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Information and copies of original documents relating to the abolition of the death penalty in Britain.

Papers relating to the deep mapping work and projects carried out by Clifford McLucas, including the Three Landscapes Project and the San Quentin Codex whilst at Stanford University, California; the Pembrokeshire Coastal Path project; and proposed deep mapping projects for S4C and the BBC; together with more general papers relating to his mapping work.

Design materials and notes for the Bible Banners project, including design drawings of the banners, images of the work in progress and the finished banners; designs, instructions, draft text and proof copies of the project booklet; together with project headed notepaper and compliment slip.

Design notes for the Three Landscapes book, including layout notes and notes regarding [the word count, pixel count] and text; together with a task list and an article from the Cambrian News relating to Hafod.

Designs and instructions for the project booklet, including illustration designs and a mock-up of the publication; together with slides showing some of the banners and the work on the banners.

Devising notes with sketches and plans for the works and the display of the works at the Aberystwyth Arts Centre exhibition.

Devising notes for The Second Coming production, including sketches and plans, notes for an application to the Gulbenkian, together with publicity material and reviews.

Loose papers including notes about Glasgow, a stage plan, drawings and copies of maps, relating to the Stormy Waters production.

Devising notes for the Three Landscapes project, including plans and research material, and draft and proof copies of project documentation; together with papers relating to other projects including the Pembrokeshire Coastal Path project, the installation at 2002 Eisteddfod in St Davids, the Na Ladd installation and the Bible Banners project.

Draft sketches of designs that were included in the users' manual and a proof copy of the manual, together with a draft copy of notes to go in the application to the Gulbenkian.

Diary entries recording his time as artist in residence.

A discussion document prepared by Clifford McLucas for the Welsh Arts Council's Film and Video Panel: ' . . To Seek to Develop a Cultural Policy for the Support of Independent Video and Film Work in Wales'.

A Barn Centre discussion document produced for a Barn Centre council meeting and relating to a process of re-assessment within the Barn Centre.

Discussion notes from the first Production Working Group meeting relating to the funding of productions by the Welsh Arts Council film department, presented as questions and answers.

A booklet containing a first draft of a discussion paper: 'Site-specific Media Education – 1989-1990'.

A discussion paper written by Clifford McLucas regarding the role of the Independent Film, Video and Photography Association (Wales) in Wales; including a draft copy of the paper.

Papers relating to the discussions that were part of the Three Landscapes project, relating to a variety of subjects and which were possibly published, including photocopied extracts from a book on aesthetics, notes of [important sections of books], conference papers by Wolfgang Welsch, draft copies of a list of topics for the discussions, a draft copy of a lecture 'Tir na welodd neb erioed', information about publishing from the University of Wales press and a draft copy of the end of year report.

Designs, which are presumably for part of the display area at the exhibition, and including sketches relating to the plan to draw his own shadow at the exhibition using the changing light.

Draft and final copies of the report on the Dyfed Media Residency.