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Correspondence relating to the Lla’th (Gwynfyd) production, including a letter regarding a tv licence for Bwlchllan, a letter from Eddie Ladd regarding a feature on Y Sioe Gelf; together with a letter from Sean Fletcher of a more personal nature but asking if there is any work with Brith Gof.

Correspondence relating to the Pax production, regarding matters such as promoting Pax and discussing performing Pax at various venues, reactions to performances, and auditions for the production; together with some correspondence relating to Brith Gof activities in general.

Correspondence regarding arrangements for the staging of Prydain at Glasgow and the development of the production.

Correspondence and papers relating to arranging costumes for [Pax], including clothing company brochures, pages from fashion magazines and a list of measurements of cast members.

Correspondence and papers relating to the creation, arrangement and administration of the Haearn production, including drafts, workings and translations of the production scripts; papers regarding scenographic elements such as lighting, equipment and props; research material; workplans and timetables; site plans and scenographic plans; performance structures, scenarios, storyboards and scores; notes for performers; budgets; and negatives and copies of photographs of the venue; together with correspondence and papers regarding the televised version and relating to possible UK and foreign re-stagings.

A copy of a lecture given by Lis Hughes Jones at Ile Festival Voix de Femmes, Liège.

Papers relating to the Cusanu Esgyrn production including a copy of production texts/scripts, publicity material, photographs and a file of Giles Parbury's papers containing correspondence and papers relating to administrative and financial matters, the arrangement of the production and including production texts.

Papers relating to the Dead Men's Shoes production including information and publicity material, performance photographs, a book regarding Antarctica and a review of the performance.

Correspondence and papers, mainly regarding arrangements, relating to Brith Gof’s participation in the Institute for Theatrical Experimentation and Research (ITER) festival – Waves – in Copenhagen, where they held two workshops and performed Disasters of War; and also including festival publicity materials, information about ITER, including a copy of their magazine, and reviews, some of which relate to a performance of Disasters of War in Ireland.

Papers relating to the Der Gefesselte production including publicity material and photographs.

Correspondence and papers relating mainly to the Bible Festival and the designing and making of the Bible banners for the festival, including design watercolour paintings of the banners, font and script examples, design sketches, devising notes, research material, location designs and production notes and recipes; together with photographs of the banners and banners in location at Llanrhaeadr-ym-Mochnant and a plan of Llanrhaear-ym-Mochnant noting the location of the banners.

Correspondence and papers relating to the development and arrangement of the production, regarding matters such as the arrangement of equipment and venue, research, financial assistance and filming; including also contacts details, product brochures, budgets and budget notes, details of contractual and financial conditions, papers relating to ordering/purchasing aerial photographs and ordnance survey maps, a copy of the production update paper, minutes of a meeting between Suzie Boyd and Clifford McLucas and papers relating to the musical aspect of the production.

Notes by [Clifford McLucas] relating to the development of Pax.

Two sets of handwritten notes relating to the development of the Pax production; together with an open letter from [Lis Hughes Jones] regarding how to move forward and the issues involved.

Correspondence and papers relating to the development, funding and commissioning of the television version of the Patagonia production, including proposals, budgets, funding applications, production information and some devising notes; together with the text of an appendix to the outline proposal.

A notebook containing research notes and material, draft scripts and script notes, ideas and notes on structure.

Correspondence and papers relating to the preparation of the production text and script, including research material relating to Tryweryn and mental health issues, copies of extracts of text from this or possibly another production, and a copy of the script; together with general notes, plans and notes about the video footage, scenographic designs, and letters regarding the performance and the production music.

A spiral notebook containing [Clifford McLucas'] devising notes and papers, comprising ideas, sketches, scenographic sketches and designs, including a draft copy of a Prydain scenography booklet, copies of pages from the Sabotage production booklet, action/performance directions, and publicity material designs.

A notebook of devising notes for the production, including scenographic designs and sketches, research material and notes, draft production [score], notes on structure, scripts and texts, soundtrack, video details and for publicity material.

Devising notes and sketches by [Clifford McLucas], including general ideas, technical details and performance structure; together with some scenographic sketches.