists of exhibiting artists and their works.

Small number of letter from O.U.P. regarding 'Clarinet Concerto' and a personal reference from Alan Frank, Music Department (1958-1959) and a covering letter for tickets to the Prom, 28 July 1999.

Original ink score, dated December 1958-3 September 1959’ and titled 'Opus 11: Prolegomena: Variations for String Orchestra'. The score includes parts for violin 1, violin 2, viola, cello, and bass; and separate scores for the parts of violin 1, violin 2, and viola.
Dedicated to Eileen.

Ink score with pencil annotations, dated 3 September 1959, and titled Opus 11: 'Movements From "Prolegomena: Variations for Strings" '. The work consists of a rough score, with separate instrument parts for the epilogue, including parts for violins 1 and 2, viola, violoncello, cello, and double bass.

Tri ffotograff o ginio blynyddol yr undeb yn cynnwys yr Ysgrifennydd Cyffredinol cyntaf Philip Davies, [1955] a ffotograff o Sioe Frenhinol Cymru, Port Talbot, 1959.

Ink score, dated February 1959, titled Opus 8 No.2: 'Three Stanzas for Violin and Violoncello'. First composed May-June 1956, with this copy transcribed in February 1959.

Ink score with pencil annotations, of a 1959 revision of the work titled Opus 1: ‘Nocturne and Scherzo for Orchestra’, including parts for clarinet, violins 1 and 2, viola, violoncello, oboe, bassoon, timpani, flute, trumpet, and horns 1 and 2. The piece was first written in 1952 as 'Introduction (Quasi Notturno) and Allegro Scherzoso' for string quintet, based on the Welsh folk-melodies 'Hun Gwenllian' and 'Hela'r 'Sgyfarnog'. The original piece was awarded a prize in the composition section at the National Eisteddfod of Wales, Aberystwyth (1952), and was first performed at University College Wales, Aberystwyth, in 1953.

Casgliad o rifynnau Yr Anrheg, rhifau 1-39 (rhifau 2, 6, 9-10, 12, 16-17, 33 yn eisiau).

Datganiad ar ddiwrnod dadorchuddio Gilfach Goffa Owen Morgan Edwards, wedi ei arwyddo gan R E Griffith, Gwenan Jones a Cynfab Roberts.

Correspondence, 1960-1967, 1969, 1972-1974, 1978, between Group secretaries Pat Cross, Elisabeth Elias and Mary Griffiths, Group chairman Arthur Giardelli and Group treasurer David Tinker and the Calouste Gulbenkian Foundation. Some folios annotated by Mary Griffiths, one annotated by Arthur Giardelli.

Llyfr lloffion Aelwyd Caernarfon rhwng 1960 a 1969 yn cynnwys torriadau papur newydd, tystysgrifau a lluniau o weithgarwch amrywiol yr Aelwyd.

Casgliad o doriadau papur newydd a newyddiadur yn ymwneud â gweithgareddau a digwyddiadau amrywiol yr Urdd.

File of 56 Group secretary Pat Cross, comprising correspondence, 1962-1963, between Pat Cross and Group executive committee members Eric Malthouse, Arthur Giardelli and David Tinker (subject-matter including Pat Cross's resignation as Group secretary in 1963), between Pat Cross and her husband, Tom, and between Pat Cross and incoming Group secretary Mary Griffiths; secretarial notes, [1963], presumably made by Pat Cross; and a report of an informal Group meeting held 10 May 1962. Two of the letters are annotated by Pat Cross and three letters bear what appear to be a child's scribbles.

Material relating to the 56 Group's Paintings & Sculpture exhibition tour of 1962, including correspondence, 1961-1963, largely between Group secretary Pat Cross, Group chairman Eric Malthouse and exhibition venues; press release; invoices, statements and receipts; and draft text for exhibition catalogue.

Chairman's agendas and minutes of 56 Group/56 Group Wales Annual General Meetings and Extraordinary General Meetings, 1961-1975, with related correspondence, together with the Publicity Officer's Report for 1964/5 and a Group Constitution of 1961. Some folios annotated by Group secretaries Pat Cross and Mary Griffiths and others. One folio contains a doodle incorporating the name 'Mary Griffiths' by Group member Mervyn Baldwin.

56 Group/56 Group Wales annual reports, 1961-1998, and Group chairs' reports, 2010-2011, together with related correspondence, photocopies press reports/reviews, chairman's agendas, secretary's covering letters, and a discussion paper by Group chairman Arthur Giardelli. The Group annual reports for 1983-1984 and 1991-1992 are duplicated. Kept in a separate archival envelope but included in this folder are: Correspondence, 1992, 1994, 1998, relating to the receipt of Group annual reports by various Welsh bodies; a circular, 1987, to Group members from Group secretary Mary Griffiths; two postcards, 1997-1998, to Group secretary Bob Weir from art historian and author David Fraser Jenkins; and mailing lists for Group annual reports, 1987-1993, 1996/97. Some folios are annotated by Group secretary Mary Griffiths and others.

Bound facsimile copy of ink score, dated 11 January 1961, and titled Opus 12: 'Epithalamium For Two Violins'. Dedicated to Edward Bor and Edith O'Hanrahan.

Ink score, [1961], consisting of the first part of the work titled Opus 14: 'Noctuary: Five Sonnets of Gerard Manley Hopkins for Chorus and String Orchestra'. Originally commissioned for the BBC in Wales, the work includes parts for violins 1 and 2, viola, cello, and bass.